psychedelic

DWR003
www.bandcamp.com/deepwaterlabel/music

DWR003: Greenhouse Vol. I

Dose Radio is back with our 5th instalment.  This time around we share a mix provided by our dear friend Kris Guilty.  Kris is a gifted curator of global sounds and the owner of Montreal’s finest record shop LA RAMA RECORDS.  

“The mix is an attempt to experience a mini dose through music, it took me a while to find some key tracks in my own collection that I have had moments with while on a trip... melancholy, self-reflection, vastness, mortality, and most important innocence and naivety.” 

Enjoy!

DOSE RADIO vol.05 with Kris Guilty

Hello, hello. This month @derekdee was joined by returning guest @djclassiclover. D.DEE's on first hour, Classic Lover on the second. You know the vibe! Enjoy the audio.

DJ D.DEE Mix: 

Noti Estiva - Coti K
Space Ghost Featuring Teddy Bryant - Heaven Sent
Shawn Pittman - Dreams
Marlena Shaw - Feel Like Making Love 
Raf Rundell - By Your Side
Turnstile Featuring Blood Orange - Alien Love Call
Space Ghost Featuring Teddy Bryant - Relax Your Mind
Masahide Sakuma - Koroi Dress No Onna
Loose Ends - Don’t Be A Fool
Noel Ellis - Answering Dub
Erik Kol - You’re My Solution

Classic Lover Mix:
Timeless - Tusnelda
The Whizdom Kids - Elijahville
Paul Atreides - Arrakis Walk
Tom Tom Show - Soldier Of Fortune (Instrumental)
Jah Wara - Trop De Mensonges
The Ed-Ian Cartel - Ego (Monsieur Mercredi Edit)
Aeternia - Oblivion
Johnny Zee - Disco-de Rani
T99 - Invisible Sensuality
In Trance 95 - Wild Beauty Ocean
Spooge Boy - Reggae Dance
Ethereal Beat - Underboard (Remix)
Romy Haag - Life Goes On
Ace Buzz - Nuevo Mondo
Strange Parcels & Bim Sherman - More Is Insane
Daniele Baldelli - Cosmic Reflex
Franco Perini - To Aim (Millos Kaiser Edit)
Gasbardin's - Oriental Dreamland Express
Kima - Nani Nani
U.K. Heights - Immaculate (Instrumental)

Originally broadcast on @worldwide-fm May 7, 2022.

Pacific Spirit No.75 | DJ D.DEE & Classic Lover

Gliding (Coyote Edit)

Coyote - Mega Beat Ibiza Sound (90's Italo Mix)

Coyote_Live Bodega Mix Jan '23

”I found my love again for percussive, faster stuff and tried to include some old and new favorites. I was focussing on the flow - it’s a pretty good representation of what I’m feeling right now."

Locked Groove | Numéro Netherlands

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

TASCAM DR-05

Coyote - Ampo Vinyl Drummer mix (Recorded @ Black Bear Studios Notts)

Sink into a mystical realm where sound and imagination intertwine as Meth Math transports listeners into an otherworldly dimension unlike any other. The mix is carefully curated to serve as a melodic portal, allowing one to embark on a transformative and mystical journey. As the pulsating beats and ethereal synths envelop your senses, your mind becomes a canvas where vibrant colours and vivid images are painted with each note. The tracks seamlessly transition from dreamlike soundscapes that inspire a sense of wonder and awe, to haunting melodies that send shivers down your spine.   The multifaceted nature of Meth Math's compositions keeps the listener on their toes, never quite knowing what sonic revelation awaits around the corner.  At times intense this mix provides a soundtrack for those embarking on a mystical journey deep into the dark and unexplored recesses of their minds.

DOSE RADIO vol.08 with Meth Math

Grateful Dead - High Time (Opium den dub)

Harvest

Old Man (2009 Remaster)

Instant Karma's gonna get you
Gonna knock you right on the head
You better get yourself together
Pretty soon you're gonna be dead
What in the world you thinking of
Laughing in the face of love
What on earth you tryin' to do
It's up to you, yeah you 

Instant Karma's gonna get you
Gonna look you right in the face
Better get yourself together darlin'
Join the human race
How in the world you gonna see
Laughin' at fools like me
Who in the hell d'you think you are
A super star
Well, right you are 

Well we all shine on
Like the moon and the stars and the sun
Well we all shine on
Ev'ryone come on 

Instant Karma's gonna get you
Gonna knock you off your feet
Better recognize your brothers
Ev'ryone you meet
Why in the world are we here
Surely not to live in pain and fear
Why on earth are you there
When you're ev'rywhere
Come and get your share 

Well we all shine on
Like the moon and the stars and the sun
Yeah we all shine on
Come on and on and on on on
Yeah yeah, alright, uh huh, ah 

Well we all shine on
Like the moon and the stars and the sun
Yeah we all shine on
On and on and on on and on 

Well we all shine on
Like the moon and the stars and the sun
Well we all shine on
Like the moon and the stars and the sun
Well we all shine on
Like the moon and the stars and the sun
Yeah we all shine on
Like the moon and the stars and the sun


John Lennon - vocals, acoustic guitar, electric piano
George Harrison - electric guitar, grand piano
Billy Preston - electric piano
Klaus Voormann - bass, electric piano
Alan White - drums, grand piano
Mal Evans - chimes

Produced by Phil Spector
Ritten, Recorded, Remixed 27th Jan 1970


John Lennon, Yoko Ono & The Plastic Ono Band - Instant Karma! (We All Shine On)

The Jukebox debut CD! 11 Beatles classics performed by Puerto Rico's #1 Beatles Tribute Band.

Nowhere Man

https://www.facebook.com/zigzagcollectiveofficial

Zig Zag is an esoteric collective of deliciously-seasoned dreamweavers. We run 2 Quebalearic nights in Montreal: a monthly at Bleury Bar à Vinyle and every 2nd Thursday at Kafein Bar.


Experiment with sounds
just do it to pass time
listen to music

Grateful Dead - High Time (Opium den dub)

jaredw

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