Curious about these, do you know what was producing this sound?

Really enjoyed this Jamie, thanks for sharing

This is maybe the most amazing field recording I’ve ever heard! Deep!

A short mix of excerpts taken from « Light Leaks », the longform album available now on SlowTone Collages
https://slowtonecollages.bandcamp.com/album/light-leaks

https://www.instagram.com/neve_ambient/
https://www.instagram.com/slowtonecollages/

Light Leaks (mix)

‚Scenery (feat. Ni!)’ is a polyphonic, genre-breaking piece of music. Mechanically percussive rhythm outlines, performed by prepared Pianos and analogue Synthesizers, combined with melodic phrases of woodwinds and brasses, build a hypnotic journey through the grounds of Minimal Music, Ambient, Jazz and Electronica.

© 2024 Edward Sikorski

Prepared Piano / Synthesizer - Edward Sikorski
Woodwinds / Brasses - Ni!

Mixed & Mastered at Laika Studio

Published by Oh, my music!

Edward Sikorski - Scenery {feat Ni!}

Geophones, hydrophones, contact mic and 6 omnidirectional microphones

Notes
As the light diminished, the volcanic palette undergoes a kaleidoscopic transformation, revealing an iridescence a spectral shimmering.

The sands embody the ethereal interplay of otherworldly pigments that defy earthly conventions.
Listening with multispecies ecologies: volcanic rock pools teeming with life , hermit crabs, Black Sea urchin, Goby and Shrimp, with tides crashing nearby. Human perception and language too limited to describe these multiplicitous worlds.

Using  geophones to  convert ground movement (velocity) into voltage, in attempt to pick up subterranean vibrations. The deviation of this measured voltage from the base line is called the seismic response and is analysed for structure of the earth.
In this majestic Canary Islands. We discovered alien, enigmatic volcanic landscapes, lava fields and magical caves and art by Cesar Manrique. An island carved and shaped with creativity and art.

Speculative Field Trip: Timanfaya National Park in Lanzarote

Silver Lining

Une création collective des participantes et participants au stage Field Recording animé par Félix Blume.

Faut-il raccourcir le crypto-portique, monter la Camargue, ou filtrer la batucada ? Enregistrer en AB ou MS ? Les expériences des participantes et participants sont individuelles et collectives, sensorielles et techniques. D’un hydrophone jeté dans le Rhône aux mondanités enregistrées en toute discrétion, ils nous mettent à l’écoute du paysage sonore arlésien.

Avec: Laureline Attali, Jenny Cartwright, David Cherniak, Sylvain Durantet, Ulysse Fiévé, Matt Frenot, David Lagarde et Louis Pierre-Lacouture.

Merci aux enfants de la place Paul Doumer, à Porky, aux grenouilles du parc de la Fondation Luma et à Celestino.

Arles Juin 2024

Terrain glissant

Format: CD
Pre-order: 14th June 2024
Release date: 21st June 2024

"When I create music, I try to experiment with a way of composing that lets musical ideas develop freely, guided by improvisation.
The material, the melodic and rhythmic elements, then find their final pattern in computer editing.
But, we need to keep and feel a certain fluidity from the playing itself.
With BORA BORA, I continue my work with keyboards, principally, and other instruments like flutes.
But keys are the core of the music.
Since the previous album (Aubusson), a new one was invited in the intrumentarium: the Arturia Polybrute synthesizer.
Its colorful sound palette is very inspiring and gives a kind of mood of this new album, BORA BORA. Each track is like a painting, a draw or a short film. The titles are always important because they can open the imaginary and may be combined with the sounds in a sort of mental soundscape.
This album is a journey through different feelings and sound images. But there is a common color, I guess, like a dark indigo haze, a slightly melancholic dusk. This is notable in the track Le Tunnel de Klaus (a tribute to Klaus Shulze), for example.
Music is a journey.
An experimentation of our own internal perceptions. I hope this album brings the listener in a joyful listening experience." 

Copyright © 2024 ROHS! RECORDS, All Rights Reserved

previews. Véhicule - Bora Bora | ROHS!

´elegantly etheric transition from deconstructed classical to weirdo techno turns to darkroom dub techno variants on her excellent debut with Sheffield’s CPU' - Boomkat

Dance Minor

This exquisite album published in 1965 by the Dagar Brothers, Nasir Moinuddin & Nasir Aminuddin Dagar, featuring their deep, timeless, sensuous telepathic singing, is available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2024/08/india-inde-dagar-brothers-nasir.html

India – Dagar Brothers – Alap - Raga Darbari Kanada

Gradual

no. 2 | Album 'DRAWINGS'

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination. 

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms. 

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony. 

Releases March 29, 2019 via Hallow Ground 

Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600 
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden. 
Mastered by Giuseppe Ielasi 
Designed by Ruth Stofer

Vegetal Negatives

Coastal Inversion

Jamie combines art practice with field recordings and sound composition to enable non- anthropocentric readings of post-industrial sites. His experimental practice research methods include multi-sensory technological methods of observation, employing VHF, radio waves, Geiger counters, handmade synths and devices. Alongside using the latest software applications of granular synthesis and spatial audio Jamie creates immersive sound installations and extended electroacoustic/acousmatic compositions.
Jamie is a multi-award-winning artist researcher, has presented his work at International and National symposia and has exhibited and published widely including:

Jamie's work in sound has been broadcasted on Radio 3 Mixing it London (UK) and Resonance  FM  London (UK).Most recently Migration Sounds Oxford University UK,Sites and Memory Project and working with The Freshwater Sounds Archive in collaboration with Dr Jack Greenhalgh Canada Foundation for Innovation.

-Speaker at 6th International Conference of Photography & Theory (ICPT2022) Cyprus EXPANDED VISUALITIES: PHOTOGRAPHY AND EMERGING TECHNOLOGIES
-CAST Cornubian Arts & Science Trust Helston (UK). Test Space: Expositions of practice-led research Symposium.
-Feature on my field recordings on Resonance FM London UK
-Phytogenesis II Provocations of Plants, Philosophy and Photography. International Symposium University of Plymouth, North East Photography collective, Newcastle University. I delivered an academic paper on my practice through the lens of Deleuze.

Speculative Field Trip: Timanfaya National Park in Lanzarote

Jamie House

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SoundArk. | Ángel Pérez Grandi

SoundArk. | Ángel Pérez Grandi

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