release on 8 December 2023 : www.wabi-sabi-tapes.bandcamp.com/
@lalamina

For Bajo Tierra, the artist was inspired by the muted bubbling of swamps. Thus, at the start of each piece, the listener is led to observe the apparent, superficial calm of a multi-headed sound complex.

Lamina - Sous La Terre

*Play on good speakers or headphones*
Geophones and ambisonic microphone array converted to binaural headphones

Spiders are affected by vibration in various ways. They use their orb webs to transmit and detect vibrational information, allowing them to sense potential prey or mates, as well as abiotic sources like wind.

Under stones and human detritus, in subterranean realms, lives troglodytic species of spider Nothophantes horridus. Nocturnally roaming in narrow fissures in this rich limestone habitat sporadically emerging. A UK biodiversity Action plan priority species, extremely rare and only exist in these two places in the world (both in Plymouth UK).
This rare arachnid  last home was a quarry, filled in with concrete and destroyed to make space for luxury unaffordable housing.

Planning permission was refused for this site in 2015, however the property developer is trying again with greenwashing plans for eco pods and activity park treating the natural world as a spectacle to be consumed and extracted from. Will this refuge for extremely rare spiders exist for much longer? Or will human greed and commerce make this spider extinct?

Failure to protect this site would be catastrophic.

A more than human space between the world that people and arachnids inhabit.

Vibrational Arachnid soundscape Radford Quarry Plymouth UK, 2024

Enjoy

Time Is Fast

Insane (feat. ghost d'fleur)

Pat Thomas returns to OTOROKU for his fourth collection of solo piano improvisations, this time recorded in a studio setting at London’s Fish Factory.

ROKU040 - "The Oud Of Ziryab" from Pat Thomas "The Solar Model of Ibn Al-Shatir"

In memory of my Father.

(One of the plays from the Buendiana cycle, based on the plots and images of the novel "One Hundred Years of Solitude" by Gabriel García Márquez).

«Está lloviendo en Macondo...» Op.16-11. (2016)

A wistful blend of notes and found sound.

Car On A Bridge recorded by Rebecca

Adios, Άγιος

A herd of red cows approaching us from front and passing by on a warm September noon of 2019 at the hills of Southern Urals. Lots of energetic mooing, shepherd shouts and whistles, some birds chirping and moderate wind. I love this recording for its brutal and raw energy.
Recorded with Nevaton VR FOA mic into Zaxcom Fusion 12, decoded to binaural with Harpex-X plugin. Please listen on headphones for correct spatial reproduction.

Red Cows at Southern Urals_BINAURAL

HAIKU MUSIC CHALLENGE

Naviarhaiku 559

misty spring rains...
umbrellas high and low
aboard the ferry

Regarded as the father of contemporary haiku, Masaoka Shiki was a poet and literary critic during the Meiji period Japan.

He advocated realistic observation by “sketching” (shasei) poems and going out into nature with notebooks, thus abandoning the traditional subjects of haiku of the time. His advice for an aspiring poet was, “Use both imaginary pictures and real ones, but prefer the real ones.”

Haiku by Masaoka Shiki

Picture by Makoto Tsuka

Submission deadline: 25th September 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Misty Spring Rains

Misty Spring Rains (naviarhaiku559)

This morning's practice session of three short improvisations getting to know this patch.

Three Brief Easel Improvs

Composed by Roberto García.

In the confines of the universe, a creature of unimaginable proportions for humans is about to be born.

Enjoy all of Roberto's music and much more content on www.garciabrothers.es

All rights reserved (2024) ©

The Biggest Creature

Jamie combines art practice with field recordings and sound composition to enable non- anthropocentric readings of post-industrial sites. His experimental practice research methods include multi-sensory technological methods of observation, employing VHF, radio waves, Geiger counters, handmade synths and devices. Alongside using the latest software applications of granular synthesis and spatial audio Jamie creates immersive sound installations and extended electroacoustic/acousmatic compositions.
Jamie is a multi-award-winning artist researcher, has presented his work at International and National symposia and has exhibited and published widely including:

Jamie's work in sound has been broadcasted on Radio 3 Mixing it London (UK) and Resonance  FM  London (UK).Most recently Migration Sounds Oxford University UK,Sites and Memory Project and working with The Freshwater Sounds Archive in collaboration with Dr Jack Greenhalgh Canada Foundation for Innovation.

-Speaker at 6th International Conference of Photography & Theory (ICPT2022) Cyprus EXPANDED VISUALITIES: PHOTOGRAPHY AND EMERGING TECHNOLOGIES
-CAST Cornubian Arts & Science Trust Helston (UK). Test Space: Expositions of practice-led research Symposium.
-Feature on my field recordings on Resonance FM London UK
-Phytogenesis II Provocations of Plants, Philosophy and Photography. International Symposium University of Plymouth, North East Photography collective, Newcastle University. I delivered an academic paper on my practice through the lens of Deleuze.

Vibrational Arachnid soundscape Radford Quarry Plymouth UK, 2024

Jamie House