I find problems in mixing-mastering. High frequencies seem too attenuated. I may be wrong, but it seems that on the master bus there is an EQ messing with everything.

Catchy melody -- if you strip away all the (really nice) stuff around it, it's a great little simple melody.  Nice!

I'm glad you did some things to make this harmonically more interesting -- ascending line is good, but takes on more meaning with the other parts.

astounding production quality! on top of an excellent composition

Those breath/pizzicato strings (or something) sounds are really lovely.

Really love the sound design here. It sounds like you're having fun.

darn! here you go again hitting me with solid part after solid part making me reach for the '6' on the voting scale.

Song made using only sounds from Kairatune for the KVR One Synth Contest #145 March 2021

The Return of Captain Trillian (OSC 145)

Magitman - Routines (Radio Version) - Asymmetric Dip

Losing my mind

bh9090 - TWO [ODIN]

Part of the OSC 140 Competition
https://sites.google.com/site/kvrosc/osc-140-pendulate

Fese - Swings In Both Directions (OSC 140)

Solace was made using 58 instances of Vital by Matt Tytel.

All sounds made from init.

2020 has been a challenging year for many. This is my first track in quite some time. This was largely inspired by my son, Nolan, who was born in 2020 and brought me much light, happiness and solace in this year.

Warm regards to everyone, wherever you may be.

DL enabled for WAV version, if you so please.

Solace (OSC 142)

Solace

mmGhost - Solace (OSC 142)

For OSC 143. Made using only the Bleep Labs Nebulophone.
https://bleeplabs.com/product/nebulophone/
47 separate tracks of audio containing 119 audio clips selected from 128 recordings totaling 325 MB.

No external processing was done to the recordings beyond volume adjustments, static panning, and adding fade-ins and fade-outs.

My Zoom H4N was used as the audio interface.

Twigs

All Grown Up

Leonard Bowman - All Grown Up

All sounds made with the incredible TAL J8 https://tal-software.com/products/tal-j-8. 

This is a recreation of the 1980s synth powerhouse the Roland Jupiter 8. For years I've salivated over owning one of these vintage beasts. Now at least I can harness the huge sound.

Created in Ableton Live 10. Using Ableton effects (EQ8, Compressor, Saturation, Reverb, Limiter) + TAL Filter, OTT, CamelCrusher, Valhalla Supermassive.

As If In Another Lifetime (OSC 143 TAL J8)

Our entry for the 143th KVR One Synth Contest (KVR OSC)
Used hardware synthesizer: Roland Alpha Juno 2 from 1986.
Used DAW: Bitwig Studio 3.2.2.
Used instances: 15 bounced parts.
Used effects: one Alesis QuadraVerb on two of the sounds via send-return configurations, several Bitwig Studio devices such as: delays, EQ+, reverb and dynamic tools for mastering.

Timeless Alpha Juno Deux

Solidtrax - Timeless Alpha Juno Deux

"A journey in sound", as they say...

All sounds from the virtual Rand synthesizer.

Recorded and mixed at Violence St. Studios, Feb. 2021 by Mountainé.

Beyond the Castle (single)

Beyond the Castle

Beyond the Castle | #OSC144 | Rand

Synth: Rand x1 (one instance)

Recorded, mixed, and mastered in Reaper 6.

FX: 
BlueARP (Oleg Mikheev)
Tal Reverb 2 (Togu Audio Line)
ReaDelay (Cockos)
TDR Nova EQ (Tokyo Dawn Labs)
Dimension Expander (Xfer Records)
SGA1566 (Shattered Glass Audio)
LoudMax Limiter (Thomas Mundt)

As If In Another Lifetime (OSC 143 TAL J8)

Aaron Jasinski

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