Name: Chromeo - Jealous (I ain't with it) - Jance Why's Doo Wop Remix by Jance Why
Duration: 4 min 18 s
Description: My take on Chromeo's "Jealous" / owners of the rights of the original track/parts/samples/sounds are Chromeo www.chromeo.net

that hat on the off-beat is crisp. Cool song :)

crystal frickin clear! nice tune, with risin tension and a fine dance-end! Keep it up!

Brian Eno - Thursday Afternoon

Bvdub & Loscil - Moirai (Glacial Movements)
Rapoon - Alchiva (Robin Storey)
Barker & Baumecker - Spur (Clark Remix) (Warp)
Jon Hopkins - Interlude (unreleased)
Seefeel - Industrious  (Too Pure)
Jon Hopkins - Abandon Window (Moderat Remix) (Domino)
Recondite - The Fade (Ghostly)
Dan Deacon - Surprise Stefani (Luke Abbott Remix) (Domino)
Untold - Just For You (Hotflush)
Skudge - Mobius (Indigo Aera)
Agoria & Francesco Tristano - Kick The Peace part 1 (Different)
Fairmont - 3 cities (Traum Shallpatten)
Daniel Avery - Naive Response (Phantasy)
I Break Horses - Faith (The Field Remix) (Bella Union)
Gary beck - Algoreal (Soma Quality Recordings)
James Holden - The Illuminations (12" version) (Border  Community)
Wesley Matsell - Bismuth (Cambria Instruments)
Jon Hopkins - Collider (Pangaea Remix) (Domino)
Clark - Growls Garden (Nathan Fake Remix) (Warp)
Mux Mool - Crackers (Ghostly)
Dr. Smith (Tube Jerk remix) - Lamonde 
Boddika & Joy orbison - In Here (Sunklo)
Mogg & Naudascher - Moon Unit part 2 (Supersoul)
panda bear - drone (Paw Tracks)

Essential Mix 22.11.14

iTunes: http://smarturl.it/SomeMinds
Video: https://youtu.be/Fx8pS_sOi-A
Tour: http://www.flumemusic.com

In our home all day I waited for the change
Something warm that I could say
Somehow I don't care
Though I love the clothes she wears
And I love her body bare

So I pray that it wont feel the same
Don't think that I can't see it in your eyes
Darling yeah we both knew it from the start
Some minds are better kept apart.

Here I pass the day in a most peculiar way
Watching ships out on the bay
And I swallow so hard
Am I too weak to fight
As the day becomes the night and I don't want to be right

So I pray that it wont feel the same
Don't think that I can't see it in your eyes
Darling yeah we both knew it from the start
Some minds are better kept apart.

Get It Now

Some Minds feat. Andrew Wyatt

OESB-85 
Released June 2015 

Tehran-born and London-based, Ash Koosha creates music that is stripped of genre, style and conventional structure. His training in classical music and his interest in computer music from a young age has equipped him with necessary tools to construct, break, form and deform at the same time. The result is sound that is fragmented, unearthly yet natural, collage-like yet seamless. 

His latest work, GUUD is a sonic experience, where classical variations and harmonies meet manipulated sample grains. It is a field, a ‘place where he deals with scientific and psychological questions’ and where he manipulates his senses by creating a synesthetic experience. He understands emotional and physical limits and pushes those emotions to the extreme without the extreme effect, as he simulates the sound of exploding speakers or collapsing percussion structures in a listenable frequency. It is by treating sound as physical matter that he can then apply a simulation of physical forces to it: shattering, positioning, joining, liquifying or pressuring. 

One of the ideas that Ash has introduced in GUUD and will be further discovered in his future projects, is ‘nano-composition’. Born out of his obsession with scale and based on ideas explored in nanotechnology and quantum realm, nano-composition can be defined as creating a composition, based on the sonic behaviour of fractal patterns that exist within a stretched or rescaled sound wave but without pitch alteration. It is visually treating grains in wave forms as particles and create sonic ‘events’ within that wave form. Although these events are controlled and structured by the composer, their randomness and internal chaos offers an element of singularity and rarity. It is a deconstruction of what is conventionally and sonics-wise ‘good’ music. GUUD is ‘good’ without the perfection of perfectly round ‘o’s.

Buy on Bandcamp

Ash Koosha "GUUD" 16 - Harbour

My take on Chromeo's "Jealous" / owners of the rights of the original track/parts/samples/sounds are Chromeo www.chromeo.net

Chromeo - Jealous (I ain't with it) - Jance Why's Doo Wop Remix

Very few musical acts achieve the levels of unanimous acclaim of Autechre. The English duo of Rob Brown and Sean Booth are not an act you simply like; they are an act you love, fawn over and dream about. They’ve got themselves here over the course of the last 28 years, and have done so by amassing a discography that’s about as perfect, influential and accomplished as could ever be possible. A key Warp label act from day one, they have released tens of albums, well over a ten EPs and have featured on a dizzying amount of essential compilations, mixes and remixes in that time. Without their contribution to the IDM canon, its fair to say the modern musical landscape would look very different. 

Rhythmic but experimental, absorbing yet abstract, cerebral and psychedelic, their ever evolving output is up there with the likes of fellow luminaries Boards of Canada and Aphex Twin as some of the most important in all of electronic music. As well as being fine craftsmen in the studio, Autechre are also revered live performers who really manage to conjure up captivating and otherworldly soundtracks that marry heavy bass with ethereal melody. The pair themselves do not care for genre, but suffice it to say that they have mastered everything from hardcore to ambient to glitch and plenty of indescribables in between. 

When the pair recently laid down an impressive set at Dekmantel Festival, we asked if they might be up for a doing an early inspiration mix, whereby they put together a collection of the sort of electro and hip hop tracks that turned them on as youths. At first they hesitated, pointing out that "we don't do strictly retro stuff, it's too corny.” But alas, a few days later, a huge file landed in our inbox… That file is a 4 hour and 18 minute mix that basically encapsulates not just Autechre’s own influences, but also acts as a fine anthology of the greatest electro sounds of all time. Every sub genre imaginable gets touched upon along the way, with nods to forefathers like Kraftwerk, killer cuts from Man Parrish, classics from Newcleus and retro gold from the likes of The Beat Club. It is a thrilling ride and a truly rare treat that reminds us just why we love Autechre, as well as shining a light on a vast genre that often pays second fiddle to house and techno.

Dekmantel Podcast 035 - Autechre

Es ist das Bindeglied zwischen dem Krautrock der 70er und der Elektronischen Musik der 80er Jahre: das Album "E2E4" von Manuel Göttsching aus dem Jahr 1981. Es fußt auf nur zwei Akkorden und wurde zur Blaupause für Elektronische Musik und ihre Synthie-Sounds sowie Nachfolger. 

01.11.2015 // Manuel Göttsching "E2 E4" Vom Krautrock zur elektronischen Musik 
Ein Beitrag von: Ralf Summer



BR2 Zündfunk - Manuel Göttsching talks about E2-E4 -08.11.2015

Taken from Machine Head's debut album 'Burn My Eyes' - available on Roadrunner Records

Burn My Eyes

Machine Head - Davidian

Manuel Gîttsching - E2 E4

https://www.discogs.com/Manuel-G%C3%B6ttsching-E2-E4/master/2786

Tracklist
A1 -	 Ruhige Nervosität	13:00
A2 -	 Gemäßigter Aufbruch	10:00
A3 -	 ... Und Mittelspiel	7:00
A4 -	 Ansatz	1:00
B1 -	 Damen - Eleganza	5:00
B2 -	 Ehrenvoller Kampf	3:00
B3 -	 Hoheit Weicht (Nicht Ohne Schwung...)	9:00
B4 -	 ... Und Souveränität	3:00
B5 -	 Remis

Manuel Göttsching - E2 E4

Always searching for beautiful sounds and nice beats...

I am from Hamburg (Germany). If you would like to collaborate, send me a message. 

Listen to my tracks, download the ones that are available and leave a comment, if you like. 

Cheers,

Jance 

Chromeo - Jealous (I ain't with it) - Jance Why's Doo Wop Remix

Jance Why

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