This mix gets even better after every new listen. Never gets bored, just wish that amazing last track wasn't interrupted... ;)

Jamie Tiller & Lauren Hansom @ The Lot Radio 07 - 24 - 2022

Trushmix 195 presents Melbournes own Myles Mac! 
The man behind the now longs running mix page Melbourne Deepcast, check it out for a lot of fun interviews and mixes from a great variation of DJ's.

For this mix Myles serves us a three hour mix exploring house related music from the late eighties to mid nineties. Slower mellow house sounds, street soul, hip-house, balearic infused tunes, and much more. This a perfect mid summer mix to feel the vibe!

Enjoy music from the top!

Trushmix.com

Trushmix 195 - Myles Mac

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

We’re back (finally), with a mix worth waiting for. 2 hours of pure power from globetrotting citizen Garth. With Immaculate mixing and incredible selection, Garth hits every happy place in this sonic exploration of the human spirit. 

Enjoy

His sounds >>> https://soundcloud.com/garth

FHUO # 83 // Garth

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Next up on the EstimuloShow guest mix series i have the pleasure to present Myles Mac from Melbourne, record digger, DJ, event host, and probably well known to most of you for running the long standing, influential podcast series "Melbourne Deepcast".
For us he put together a selection of mainly 90s digs and nugs, that will  keep you asking "wow, whats that" and sharking for IDs, we're sure. 
Enjoy!

PS: And as an early heads up for those in Berlin, Myles Mac, Nummer and yours truly will be on the decks at  Paloma Bar on the 26th of August. Hope to see you there!

EstimuloShow GUEST MIX: Myles Mac (Melbourne Deepcast)

Dishing up an extended all-spice-mix from local hot saucier @lava-brain. Prepare for some genuine mind realignment with 3.5 hours of mesmerisingly deep heat!

Q. Hey Eric, what inspiration did you draw upon when putting this mix together? Is there a sound, feeling, or time in dance music history that connects all the different elements in one way or another?

A. Thanks for having me! I don’t know if there was a conscious thought so much, but lots of music to either get you in a meditative mood or moving depending on how you’re feeling. I guess there are definitely a lot of elements from the 90s Bristol scene threaded through the mix in one way or another. That trip hop/down tempo sound was really a big gateway into a lot of electronic music for me and it’s what I was listening to a lot of when I first started DJing. ‘Bass is Maternal’ by Smith & Mighty was a really big record for me; bringing together a lot of trip hop, dub, bass, breakbeat and jungle sounds, which feature in a lot of tracks in the mix.    

Q. Are there any records in the mix that are especially close to your heart?

Definitely! There’s a mix of some older favs like 'Transient' by Mr G, 'Tokyo Dawn' by Doc Scott & a Smith & Mighty tune. 'The Edgelands' by Rings Around Saturn has definitely had its fair share of listens over the years for me too. There's also a bunch of newer tracks, lots of local favourites & just music that inspires me. 
One tune which I hold especially close would have to be Delano Smith’s ‘The Rock’. I remember hearing it for the first time and I still find it hard not to get hypnotised by it. The vocal sample about universal unity is also pretty groovy :)

Q. Tell us what’s the latest with the visual aspect of your Lava Brain project? How would you describe your approach?

A. It’s been really great to get more opportunities to work on the live visuals & projection mapping part of my practice recently and to focus on it 100% at a party. 

In terms of my approach to integrating the two, with every event there are so many different elements that need to work together to make it a success. I think it's really about creating an awesome experience, working together with the music and space to compliment each other and help curate a mood. Working with different collectives or venues is always interesting, as all the elements change including the physical space and I enjoy the design process; usually starting with the logical side of the ‘how’ will this technically work and then the ‘what’ in terms of creative content. 

I guess I try to tap into my own feelings when designing an install or content and ask myself something like ‘How would this make me feel in the context of the party, music and space and what’s the intention we as a collective are trying to curate?’ I’m also starting to expand my setup, experimenting with mapping a small wireless midi controller to be able to still be able to control the visuals while being away from the laptop and part of the party, letting me further tap into those intuitive feelings. 

Currently I’m working on a visual instalment for Ferdydurke’s 11th birthday on August 12th and have been working with some new projection materials, experimenting with sheer fabrics to project a succession of images above the dancefloor to give a sort of floating holographic tunnel effect. For the event I’m also working on building a motorised lighting sculpture for the entrance to the venue, which is something new for me. 
In parallel, I’m working on some grant applications and starting to look for sponsorships for a multi-day projection art and music series I’m working on, in collaboration with the Section 8 crew. With all going to plan, that should be happening mid-next year. 
Other than that, continuing to learn, play and experiment, currently I’m starting to teach myself Touch Designer to expand that side of my creative practice and just always staying open to new projects and collaborations :)

MDC.286 Lava Brain

Live recording from the shores of Lago Trasimeno, Italy, during a sunlit mid August evening. Experience the energy from the Afro Templum party with this skillfully curated mix by Andrea Dallera (Dualismo Sound) and Gabriele Casiraghi (Sunny Crypt). Features a selection of exciting forthcoming releases from both labels.

Sound Metaphors Mix Series 22 : Dualismo Sound and Gabriele (Sunny Crypt)

Trushmix 214 this time with Paris native DJ, record collector and party promoter Robinson aka JMDLN, formerly known as Jean Michel de la Night.
He provides a 2 hour and 17 minutes party infused mix of balearic, boogie, disco, house and some early electro cuts among more.

Enjoy the music, perfect for getting your weekend started with a good party mood!

Music from the top!

Trushmix 214- Robinson aka JMDLN

John Gómez brings two hours of selections from Jamie Tillers friends and Family. A fundraiser to support Tiller's family can be found here : https://www.gofundme.com/f/support-jamie-tillers-family 
https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-30th-october-2023

Soup To Nuts w/ John Gómez (Jamie Tiller Tribute) 301023

Steve Hiett - In the Shade
Sade - Mermaid
Sui Zhen & Mindy Meng Wang - Watch my Mum Dance
Martha & The Muffins - Xoa Oho
Rolling Stones - Heaven
Rick Duvall - G.I. Bill
Dunkelziffer - See It
Miguel Salerno - Davy
Santana - Stormy	
Jack and Kathy Henderson - Look Right at Me
Style Council - Whole Point of No Return
Rick Cuevas - The Birds
General Lee and the Space Army Band - We Did It Baby
Peter Green - Give Me Back My Freedom
Peter Hunningdale - Rocking You Eternally
Jo Jo Zep & The Falcons - Shape I’m In (Dub Version)
Peter Hunningdale - Rocking You Eternally
Martha and the Muffins - Come Out and Dance
Torch Song - Ballad of Pearl and John
Street Kids - Game No. 1
Hiroshi Sato - Gemini
Dea - Licik
Sun Palace - Rude Movements (Jex Opolis Live Version)
Guy Contact & Solar Suite - Perfect Harmony 
Jah Wobble - Blow Out
Harte 10 - Weit Forte

Good Morning Skylab w/ Simon | November 24th 2023

Broadcast live on WNYU 89.1FM in New York City on July 31st, 2018.

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BIS Radio Show #949 with Jamie Tiller

https://soundcloud.com/music-from-memory
https://soundcloud.com/secondcircle
https://soundcloud.com/basicspirit

Radio show 🔊 https://www.nts.live/shows/jamie-tiller

BIS Radio Show #949 with Jamie Tiller

Jamie Tiller

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