Diese engelsgleiche Stimme ist so schon… genial ist die Kombination mit der 2. Stimme… wow!😍

Die zurückgenommene Instrumenierung inkl. der super Beats machen es grandios! 🤩

Julie

Happy

Cast of characters:
Llanpsych–@llanpsych –Tez–Elecrtic guitar, mix, and prodcution
TexMex Shaman–@texmex-shaman –Stephen– acoustic and electric guitar  
J.J. Terrell–@j-j-terrell -- Piano, synth, and organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–five-string fretless bass and lap steel
  This is a remix that Tez did of a song JJ wrote, and we released a couple weeks ago. He extracted the coda, expanded it, and mixed an ambient groove into it. Basically, he took the sweetest part of the fruit and made a salad with it. Everyone is doing the same thing they were a couple weeks ago, except this time what you're hearing has gone through the filter of Tez's brain. It sounds like almost a completely different song now, and a really fun ride at that. Tez is into ambient music, so this touches on that proclivity, too. When all heard it on Christmas day, we decided immediately that we wanted to share it with all of you. We hope you enjoy listening to it as much as we enjoyed making it, and Tez enjoyed crafting it into something new.

Red Sun Ambient Mix - (Eclectic Collective)

Words and Music Dave Rose
A song I wrote quite a while ago. I have recorded it a few ways but like this one the best I think. Final mix :)

Lyrics

Hello, how are you where you been Timbuktu 
I haven’t seen you since god knows when 
So how the hell are you 

Remember when this world was young 
Life was simple and so much fun 
And the sun it always shone and the days went on and on 

In the park playing seventeen a side 
And the game would only end when it got too dark to see the ball ⚽️ 
So we’d all head home ‘til we could do it all again 

Remember when this world was young 
Life was simple and so much fun 
The sun ☀️ it always shone and the days went on and on 

Remember the big lad he lived down my street 
He stole my tortoise 🐢 Tom and he stole your rabbit 🐇 Pete
So we surprised him once when we pushed him in the pond 
He couldn’t swim oh we nearly drowned him 

Well we’ve all grown up and moved on 
Got mortgages and wives and kids and so on 
And this life goes on 

Hello, how are you where’ve you been Timbuktu 
I haven’t seen you since god knows when 
So tell me how are you 
Tell me how are you 
Tell me how your doing 
Oh let’s keep in touch 
Let’s catch up 
Do you use facebook or twitter (x)
Or I could WhatsApp you or I could phone ☎️ you……..

Hello How Are You

Hello, How Are You

Still enjoying the re-read of Asimov's Foundation series. I found the cover art in the retro futuristic section of Pinterest - I'm sure it's AI generated. Love the colours!

All the guitar parts were played on a Fender Telecaster with Texas pickups.

Foundation And Empire

Sirenen Gesang
ein reizender Gesang, der angestimmt wird, um jemand ins Verderben zu locken; aber auch ohne die üble Nebenbedeutung, da die Sirenen auch nach alten Begriffen als Sänger schmelzender Lieder in edlem Sinne des Worts erscheinen, ein schöner, lieblicher Gesang.
  Sirens Song
a lovely chant sung to lure someone to ruin; but even without the bad secondary meaning, since the Sirens also appear according to old concepts as singers of melting songs in the noble sense of the word, a beautiful, lovely song.

The Voices Of The Sirens.

February brings a slower, pensive, ballad from the WAG fellas. Perhaps we're feeling a little sentimental, or reflective in the bleak midwinter?  Maybe it is the approach of Valentine's Day slowing things down, or is it simply age, and the desire to capture anew, the childlike wonder of looking up in a gentle snowfall?

Change is the key to being fresh in our creative approaches to music. One For The Eye is a poem I wrote in celebration of the winter season. It was adapted by Keith to better fit an easy listening composition I had sent to him earlier. Keith ran with the challenge to make a song out of these parts and delivers a song that, we trust,  gives one pause to conjure up those moments from childhood in the snow, and smile. 

Two observations offer a frame for this song:
This week, Nova Scotia, where I have family, received a record setting dump of snow (Sydney N.S. received 1.5 m), and that is where the muse opens.
The other observation is that in the west, in Alberta and Saskatchewan, where I also have family, there is too little snow accumulation leading to worries about water tables, crops, and forest fires this summer. Too much or too little is not good.

Lyrics:
One for the Eye 

Too much can be an undesirable burden
Too little leave all hopes abandoned.
One at a time,
One on the tongue,
and one in the eye.

Or could it be a warm iconic postcard?
Or would it be much better left just as Mother intended
One at a time
One on the tongue
and one in the eye

A light descent from heaven
It may be euphoric
Though always seen,  
never heard in the falling

One at a time
One at a time
One for the tongue
One for the tongue
…and one in the eye


Wigmore: Original poem, music, production
Allen: adapting lyrics, vocals, bass.

One For The Eye

Aenigma

Lingering Loon Loitering

Strange Feeling

She keeps the forgotten forest.

Imagine If,...peace was the only solution...

I´m mainly using Hardware Equipment 
(The Electronix) for my Music.

The Electronix are:
Synthesizer + Keyboard + Sampler:
Quasimidi The Raven Max 3x
Quasimidi Sirius
Korg Modwave
Korg Wavestate
Korg Opsix
Korg Poly 800
Roland D-20
Roland D-110
Roland JX-305
Yamaha SY-35
Yamaha CS 1X
Yamaha SU10
Yamaha Tenori One
Behringer Model D
Behringer Pro 1
Behringer Wasp Deluxe
Casio MZ-X 500
Casio XW-P1
Aturia : Keystep Pro 
(Master Keyboard for Behringer Synth.)

Recording & Mixing:
Tascam Model 24
Behringer RX 1202 FX
Behringer Eurorack MX 2004 A
Zoom HD16
Behringer Virtualizer Effects

Mastering:
Steinberg Wavelab

The Voices Of The Sirens.

JANO and the Electronix

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