New Light

Perimeter

Quasar

This track started as a beautiful short piano solo from Tom Hodge. I wanted to keep the focus firmly on the piano and just introduce some subtle electronic elements, while looping Tom's short sections to give a full arrangement.

The percussive clicks came from a visit to Manchester when I played at WHP. The day after a friend was kind enough to offer us free tickets to see Manchester United play Fulham in the FA cup, so I brought my binaural mics along to capture the sound of the huge crowd. I'm not quite ready to introduce huge crowd cheering noises into my tracks (maybe the EDM career can begin next year), but I found that even when the sound of the crowd was cut down to little fragments using Monolake's Granulator, they still had a nice quality. So the percussion on this track are made from the sound of Old Trafford, and there are some points in the track (right at the end for example) where I open the release a little and you can here some crowd coming through.

You can buy the full release on iTunes at http://www.smarturl.it/FragmentedTwo

Buy on iTunes

Amorphous Romance - with Tom Hodge - FIELDS

Spectrum

Wirbel

Whirl

Melodic House & Deep House & Electronic music 
- Architect of sound and lyrics: CROSSOFF 
- Sound: Groovy, upbeat, and bass-driven with catchy melodies and repetitive hooks.  
- Vibe: Energetic but smooth, perfect for both clubs and festivals.  
#crossoff #dj #dance #electronic #deephouse

In The Deep End

Wild Conscience  (Visceral)

♬ Click for more ☞ http://trndmusik.de/2019/04/its-about-a-time-when-i-was-forced-to-lay-aside-all-my-activities-aparde-releases-his-second-album-on-ki-records/

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2 

Get Aparde's track on @ki-records here: 
➟ Website: https://33r.pm/amkt

trndmsk: Paul, how long did it take you to produce the album?

@aparde: About one year with some phases of remotivation and inactivity in between. The instrumental version of the single „Hands Rest“ was the first track which I finished around late 2017. Early 2018 I recorded the vocals for it. After that, I wrote „Tar“ and decided to make a new album. (...)

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy 

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

Aparde - Hands Rest

Jörð

first single release of the upcoming An Analog Guy in a Digital World - out 09.09.2020

An Analog Guy in a Digital World

buy here

Simplicité

Seems To Be Getting Closer

The solo output of Reykjavik producer Janus Rasmussen can be best understood as a distillation of his many diverse collaborations to date. Originally from the Faroe Islands, Janus has spent the better part of the last decade creating, performing, and innovating with other artists across myriad musical genres, amassing a wealth of experience and inspiration that he now condenses into his own brand of experimental electronic music. 

Janus’s debut solo album Vín, saw him hone his minimal techno chops into an hour-long exploration of acoustic textures and electronic sound design that peaks and lulls like a well-crafted DJ set. In his most recent work, he meshes Vín’s dancefloor rhythms and dark sonic palette with his own vocals to craft a unique, melodic sound that runs counter to the prevailing current of electronic dance music.

Aside from his own music, Janus performs alongside Ólafur Arnalds as one half of KIASMOS.

Jörð

Janus Rasmussen

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