Música Clásica

This sonata is part of the earliest group of sonatas that Mozart published in the mid-1770s. The work was written down during the visit Mozart paid to Munich for the production of his La finta giardiniera from late 1774 to the beginning of the following March.

This first movement (of three) is a sonata-allegro movement that is concise, with an economy of ideas - the development section is a mere 18 measures long. 

Performed and recorded by pianist and teacher Andrew Eales, Summer 2013.

www.keyquestmusic.com 

Mozart: Piano Sonata in G K283: 1. Allegro (Andrew Eales)

Vivaldi: Concerto Op.3 No.9 In D Major RV 230 (Violin, strings and continuo) - 2.Larghetto

Hilary Hahn - Paganini - Caprice 24 And Milstein's Paganiniana﻿ From 4.38

(Direct to 2-track stereo recording)

Orquestra Classica do Porto
Piano: Pedro Burmester
Gravação: Francisco Leal
1994 - Teatro Nacional S. João, Porto, Portugal

Bach - Piano Concert n.1, in D minor, BWV 1052, I-Allegro - Pedro Burmester, 1994

Paganini caprice n°3

Me playing Polonaise Op.53 "Heroic" of Frédéric Chopin.

Vienna, January 2012

CHOPIN: Polonaise Op.53 ''Heroic''

Nicolo Paganini - Caprice No.13 (Jan Rybka - violin)

Chopin's rather mental study in C minor. This from a supposedly asexual, sickly, man-child of a composer...

Chopin Etude No. 12 in C Minor, Op. 25

Glenn Gould : Mozart: Piano Sonatas Nos. 8, 10, 12 & 13 - Gould Remastered

Mozart - Piano Sonata No. 13 in B-flat major K.333 - Glenn Gould (1972)

The Arabeske, Op. 18, was written in early 1839, perhaps as an act of appeasement in a troubled time. 
The title is informative: an Arabeske or arabesque is an ornament or style of figural, floral, or animal outlines used to create intricate patterns, inspired by Arab architecure. It is also a dance term, a ballet position. A simple ambling tune makes three appearances, interrupted by two minor-key passages. The tune itself is unchanged in each occurrence, but notice how Schumann obliges us to reassess the figure, as though our view changes when seen through the differing shadows cast by the intervening passages.

Schumann, Arabeske Op.18

I recorded this in Fort Worth on Thursday March 28th. This piece was part of a recital that included the Goldberg Variations. I was played by Clark Griffith at Steinway Hall on one of Van Cliburn's favorite pianos. The hall was a little lively, so I recorded with two simple cardioid dynamic microphones patched straight into a Zoom H4

Nicolo Paganini - Caprice No.13 (Jan Rybka - violin)

Jan Rybka

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