

Introducing a New Genre to the World; and to the Universe; I call it, Futuristic Punk.


No one (and I mean no one) has my permission to use my music or the avatars of my band for their shit. The music is copyrighted. make your own shit. [do your own shit.] do your own music for that shit. Go be funny somewhere else.

Dimension(2025)-Anduhil Jewel-Billow.mp3

Panoptikon is a suite of vocal & electronic music composed by Maria W Horn for an installation in the disbanded Vita Duvan panoptic prison (The White Dove Prison) in Luleå, Sweden.

Preorder the album now at https://xkatedral.bandcamp.com/album/panoptikon

Omnia Citra Mortem

MUSIQUE INFINIE, Earth, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2401, EAN: 0602343041797

Tracklist:
1. Creation (14:25)
2. Destruction (12:53)

Credits:
Composition and production by Musique Infinie
Mixing and mastering by Suoni Speziali
Photos by Jean-Marc Avila
Design by Laurin Huber
Essay by Laurin Huber

Supported by Popkredit Zürich and Kanton Zürich.

Earth

Musique Infinie - Creation (HG2401)

Session #5 - NKNWN

Dylan Henner (AD 93, Phantom Limb) returns to Dauw with 'performs Raymond Scott’s Soothing Sounds for Baby’, a new album where he reinterprets a selection of Raymond Scott’s iconic work originally released in 1962. The album will be released on May 31 and available on limited edition vinyl and digital. Artwork is provided by Skrew Studio in reference to the original releases.

The contributions of Raymond Scott to our world are immeasurable and pioneering, and his records still sound totally unique. But one could say that, viewed through the lens of what we now understand to be "ambient" music, the meaning of his compositions have changed since their inception. Now, we (mistakenly or not) see them as archival or documentarian pieces preserving an era of early electronic music and the capabilities and limitations of the technology of its time. It has become an artefact, a means to an end. So, with huge reverence to Scott's foresight and genius, Dylan Henner wanted to recontextualise those same ideas into the mindset and studio of a musician in 2024, to create a version of what Scott left us that corresponds with Henner's own perception of this music's purpose: soothing baby. He returned to the original records only once or twice, transcribing melodies and taking notes on timbre, before setting off his own journey.

“I didn't want to take too much from Scott or his music, as it is untouchable, both creatively and culturally. But I wanted to offer my baby (and any babies whose parents play this record) something soothing and meaningful of my own.” Dylan Henner

All music composed by Raymond Scott, performed and produced by Dylan Henner
Mastered by Ian Hawgood
Artwork & design by Skrew Studio

Dylan Henner - Lullaby

Marie-Pascale Hardy debuts her latest moniker / personality, Alonē Etimis for her EP, NIGHTVISIONS recorded over a 18-month isolation period in an ancient stone stable in the mountains in the South of France. The writing process of the four-track EP draws from the idea of ‘alchemical transmutation’, channelling her personal ancestral lineage through to humanity as a collective body: ‘Putrefaction. Purification. Rebis.’ 

Mastered by John Tejada

Full EP available on Bandcamp now: https://doyenne-books.bandcamp.com/album/d-06-nightvisions-alon-etimis

Hand-bound book - edition of 20: https://doyenne-books.bandcamp.com/merch/nightvisions-book-marie-pascale-hardy

D E A D D R E A M S - Alonē Etimis

LP and cassette tape available directly from: IMPREC.com

LP is pressed in a hand numbered edition of 300
(White copies #'d 1-100. Black copies #'d 1-200)
Paste on covers screen printed by Monoroid
Mastered by Tom Eaton at Sound &amp; Substance
Produced and designed by John Brien at Imprec

Florescere&nbsp;by Jonathan Bousquet is a powerful debut exploring a tapestry of electronic textures, compositional structures, and themes. Bousquet demonstrates a unique ability to forge a cohesive sonic world, employing a diverse array of techniques and sound sources.&nbsp;Florescere&nbsp;is a thoughtfully crafted album revealing itself slowly through rich harmonies and memorable melodies, rewarding repeated listening.

From the opening chimes of Recurrence, the album invites listeners into a multi-layered musical narrative, exploring the dualities of movement and stillness. The second track, How to Make an Exit, investigates form through themes of resolution, entrances, and exits. As the album progresses, Divisible Machine examines how time is measured and how personal perception can alter these measurements, expanding or contracting them.

Listeners are then drawn into Enveloper, a soundscape that evokes a sense of omnipresent time and presence through overtones and an electronic choir. The title track, Florescere, marks a new beginning beyond the constraints of place and time, characterized by jubilant sequences and a resolute low end. The A-side concludes with And the Void Becomes Eloquent, a cyclical composition where repetitions gradually move toward their undoing. The work concludes with a profound sense of rest and ethereal pause on the B-side track, Being, Becoming.

Available on black vinyl, white vinyl, and cassette tape, Florescere features six tracks on side A that blend intricate rhythms and lush textures. Side B presents a 30-minute drone piece, offering a contemplative journey through ambient soundscapes.

Designed by John Brien and mastered by Tom Eaton, each detail of Florescere reflects Bousquet's commitment to crafting a unique auditory and visual experience. With striking letter-pressed sleeves by Monoroid, the album is a tactile delight.

Bousquet - Divisible Machine - From Florescere LP

LP available directly from Imprec.com 

On this new LP Harry Bertoia shows why he may have been the first industrial musician. Bertoia often referred to his sound sculptures as a "collaboration with industry" and on this new LP Bertoia is intentionally creating heavy, rhythmic music he described as "mechanized," "mechanical" and "factory like." 

This first edition is packaged in a full color sleeve with metallic inks. Mastered by Tom Eaton at Sounds & Substance. 

Recorded in 1971, percussion and repetition emulate the pounding rhythms of machinery on this unique pair of conceptual Bertoia compositions. Bertoia utilizes innovative performance techniques to create new sounds unheard in his ouevre. Even in the busy factory of Bertoia's mind, distant stillness rises up as Bertoia exhibits the massive amount of control he possesses over his many looming sculptures. 

"Mechanization" is just one of the many sonic directions Bertoia took while composing and recording between the late 1950's and his death in 1978. He documented all of his ideas and directions in notes accompanying the hundreds of tapes discovered in his barn. 

This first edition of 500 is printed using metallic inks. Mastered by Tom Eaton at Sound & Substance. 

Bertoia's recordings are as much a celebration of sustained tones, intervallic relationships, healing vibrations, deep listening and shimmering harmonics as Indian Classical music, singing bowls, The Well Tuned Piano or Benjamin Franklin's glass armonica. Through these rich harmonics and pulsing pure tone, Bertoia was able to more clearly articulate his inner spirit than he could with sculpture alone – a point he made himself many times in interviews. 

Harry Bertoia first came into artistic prominence in the late 1930s and his sculptural, ergonomic chairs, produced by Knoll Furniture beginning in 1952, were soon modernist furniture classics. Inspired by the resonant sounds emanating from metals as he worked them and encouraged by his brother Oreste, whose passion was music, Harry restored a fieldstone "Pennsylvania Dutch" barn as the home for this experiment in sounding sculptures which he had begun in the 1950s. Bertoia was an obsessive composer and relentless experimenter, often working late into the night and accumulating hundreds of tapes of his best performances; Oreste, too, would explore and record the sculptures' sounds during his annual visits to his brother's home in rural Pennsylvania.

Learning by experimentation was common for Bertoia and he mastered the art of tape recording, turning the Sonambient barn into a sound studio with four overhead microphones hanging from the rafters in a square formation. He would experiment with overdubbing by performing along to previous recordings, sometimes backwards, constantly improving his methods while also honing his performance skills. Bertoia was a careful editor of his own work and only chosen recordings remained, each with a date and carefully considered observations written on a note included with each tape. Through these pieces of paper a greater logic can be uncovered, a careful approach to composition, ideas, feelings and forms. The story of Sonambient barn collection will slowly be told through the release of recordings from the archive as well as installations and performances built from Bertoia's own recordings, lectures and a book.

Find out more at Sonambient.com

Harry Bertoia - Mechanization II - From Mechanization LP - Available: 11.15.24

RR Variation

snf04 : giuseppe ielasi "even when they speak of space" out dec.15th 2017.

music for whistling, microphone and digital degradation. 
recorded in november 2016 and august 2017. 
to be played at low volume.

www.senufoeditions.com

snf04 : giuseppe ielasi "even when they speak of space" part 1

READ > https://inverted-audio.com/premiere-carlo-maria-stella-maris-606-version

Near to two years since his first appearance on the Polish imprint, Milano-based sound artist @carlomaria returns to @bruitage with 'Doppio' - beaming its listener up into a world of sleek, glassy beauty.

Carlo Maria - Stella Maris (606 Version) [Brutaz]

Bookings: MO@MEDIA-LOCA.COM
Electronic composition across music and art contexts.

RR Variation

Jasmine Guffond

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