Name: NTS Radio Show - Episode 23 by Jamie Tiller
Duration: 58 min 1 s
Description: https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-5th-july-2021 (:

this is the most unexpected mixology of Jamie

One of the most enthralling shows i've heard in a long time ✨

https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-5th-july-2021 (:

NTS Radio Show - Episode 23

B.P.T. Radio 036: Tornado Wallace

Trushmix 185 presents Inner Totality. Peckham, South London  in the house!
Inner Totality known for the steady radio show at Balamii, and also throwing small underground parties around the southern part of London. Providing fun, vibes and good music.

Inner Totality in the mix! Made an hour of groovy and funky balearic to house music mix.  Good mood island vibes meets the urban big city! Enjoyable from beginning till the end!!

Music from the top!

Enjoy!

Trushmix.com

Trushmix 185-Inner Totality

Jamie Tiller & Lauren Hansom @ The Lot Radio 07 - 24 - 2022

Our friend in Berlin, Flørist, also known as his moniker Pavilion, sent us a special one. It’s an hour-ish mix of a few vinyls he collected over his summer travels. Chuggy, bouncy, some great basslines, spiritually it’s somewhere between the pacific west coast and Anjuna Beach. Enjoy your trip.
Thank you all for listening to our mixes this year. Stay warm, and see you again next year!
@fl-rist

DREAMING 018 : Flørist

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Booyakasha! Handing the keys to the '94 Ford Capri over to one of the most dedicated 12" sleuths on the the internet right now! Mirren is perhaps best known for resurrecting a trove of tantalising 90s/00s cross over jams through his own youtube channel, and for wowing local listening bar enthusiasts lucky enough to catch him in full flight. Sit back, relax and enjoy the smoothness personified. Safe to say he's left no stone or obscure white label unturned for this one! 

@mirrens

Youtube channel: https://www.youtube.com/channel/UCAcdX0mF2T8lgQHiWivSH-Q

Q. I get the sense you are a guy who finds real enjoyment in digging deep for long neglected jams and resurrecting them for fresh ears, with frequent uploads to your YouTube channel regularly blowing minds on the internet (speaking from personal experience here!). While there’s a wide range of styles uploaded to the channel, has there been a general theme developing or certain characteristics that you look for when deciding what to share?

A. Glad you've dug the channel! I mean I've been massively influenced by others (e.g. Archive Digital, Modern Art, Mike Who) who were casually dropping heat across their channel/mixes years ago that I never would have come across otherwise. So trying to find and share songs in a similar way has always been the motivation. But you’re at the mercy of what you stumble across, which is why I’m not uploading exclusively mid tempo hip house bangers like I really want haha. I think the variety keeps things interesting though, or at least is hopefully providing a broader appreciation for what’s out there - especially for us Aussie folk.

Q. What inspiration did you draw upon when putting the mix together? Is there a sound, feeling or time period in dance music history that connects all the different elements in one way or another?

A. Truthfully this mix is a collection of fun music I've found first-and-foremost, so it might say more about my searching patterns than it being an intentional narrative.. catchy 90/00s hip hop cut-throughs seem to be in no short supply! I think the wealth of music available in the genre does say something about how versatile (and enjoyable) it is and how it can be used as a vehicle for different cultures, ideas or influences. So maybe the mix is me highlighting this :`)

Q. Are there any records in the mix that are particularly close to your heart, or old favourites that you’ve been keeping up your sleeve for the right moment? If so, what’s the story behind those and how might you have stumbled across them?

A chunk of the mix is from lucky discogs pickups or random spotify dives so they’re not the most romantic stories, but finding a song in that deep internet corner definitely adds a fondness. There’s also a few dope tunes from some great channels/crews scattered throughout. But 'Njen Grad' and 'Wuck U Right' feel particularly sentimental due to how many hours I’ve clocked listening, so I’m excited to share them!

MDC.283 Mirren

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-25th-july-2023

PENDER STREET STEPPERS w/ Break Mode 250723

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

The unofficial mayor of Naarm aka Dawn Again brings us a gift from above, a three hour stopover filled to the brim with the deepest of chill core cuts and mind-bending principles. The literal embodiment of the soundtrack to spring. This is made for the sun. Slip, slop, slurrrrrp. Xo 

his sounds >>>> https://soundcloud.com/dawn-again

FHUO # 89 // Dawn Again

John Gómez brings two hours of selections from Jamie Tillers friends and Family. A fundraiser to support Tiller's family can be found here : https://www.gofundme.com/f/support-jamie-tillers-family 
https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-30th-october-2023

Soup To Nuts w/ John Gómez (Jamie Tiller Tribute) 301023

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side

I honestly can’t believe we’ve made it to number 20, obviously, you’re all still listening for some weird reason, I hope its the same reason I’m still putting out the mixes. 

it fills me with immense joy to bring you number twenty by way of DJ Regret aka Unfettered aka captain jack sparrow aka the dreadlocked dreidel aka Scott Levy not reddy. This bloke has been one of the driving forces in my musical life, especially in the birth of the concept of this whole series. He has delivered a beautiful journey just shy of 4 hours. As mentioned before Scott has been a musical compass for me for last 15 years, consistently being ahead of curve, actually he creates the curves every year his set from Inner Varnika will be echoed throughout the year through every other Melbourne DJ and spotify enthusiast. Mimicked but never reproduced. Consistently adding his beautiful compositions to the ‘Trushmix’ series by our burger brethren.

I've also been throwing parties with him for the past 10 years, we started the now-defunct Out of Focus (rip) together, he started Sound of Thought (rip) and then we went on to start Inner Varnika, I’m very happy to of shared my journey with Scott and I’m not actually sure I’d be here without him, he has and always will keep me grounded. So after months of hassling he finally shot me something, a recording from a house party some weeks ago, basic setup, a huge vibe that builds into the evening/morning recording on a shitty mixer the peaks on a few songs so please bare with it. 

On that note, turn your brightness all the way down and grab a cold beverage from the fridge and enjoy the trip! 

שלום ובהצלחה

FHUO # 20 // DJ Regret

https://soundcloud.com/music-from-memory
https://soundcloud.com/secondcircle
https://soundcloud.com/basicspirit

Radio show 🔊 https://www.nts.live/shows/jamie-tiller

NTS Radio Show - Episode 23

Jamie Tiller

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