Another top track from the man who can do no wrong.

I like the percussion ... carefully measured.

I like the dynamics across this track. Many fall foul of this aspect of music production - not Jas tho'!

Spooky. Amazing sound design throughout, but particularly the intro.

This heavy section has a good strong drive, but I feel like it lacks the flavor of the rest of the piece and doesn't really belong.

Re-listening to this as it came up randomly, I knew it was your track somehow. And I love the buildup.

This is excellent. the quiet bits remind me of Hans Zimmers Interstellar.

One Synth Challenge #151: GR-8 by Phuturetone

for OSC#150. Made with 51 instances of TAL-Noisemaker.

Twigs

Windward

Leonard Bowman - Windward

See the accompanying music video here: https://www.youtube.com/watch?v=xEv44NkQzfE

One Synth Challenge: a lo-fi track made with 102 instances of the freeware synthesizer TAL-Noisemaker. No samples, audio recordings or audio references used. No audio rate automation from outside of the synth used for recreating sample-like qualities. All elements created solely for this track, by manual editing. Rendered in one go, no audio editing of any elements. Only Noisemaker's built-in reverb and delay, also no 3rd party plugins for other purposes. Made in Ableton Live, using Live's standard built-in features for: routing/grouping, dynamic control, panning / stereo width, EQ, and parameter automation.

Guenon - Advances in modern desktop sampling

My entry for KVR OSC 150 using TAL Noisemaker.

How To Not (TNS - OSC 150)

This month's One Synth Challenge synth here: https://www.phuturetone.com
An awesome synth, and free too

The One Synth Challenge is a monthly contest on the KVR audio forum:
https://www.kvraudio.com/forum/viewtopic.php?f=1&t=569994

Each month a synth is chosen, and contestants must make an entire track using only that synth for all parts.  This is my entry for OSC 151

Aiyn Zahev - Equinox

Ok, im all in on this one. It sucked the life out of my computer at times. Had to render some bits and bobs here and there to save on the cpu.
Used a lot of automation and abused the internal Fx. Can never get the same sound twice in some cases, so this version of the song is one of a kind. 

72 instances of GR8 in Reaper
Fx used:
DDUtility
Izotope Imager
MAutoPan
Limiter No6
Mbandpass
Mcharmverb
Mcompressor
MEqualizer
Mloudnessmeter
MWaveshaper
OTT
Raum
ReaCompressor
ReaEq
ReaXcomp
SmExoscope
Simple Peak 1 Limiter
Valhalla supermassive

Loris - Radioactive

KVR.com's One Synth Challenge #151 
Created in Ableton Live 11. 70+ instances of the free VST synth GR-8.
Built in Live effects (Comp, EQ, Saturation, Delay, Hybrid Reverb, Auto Filter)
VST effects: Super Massive, Limiter 6.

Step into the fog one paw at a time (OSC 151 GR8)

All Sounds were made using Phuturetones GR-8 in Ableton 11 for KVR Audio "One Synth Challenge" No. 151

Milkster - Unarmed

My submission for the One Synth Challenge #151 using Ableton Live 10 and using the excellent soft-synth GR-8 by phuturetone.

35 Instances of GR-8 with Live 10's stock plugins

H - Man - Ks-8

Entry to September 2021 KVR's One Synth Challenge

All sounds made with GR-8 by Phuturetone

Reykjavik

Another month, another One Synth Challenge
This track is made 100% with one free synth: https://www.fullbucket.de/music/whispair.html

That includes drums etc, though this month we're allowed to use commercial plugins for mixing purposes.

Aiyn Zahev - VISITOR

Created for the One Synth Challenge 152 with Fullbucket´s Whispair.
OSC Forum: https://www.kvraudio.com/forum/viewtopic.php?f=1&t=571308
Whispair: https://www.fullbucket.de/music/whispair.html

31 instances of Whispair in FL Studio 20.5.1
No external Wavetables, All sounds created from scratch, no presets used
Effects: Fruity parametric EQ2 [8x], Fruity Stereo Enhancer [4x], Fruity Delay 2 [2x], Fruity Limiter [5x], Xfer OTT [5x], JB_omniverb [5x], Analog Obsession Sweet Drums [1x]

Mixed and Mastered with Duct tape woohoo!

Terrible Video here:
https://youtu.be/_M4Igw1kY9I

Impedance Music - Kickstart (OSC#152 -  Whispair)

OSC 152

FL Studio 20

Stock Plugins
Parametric EQ2
Reverb 2
Limiter
Compressor
Maximus
Delay 2
Delay Bank
EQ
Soft Clipper
Multiband Compressor
Gross Beat (Gate)


3rd Party Plugins (Only Freeware)
Auburn Couture
Klanghelm IVGI
Polyverse Wider
TAL Reverb 4
Xfer OTT

34 Instances WhispAir

Caine123 - Payback

Inductive Sound-Beltron [Dark Nature Concept]

Released under the iiP moniker, ‘SEN’ is the latest work by sound designer Setsuya KUROTAKI - a three-part composition shaped by field recordings, live instrumentation, and finely calibrated programming.

Constructed as a musical self-dialogue involving his alter-egos "Sebastian Kline" and "Nicolie Binara", the work examines the fluidity of sound materials and the emergence of emotion through the conceptual frames of “Sequence,” “Environment,” and “Neutral.”

Balancing restraint and organic layering, it can be read as a subtle disturbance of the boundary between interiority and environment.

Piano / Sebastian Kline
generative sounds / Nicolie Binara
all instruments, program,
produce and mastered by Setsuya KUROTAKI

artwork / Seth Black
www.instagram.com/seth6lack/

Environment

The Eleusinian Games were a festival and a mystical ceremony held at Eleusis in Attica in honour of the goddesses Demeter and Persephone . It was generally accepted that it was the most sacred and revered of all the festivals of ancient Greece having originated in Samothrace and the Cabeir Mysteries were brought to Eleusis by Thracian colonists. They began to gain great fame during the time of Peisistratus and reached the height of their glory during the Golden Age of Pericles .

From the artist:
"This is an invocation to these mysteries since we are in the period when they used to take place. As a Twelve-Theist, I consider it my obligation to honour these mysteries since they were festivals that honoured Mother Earth and her goddesses."

Van Morph - Eleusis

Join the challenge by going here: https://shorturl.at/bhBFQ

Step into the fog one paw at a time (OSC 151 GR8)

JXSXNSKX

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