Nice. For some reason it reminds me Tenet "Posterity". Well done Sir.

nice start with the piano! really good loop!

'Wald', out now on Atomnation: atomnationrec.lnk.to/Wald

Follow Polynation -
Spotify: polynation.life/sp
Instagram: polynation.life/ig
Apple Music: polynation.life/am
Bandcamp: polynation.life/bc
Soundcloud: soundcloud.com/polynation

Wald

Todd Longmire X Midnight Bandit - The Emerald City

Enjoy

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Wide Open

Ólafur Arnalds & Nils Frahm - Wide Open

Buy Album ● https://parraforcuva.lnk.to/darwis

BUY CYAN 2LP/CD/DIGI

Parra For Cuva & Senoy - Sacred Feathers (Darwīš - Project: Mooncircle, 2016)

New EP 'Sufi' is out now on @atomnation
More info: http://atomnation.net/ATM037-Polynation-Sufi-feat-Marlon-Penn
Purchase: https://atomnation.bandcamp.com/album/sufi

Polynation - Sufi Pt II (feat. Marlon Penn)

Sekuoia - Beau (Polynation Remix)

I'm excited to announce the first track from the 'Emergence Remixed' album which will be released in full at the end of March.

This remix comes from one of my absolute favourite electronic producers of the last few years, and someone who is constantly surprising me with each new release - Rival Consoles. 

I've been playing his work in my sets a lot recently too, he's got a great humanised approach to making electronic music, primarily with his hands-on analogue machines and live percussion, which give his tracks a whole load more life than most other producers. 

I have to mention Rival Consoles synth work too, which for me, is the best out there by a mile. He's got a knack for the most beautiful timbral quality and soft full sound. Complemented with his ability for hooks and chords and always developing arrangements, makes for some of the best electronic music out there in my opinion.

So all that said, you can see why I said I was excited to have him involved in the remix package! He's made a brewing club track for this package, all about those beautiful synths and micropitch deviations for me, the quality oozes out with him needing to overcomplicate the mix (like I do!). It's really hard to get each element to such quality to carry a track like that....so hats off from me, and I hope you enjoy it too.

Loads more amazing remixes coming soon from more of my favourite producers - it's a juicy package! We'll put some out to the mailing list first, which you can join below at the end of this description.

The artwork is by Andy Lomas, from his Aggregation series, where he created a simulation of sticky particles which bounce around and are more likely to stick to larger structures, causing biological-esc growth-like structures to emerge. I have one of his huge prints from this series on my wall, the detail at high res is amazing. 

The series was chose for the Emergence album packages as it demonstrates the same principles of mathematical rules yielding unexpected and beautiful outcomes as is shown in the visual story to which the album tracks were scored. Lots of those videos are on this youtube channel, and the whole thing will be released in surround-sound bluray format later this year.

From 'Emergence Remixed', out March 31
Pre-order 'Emergence Remixed' http://MaxCooper.lnk.to/Remixed
Buy 'Emergence' http://MaxCooper.lnk.to/Emergence
Subscribe to hear the next remixes first, free mixes, gig tickets etc (the "JOIN" button is top right): http://www.maxcooper.net

12"/Download/LP Stream

Distant Light (Rival Consoles Remix) [Mesh002]

Full album (11 tracks) drops february 5th. Pre-order from here: http://atomnation.bandcamp.com/album/dreaming-in-key-full-album

01 Boys (feat. David Douglas)	
02 Lonely People 
03 On The Way (feat. Piana) 
04 Spring And Life 
05 Vintage Clown / Shadow Hunters 
06 Thanks For Fun 
07 Onetasker 
08 Wise Noise On Time (feat. Lanny May) 
09 El Diablo (Live Version) 
10 The Composer 
11 Keep On Dreaming

Dreaming in Key

Thanks For Fun

Applescal - Thanks For Fun

Jörð

Late Night Tales: Ólafur Arnalds

Orgoned

The solo output of Reykjavik producer Janus Rasmussen can be best understood as a distillation of his many diverse collaborations to date. Originally from the Faroe Islands, Janus has spent the better part of the last decade creating, performing, and innovating with other artists across myriad musical genres, amassing a wealth of experience and inspiration that he now condenses into his own brand of experimental electronic music. 

Janus’s debut solo album Vín, saw him hone his minimal techno chops into an hour-long exploration of acoustic textures and electronic sound design that peaks and lulls like a well-crafted DJ set. In his most recent work, he meshes Vín’s dancefloor rhythms and dark sonic palette with his own vocals to craft a unique, melodic sound that runs counter to the prevailing current of electronic dance music.

Aside from his own music, Janus performs alongside Ólafur Arnalds as one half of KIASMOS.

Jörð

Janus Rasmussen

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