Taken from the album 'Blind', released 11 March 2022 on Brainfeeder: https://jameszoo.lnk.to/blindSo

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music for bat caves

From Genevieve Artadi's new album 'Forever Forever', coming 17 March 2023 on Brainfeeder: 
https://genevieve.lnk.to/foreverSo

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--

LYRICS
Visionary, what made you leap
As I was letting go?
How could it be so easily
Courage from you flowed?
You saw in a cinder
Remnant of disaster
The promise of a brilliant star
You laid the shore my heart sang for
Through every broken wave
You lived in me rebelliously
You were where I was brave
Visionary, I see
What you were showing me
Miracle simply is your way


--

CREDITS 
Music and Lyrics Written by Genevieve Artadi
Published by Because Editions
Produced by Genevieve Artadi
Ending Co-Produced by Chris Fishman, Pedro Martins, and Daniel Sunshine
Genevieve Artadi - Voice
chiquitamagic - Bass synth, Bass synth solo, Synth, Voice
Louis Cole - Drums
Chris Fishman - Synth, Piano
Pedro Martins - Guitar, Guitar solo
Daniel Sunshine - Additional drums during guitar solo

Visionary

'Akousmatikous', out now on Brainfeeder: https://srjl.lnk.to/akousSo 

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#SalamiRoseJoeLouis #Brainfeeder

Akousmatikous / Propaganda

Akousmatikous (feat. Soccer96)

Righteous Fists of Harmony

Order of the Golden Dawn

Sour Soul

Nuggets of Wisdom (Instrumental)

No Better Time Than Now

First Saturn Return

An artist as imaginative and unique as Ana Mazzotti doesn’t come around often. Dubbed a “super-musician” by fellow Brazilian virtuoso Hermeto Pascoal, Mazzotti’s short but rich musical career culminated in just two studio albums: Ninguem Vai Me Segurar (1974), and Ana Mazzotti (1977). Outside circles of Brazilian funk aficionados, these two gems of spellbinding samba-jazz, lysergic funk and trippy bossa have remained relatively obscure. This was partly as a result of Mazzotti’s premature death (she lost her battle with cancer in her mid-thirties), but also due to financial restraints and the prejudice she faced as a female songwriter in a fundamentally sexist society.  

Born in Caixas, in Brazil’s Rio Grande do Sul municipality, Mazzotti began to play the accordion aged five, before moving with prodigious ease onto the piano. By the age of twelve she was already conducting her convent school’s choir, and at twenty-one she led her city’s premier chorus, the Coral Bento Goncalves. 	When rock and roll hit South America in the sixties, a young Mazzotti was one of the early adopters, fronting various guitar groups including an all female Beatles cover band, and an eclectic, eight-piece psychedelic group Desenvolvemento. Before moving to Sao Paulo to start her career proper, Mazzotti met drummer, producer and fellow music educator Romido Santos, who she would later marry. Romildo introduced Mazzotti to jazz, and music by the likes of Chick Corea and Hermeto Pascoal who she would later befriend and perform with.

In 1974 Mazzotti recorded her first album Ninguem Vai Me Segurar (1974), enlisting the in-demand arrangement talents of Azymuth’s original keyboard maestro Jose Roberto Bertrami who co-wrote several of the tracks and plays organ, piano and synthesizers on the album. It also features Azymuth’s bassist Alex Malheiros and percussionist Ariovaldo Contestini, with Romildo Santos who produced the album on drums. Recorded in Estudio Haway around the same time Azymuth recorded their debut album there, it’s no wonder the samba jazz-funk pioneer’s distinctive aesthetic is present throughout, and Mazzotti’s sensational compositions are made even more beautiful for it.

Kicking off with the swirling samba-jazz-dance masterpiece ‘Agora Ou Nunca Mais’, the album hosts several groove-heavy Brazilian cult-classics including ‘Roda Mundo’ and ‘Eu Sou Mais Eu’. Deeper moments come in the form of the alluring future soul synth sounds on ‘Bairro Negro’ and ‘Sou’, and Mazzotti’s tender, hallucinatory version of ‘Feel Like Making Love’ (made famous by Roberta Flack) perfectly reflecting the idiosyncratic genius Mazzotti achieved with Bertrami’s visionary arrangements, and Romildo’s impeccable production approach. 

Far Out Recordings is proud to present the official reissue of this cult favourite Brazilian treasure. Remastered and pressed to 180g vinyl, Ninguem Vai Me Segurar (1974) will be available on vinyl LP, CD and digitally from 13th September.

Vinyl / CD / Digi

Roda Mundo

'Ardour (10th Anniversary Edition)', out now on Brainfeeder: https://teebs.lnk.to/ardour-10So

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music for bat caves

Jameszoo

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