thank you so much, its like sliding down my throat up in my ears from the wrong way. It helped.

core loader

Smiling In Slow Motion

Written by Michael Gunson and Noa Kurzweil
Lyrics by Noa

Artwork Noa Kurzweil

Had 2b ft. Noa

A Grisaille Wedding

Summon the Spirit / Demon (feat. Voice Actor)

KMT KI Media 2025 (29.10.2025)
Album Nr. 180 "Too Late Now by KMT" - Style: Various Genres | Tracks: 30 (ai generated)
Lyric: English

Thema: Too Late Now is a poignant exploration of regret, missed opportunities, and the haunting echoes of yesterday. From soulful blues to ethereal electronic soundscapes and raw indie rock, this album delves into the depths of heartbreak and the pain of unspoken words.

Each song is a reflection on time slipping away, relationships fractured beyond repair, and the desperate yearning for a second chance. Immerse yourself in a world of sorrowful melodies, haunting harmonies, and the bittersweet acceptance of a past that can never be changed.

Track 01: Unspoken Shadows
alternative rock, ballad

Track 03: Just a Memory
Lo-Fi, Chillhop, Ballad

Track 05: Too Late to Stay
classical, orchestral, choral

Track 07: Too Late to Hold You
country, folk, ballad

Track 09: Invisible Heartbeat
electronic, ambient, ballad

Track 11: Too Late for Yesterday
blues, soul, acoustic

Track 13: Too Late to Mend
dark pop, emo, ballad

Track 15: Too Late for Us
indie folk, acoustic, ballad

Track 17: Never Was, Never Will Be
Synthwave, Retrowave, Ballad

Track 19: Not Too Late
gospel, soul, ballad

Track 21: Nightmare's Grip
dream pop, shoegaze, ballad

Track 23: Too Late to Hold On
jazz, ballad

Track 25: Gone Too Soon
Classical, Neo-Classical, Ballad

Track 27: Too Late
alternative, indie rock, ballad

Track 29: Shadows of the Clock
experimental, noise, ballad

If you would like to use my music commercially, please contact me. No financial income may be generated from my music without my permission. My music is free for private and commercial use. However, I would appreciate it if you would credit me (Kurt Michael Treichl) as the author. Please also mention that this is AI music.

Thank you for your time. Enjoy your journey through my artificially created musical paradise.

© Album cover and music were created by Kurt Michael Treichl using AI support.

Best regards,
Kurt Michael Treichl (KMT KI Media | AI Music Austria) - Austria / Salzburg

Visit me for more on
https://www.mystic-arts.com
https://www.ai-music.at
https://www.kmt.zone

AI Music Austria

22 Nightmare's Grip v2

Jellisy

original: https://www.youtube.com/watch?v=E935Od_J4fw

Physically Sick

My Sorrow Is Luminous

Title track from the new LP, 'Insignia', out in Japan-only on cassette for Ryo Murakami's Depth Of Decay label.

https://depthofdecay.bandcamp.com/album/insignia

Insignia

Oh my my

Rafael Anton Irisarri from "The Shameless Years"
Available in LP & Digital
www.umor-rex.org © 2017 Umor Rex Records

Post-minimalist American composer Rafael Anton Irisarri makes his Umor Rex debut with bold new album, The Shameless Years. Inspired by a troubled socio-political climate, buried melodies punch their way through a bleak cover of noisy drones, periodically veering into some of Irisarri’s most eerily pertinent music to date.

One of Rafael Anton Irisarri’s most thematically and sonically cohesive records to date The Shameless Years came together in a relatively short burst of creativity starting at the end of 2016. Rediscovering some relatively older tools - namely Native Instruments’ Reaktor, Absynth, and Kontakt software - Irisarri combined them with his collection of guitars, pedals, amps, and analogue processing gear, turning his Black Knoll Studio north of NYC into a powerful writing tool. Completed quickly by Irisarri’s standards, let alone during a period of social upheaval in American society, the record faces down several key personal themes. The title, suggests Irisarri, could in fact be seen as a reflection of the era of shamelessness we’re currently living in; a time of fake news and alternative facts.

Two tracks were completely remotely between Irisarri in New York and Umor Rex veteran Siavash Amini from his home in Tehran, Iran. This music came together at the peak of all the anti-Muslim and anti-immigrant rhetoric happening in the USA, not to mention the banning of Iranians from entering the country, explains Irisarri. The diptych with Amini, ‘Karma Krama’ and ‘The Faithless’, seems bathed in additional waves of sorrow and dread. The wash of symphonic stormclouds of synth drones and processed notes on the latter gradually appears and disappears over the course of thirteen mournful minutes.

‘Rh Negative’ marches gigantic guitars through towering valleys of scarred ambient noise dealing with Irisarri’s own heritage, many of his ancestors having come to America to escape poverty and oppression. The refusal of modern America to extend similar sanctuary to refugees escaping turmoil weighs heavily on the composer. Elsewhere an emotional onslaught of notes buried in mounds of greyscale noise on ‘Sky Burial’ aims to deal with Irisarri’s very own mortality – something he was recently confronted with following health scares, an accident, and a near-death experience in 2016. Pushing 40 as this album was being made, the composer is constantly aware that he’s already outlived his own father, who died at the age of 32. Facing down both intolerance and the void, the epic soundscapes of The Shameless Years are a vast cry of emotion from Irisarri. The clock is ticking - gotta make the most out of it while you still can.

All songs written and performed by Rafael Anton Irisarri, except #5 & #6 written and performed with Siavash Amini. Design by Daniel Castrejón, photos by Camilo Christen. Mastered by James Plotkin.

The Shameless Years

Buy LP & DL

Rafael Anton Irisarri — RH Negative

2;ep1 (SINGLE)

Produced and written by LA Timpa
Mixed and mastered by Jim Anderson, LA Timpa

Music Video: https://youtu.be/pr-fMKGKYHU

2;ep1

Kali Malone’s “Organ Dirges 2016 - 2017" is a collection of isorhythmic canons following the tradition of pipe organ requiems found in early modern music. Malone’s purified organ dirges echo embodied recollections of the piercing numbness of those battled encounters when the armours were stripped down, left with nothing other than will power, yet still standing upright as the columns of Sounion. The soothing and perceptive harmonies resonate to a presence that leans elegantly towards a courageous aftermath and a gleaming salutation. While the dirges themselves have minimal melodic and rhythmic variation, they appear in constant cyclical motion, revealing their refracted selves in a coherent yet unpredictable manner; like a rotating wheel where all spokes are perceptible but at any given moment in a different place.

Kali Malone (b. 1994, Colorado) is an American artist living and working in Stockholm, Sweden since 2012. Her solo works implement unique tuning systems in minimalist form for analog and digital synthesis often combined with acoustic instrumentation - such as pipe organ, string and wind instruments, lute and gong. Malone’s 2017 debut LP “Velocity of Sleep” was released on her own label XKatedral following tape releases put out by Ascetic House, Bleak Environment and Total Black. She is active in the groups Sorrowing Christ, Swap Babies, Upper Glossa with Caterina Barbieri. Her sophomore LP “Cast of Mind” is due spring 2018.

http://shop.ascetic.house

ASCETIC HOUSE
201∞

Kali Malone "Locus Of Repetition"

From AEST-030: Burning Pyre “The Look Of Love” CS

The look of love lasts forever, 
In your heart and in your head

“The Look Of Love” is the product of dedication and tumultuous ambitions. The second album from Burning Pyre, this work builds on the minimalist compositions heard on debut “Insipid Dalliance”, expanding the scope of the artist's core aims. Focussing on melody and abstraction, this album builds a network of core ideals that ultimately form a manifestation of electronic pop music

Music for the heartfelt, for the sincere, 
for the lovers and those who have loved and lost

The Look Of Love

Burning Pyre - The Cruelness Of May

Taken from Troth's 'Flaws In The Glass', available here:

https://alteredtapedstates.bandcamp.com/album/flaws-in-the-glass

Troth - Silva Plana

the lense of the abstract is viewed through the eyes of the architects, escorting unlit flames to the center of psychic resource.
this new age has been found;
//the loins of its underbelly have been deemed ample and expansive.
IMPERIAL LOVE and IMPUNITY will dictate the fate of those who percieve source.

https://jameskmusic.bandcamp.com/
https://zhe.rocks/  --> merch
www.james-k.com   *   www.zherocks.net  *
MGMT - lana@softfocus.net

Jellisy

james K

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