my favorite picks...no special order..newest additions at the end.
a new volume every 101 titles. this is the volume 11.

cloud.selector

cloud.selector vol.11

Big instrumental. Colin John: lap steel, Jeri Sapronetti & Samantha Grace Lindimore: backing vocals.  All other noises: CB.  Subtitle, in Hawaiian: "Ua Hoʻohiki Wau, Akā". (Pronounced  "Uwa hoe oh heeki wow, ah ka").  
©2022 Chris Butler/Future Fossil Music (BMI).

I PROMISED...BUT (Ua Hoʻohiki Wau, Akā)FINAL MIX 11.22.22

Xmas Tune For Smeltzer.WAV

https://soundcloud.com/groups/swift-noise

https://www.facebook.com/events/537677319700403

& , for background, my fav > http://www.theatlantic.com/entertainment/archive/2014/10/the-author-of-white-noise-reviews-taylor-swifts-white-noise/381771/ 

Musical Chairs < A Swiftian Satire

僕の歌声をクスクスされたので開き直ってひっそりこっそりup
そう自己顕示欲

ゴキブリのうた

Foxxconn Acrobatics : Give it All to The Cloud

The Snug Challenge. 
"I was out on a Friday night, looking for somewhere new
So an unfamiliar place I went, to grab a pint or two
I was getting high and worldly, everything I knew was certain
then I heard a laugh, a hearty laugh, from back behind a curtain

I peeked around a corner, and then I saw a sign
It said "The Snug" and I just shrugged, folks were having a good time
Did I need a handshake, secret knock, or an invite?
But curiosity killed the cat, you see...Do I dare to go inside?

Is the a lady within...fucking a donkey
While the band outside, is playing honky tonky?
Is there a burned-out, old hillbilly...taking a pull from a jug?
I wonder just what happens, in the place they call The Snug

I looked around and couldn't tell, just who to ask
I saw my own grandfather there waltz in with a flask
My palms they started sweating, my mind was on it all
It was killing me, wish I could be, a fly upon that wall

Is the Illuminati planning world domination?
Or are there secret lovers, planning penetration?
Is Zombie Fred Astaire in there, cuttin' up a rug?
What on Earth is happening, in the room they call The Snug

I was getting up the nerve, with each and every drink
What was I missing out on?  What would my mother think?
So I chickened out and I ran out, but I still have the bug
To find out, exactly what...happens in The Snug

Is there a lady within...fucking a donkey
while the band outside is playing honky tonky?
But I'll be back to build my courage up, "Bartender - another mug!"
So I can find out...what happens in The Snug
So I can finally find out...what happens in The Snug!"

The Snug Final Demo

recorded live at the "this ain't no picnic" festival on july 4, 1999

nels cline: guitar
bob lee: drums and backup singing
steve reed: mixing and backup singing
mike watt: bass and spiel

cover of humble pie number by steve marriott



"30 days in the hole" by mike watt + the black gang

& the Seven Babes from the Sunny Cave (2016)

the Tracks for the Twanger Band Session

original music written by Gyula Bódis @discratebye

produced by KONOKUNOK . Keshauz production 2016. 

All my jew's harps are made by Zoltán Szilágyi.



Latis Tempore

4 March 2008 23:00-23:30 (Radio 4 FM)


Laurie Anderson profiles one of the most extraordinary writers and thinkers of the 20th century. William Burroughs was a leading figure of the Beat generation, hugely influential among musicians and artists from the 1970s to the present day and responsible for the dark side of American culture entering mainstream consciousness.

The programme features recordings of Burroughs's spoken word performances over a soundscape of noise and music from artists whom he inspired.


William Burroughs - Nothing Is True, Everything Is Permitted

cover of Thin White Rope song Thing, appeared on Moonhead, their 2nd album

The Good Sons - Thing

New Year's Night At The Cuckoo Clock Factory

Terminal City

Sometimes you set up parameters to explore, plug in, and see what happens. Sometimes it feels pretty good, and it goes places that surprise you.

This piece is an improvisation for electric autoharp and two square-wave-modulated delays in my digital audio workstation (Presonus Studio One). Long ago, I was inspired by the recordings of guitarist Henry Kaiser, who used this technique extensively and wrote about it in Guitar Player magazine. I was a recording engineer at the time and had access to studios equipped some of the very expensive gear that would produce this effect, and I would often try it myself after work was over. It was a delightful thing to play with, and I missed having it available after I went on to "civilian" life. Fortunately, I've lived long enough to find I could re-create this effect on a DAW that cost me all of $50.

I won't go into a description of how square-wave modulation works...but here's Henry Kaiser explaining it pretty thoroughly: https://www.youtube.com/watch?v=gbJFlX_L6To&t=514s

Unexplored Corridors #1

Track 1 on my new Music Cassette.
https://djdeppenhorst.bandcamp.com/album/15-trivial-miniatures

Music Cassette

A01 - Release the Electronic Ponies

A cover of a song by Lawrence/KC band "The Ants".

The Snug Final Demo

Jason Beers

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