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Composed by https://soundcloud.com/michal-cielecki
Vocals by Zefora
Catalog #XTS048_04

Blur Studio Animation Reel:  https://youtu.be/NmHGFN3SDHI

Full Album

Michal Cielecki ft. Zefora - Rebirth [Two Steps From Hell]

Underscores for factual content - tension and pressure.

Album: Critical
Composer: Paul O'Brien
Publisher: Sneaky Biscuit
Label: Sneaky Biscuit
Catalogue No: SB039

sneakybiscuit.com/volumes/critical

For licensing and more production music come visit us at www.sneakybiscuit.com

SB039 01 - Searching For Answers

Epic Promos 3

Slipstream

Waiting Around

SUFFRAGETTE is the first ever feature film to tell the inspirational story of the foot soldiers of the early feminist movement who risked everything in the fight for equality.

TRILLS wrote the song 'Oh Freedom' as featured on the trailer. Produced by Sean Redmond.

'Oh Freedom' Suffragette Official UK trailer

S3 EP1 GUINEA ST

EPHEMERAL LIGHT

Berlin based composer and producer Ben Lukas Boysen has announced the release of his third album, the progressive and shape-shifting 'Mirage', on 1 May 2020. It follows 2013’s 'Gravity' and the acclaimed 2016 full length 'Spells', a record as much admired by his peers as it was loved by fans that not only yielded remixes from Max Cooper and Tim Hecker, but also opened Jon Hopkins’ Late Night Tales compilation.

Since the release of 'Spells', Ben collaborated with cellist and composer Sebastian Plano on the score for David OReilly’s landmark innovative video game 'Everything'. It was added to the long list for the Best Animated Short at the 90th Academy Awards, making it the first video game to qualify for an Oscar. 

As with 'Gravity' and 'Spells', Ben has an array of musical guests adorning Mirage, including long time collaborator, Berlin based cellist and composer Anne Müller as well as Australian saxophonist and composer Daniel Thorne — for whom Ben wrote parts specifically, having heard his 2019 solo debut 'Lines of Sight'. Lead track 'Medela' features both and takes the listener on a kaleidoscopic journey that slides with ease across sonic terrains.

While on 'Spells' Ben made programmed pieces sound indistinguishable from human playing, with 'Mirage' he set out to do the opposite and make the human touch unrecognisable, creating something of a mystery or a mirage.

“A lot of the elements and instruments you hear on the album are either not what you think they are, or exactly what you think they are but behave differently or they’re elements you definitely know but they are hidden, processed, or morphed into something else. With 'Spells' and 'Gravity' I was trying to hide the machines. On 'Mirage', I’m trying to hide the human” — Ben Lukas Boysen

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