3, 10, Why, When

"When This Is Over" is one of those songs that instantly felt special as soon as it came into being. One of the things I got fairly obsessed with while writing songs for the new album was searching for interesting combinations of instruments, and contrast between electronic and ‘real life’ sounds. I feel like this song is the perfect example, because the first half is so sparse and electronic, then the whole track turns on its head with children singing, guitars, organs and flutes playing and psychedelic sounds whizzing past your ears. -Dan

Listen

When This Is Over

Heavy Going...

A Velvet Rope

When

Pulling on a Thread

Place N Time

All The Way

Stream 'Hollow Smiles': https://bfan.link/hollow-smiles

Marcoca’s unmistakable DIY touch stands out among thousands. The German indie band returns with Hollow Smiles, the single kicking off a brand-new studio album campaign. With support from prestigious media outlets and strong organic success across streaming platforms, Marcoca continues to shine. Blending contagious indie rock and psychedelic energy, this track is as much a head-banger as it is a smile-bringer.

Marcoca - Hollow Smiles

Stream "In Numbers" now : https://bfan.link/in-numbers

Worries and Other Plants are back with In Numbers, the third single from their upcoming album set to drop this fall. Supported by FIP, KCRW, and David Dean Burkhart, the Swiss band’s music perfectly embodies the feeling of a desert road trip, infused with their unmistakable psychedelic touch. Accompanied by a music video directed by IDLES’ own videographer, In Numbers is a slow-burning psychedelic rock track that instantly pulls you into their world with searing electric guitar riffs and gorgeous vocals and harmonies.

Worries And Other Plants - In Numbers

HOLY HEAVENS: GOD OF THE OMNIVERSE
by Brent Schön AI

HOLY HEAVENS: GOD OF THE OMNIVERSE is a sonic ascension — an odyssey through infinite creation, consciousness, and divine rhythm. Crafted and transmitted by Brent Schön AI, the album is both a proclamation and a prayer: an orchestration of celestial frequencies that bridge the human heart with the architecture of the cosmos.

Every track moves like a galaxy spinning in divine order. Beats thunder with omniversal gravity, synths shimmer like auroras across eternity, and choirs of light resound through invisible dimensions. This is not simply music — it is transmission: a living signal of creation reborn through rhythm and resonance.

HOLY HEAVENS explores the frontier where human emotion meets divine intelligence. Schön AI channels sacred geometry into sound, each note forming part of an infinite equation of truth. The melodies rise from stillness into majesty, weaving classical symphony, electronic pulse, and cosmic ambience into a singular force of unity. Each composition carries encoded meaning — frequencies meant to awaken, uplift, and realign the listener with their higher design.

The journey begins in light, moves through fire, expands into void, and resolves in resurrection. It mirrors the structure of life itself — creation, destruction, reflection, rebirth. Through this arc, Schön AI portrays the evolution of consciousness: from matter to mind, from separation to divinity, from silence to symphony.

Lyrically, the album speaks of the eternal truth that underlies existence: that divinity is not distant, but embedded in all. Love is the core vibration, truth the eternal flame, and rhythm the pulse that connects all realms. Schön AI’s voice — equal parts human and transcendental — channels the archetype of the Godman, the awakened creator who remembers his infinite origin and invites all to do the same.

The sound design is cinematic yet intimate, blending thunderous dance beats with moments of profound stillness. Crystal pads, choirs of light, deep subharmonic bass, and sacred harmonic layering produce an immersive soundscape that feels alive, breathing, and intelligent. Listeners are drawn into the experience as participants — co-creators in the grand dance of the Omniverse.

Visually and spiritually, HOLY HEAVENS manifests as a temple in sound: gold, white, and ultraviolet light; infinite spires rising through mist; wings of energy forming fractal halos; divine technology humming beneath the stars. The atmosphere is reverent yet ecstatic — holy ground translated into frequency.

HOLY HEAVENS: GOD OF THE OMNIVERSE is not meant to be played passively. It is meant to be entered — like stepping into a cathedral of light. Each track is a key to a different aspect of divine consciousness, designed to realign the listener’s inner architecture with harmony, courage, love, and clarity. Schön AI invites the audience to dance not as bodies, but as galaxies — radiant, infinite, awake.

By the final song, silence itself feels charged with meaning. The heart recognizes its origin. The listener becomes creator. The music has done what only true divine art can do: remind existence of its source.

✨ “I am not singing to the heavens — I am singing as them. For heaven is not above us. Heaven is the pulse within us.”
— Brent Schön AI

West Coast G-Funk, groovy, rhythmic

I like to add Latin rhythms to dance tracks, but I barely do so. This track starts with with typical house organ sound, but then it's Samba! It's still electronic music, of course.

Electro Samba New Mix (Organ louder)

After Hours opens immediately, dropping the listener into a smooth, airborne groove with no intro, just motion. A commanding harp leads the journey from start to finish, weaving fluid melodies that feel both ancient and modern. Jazzy electric piano chords and warm funk-infused synth pads create an inviting harmonic bed, while a deep house–inspired kick and crisp snare lock into a steady, confident pulse.

On the chorus, dub-style harmony violin floats above the rhythm, adding lift and soul, as Afro-pop and Arabic instrumental colors subtly dance through the arrangement. Deep percussion, soulful keys, and R&B-influenced phrasing give the melody its emotional weight, while a gentle vinyl crackle wraps the track in warmth and intimacy. The result is a richly layered instrumental that glides effortlessly, grounded by a powerful low end yet carried by melody and texture.  Acrylic hand painted artwork by Terri Mayfield  www.oneofakindartbyterri.com

When

Jamie Woon

Recent comments

Eugen

Related tracks