2 Minute clip of Trophy by Charli XCX.

Find the full track on:
iTunes: http://smarturl.it/vroomvroom.itunes
Spotify: http://smarturl.it/vroomvroom.spotify

Charli XCX - Trophy

Elise Steichen-violin

Lyrics:
I don't sleep anymore,
the nightmares are strong,
playing vivid arrays
of unending song.
Awake in my dreams
or somewhere above,
don't make any sound,
they're singing to us.
I don't sleep anymore,
my dreams aren't vivid enough.

Dreams...

I've had dreams in the past
of hearing their song,
a river of sound
and knowledge for all.

Can you hear what I feel?
Can you taste what I dream?
Can you see what they see?
Can they be what I dream?
Can we be where they are?
Time and space fall apart

Dmitri's Quest

From 'Contact,' out now.
CD/LP/Digital: http://hyperurl.co/Contact

ARTIST INFO & TOUR DATES:
https://www.sacredbonesrecords.com/collections/pharmakon

Pharmakon - No Natural Order

Remix by @saint-etienne and Shawn Lee.

Our UK tour with Saint Etienne starts THIS WEEK! http://www.saintetienne.com/category/events/

2/6 - Royal Festival Hall, London
3/6 - Tramshed Cardiff
4/6 - Birmingham Town Hall, Birmingham
6/6 - The De La Warr Pavilion, Bexhill
8/6 - Sage Gateshead
9/6 - The Queen's Hall, Edinburgh
10/6 - Sheffield City Hall Ballroom, Sheffield
11/6 - RNCM Concert Hall, Manchester

Trampoline (Saint Etienne Remix)

COTTON EYED GF-j-O-e-TY

Black Narcissus

ILLUMINATE The Yu-niverse

Taken from the upcoming debut LP 'Power'.

Released July 13th 2018, digitally, and on limited edition (1000) vinyl, via Tri Angle Records. Pre-orders coming soon.

POWER

Lotic - Hunted

Prod Daddy Long Legs
Vox GFOTY, additional VOX Daddy Long Legs + Johnny

GFOTY IS COMING HOME (three lions)

performed by: Jack Langdon (e. gtr), Adam Lee Sanders (e. bass), and Graeme Shields (organ)

premiere: October 16, 2018, First Lutheran Church, Greenlight New Music Festival, Duluth, MN

This is the third work in a series which explores the ways in which sound and space are shaped by each other—in this case, bringing the recorded
spaces of working class life through the fixed media into the resonant and contemplative space which pipe organs typically exist. The aesthetic
difference posed by the contrasting field recordings with the pipe organ are mediated by the presence of the electric guitar and bass—instruments
whose relationship to popular music further augments and complicates the symbolic space of this work. This piece takes its poetic origins from the multifarious, contradictory experiences of being a worker in the 21st century—utilizing repetition, stagnation, sudden gestures, harsh noise, and gentle
sonorities to create a prosaic beauty of proletarian expression.

Dmitri's Quest

Jamie Alexander Koffler

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