Everyone Loves a Sailor
Act 1. Scene 3.
My New Friend - Mary's aria.

"My New Friend" is the newest chapter of "Everyone Loves a Sailor" an operatic sci-fi series by Jesse Gelaznik featuring soprano Elly Kace  and autoharp by H. Leon Harris. Artwork by Jonathan Johansen. 

"Everyone Loves a Sailor" a sci-fi music series by Jesse Gelaznik. Set on the ocean planet Thela in a distant galaxy, two unlikely friends (Mary the pirate and Javelin a runaway android) set sail on a quest to take back the Mirror of Light, stolen by a Sad King of the Sea who dwells in his water palace with the ghost of his lost love.

My New Friend, Mary's aria

Movements 1-3 (of 4)

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echoartifact.com/shortstep
Recorded at Traxler Studios (2022)

Music from Pictures

Short Step (Preview)

Short Step, Movements I-III (Preview)

Live performance by pianist Sarah Cahill of Harold Budd's "Children on the Hill" at Society for Minimalist Music's 2009 conference. 

In 1982, Budd improvised a 24-minute version at New Music America in Chicago. Kyle Gann heard it there and spent many hours transcribing it note by note, and Sarah did her best to recreate Budd's expressive touch and rubato.

Harold Budd - Children on the Hill [transcr. Kyle Gann]

'Internal Rhythms' is composed of three short movements:

I. internal rhythms
II. moving water
III. sunrise color

This piece was written as part of the 2019 International Music Festival of the Adriatic in Duino, Italy. It was performed at the UWC Auditorium in Duino on July 2, 2019, by the following wonderful musicians:

Carina Yee: Violin I
Manuel Rodriguez: Violin II
Charles Kanne: Viola
Olivia Rainoff: Violincello

Internal Rhythms: for string quartet

By Anna Heflin
Text adapted from Oscar Wilde's "My Voice"
This is an excerpt from a 19 minute work, to hear the work in full or to see the score please contact Heflin directly
For Canticum Ostrava Choir, 2019

“My Voice” for choir asks how we as individuals can listen to ourselves within large groups and in our personal relationships. Throughout the majority of the work, the tempo for each singer is determined by their pulse. What is heard is the coming together of each individual listening to their own body as they are here and now. The piece is section based with slight time variations for each section determined by the conductor in the moment. Each performance is a unique expression of individuals coming together as their bodies are in this space and time, noticing and seeing each other with the presence of the audience. This work was written for Canticum Ostrava choir, Ostrava Days 2019. The text is adapted from Oscar Wilde’s poem “My Voice”.

Heflin: "My Voice" excerpt

/something emerges from thin air, collects, disperses into space/

Conducted by Gregory Ristow, written for and performed by the Oberlin College Choir
Soloists: Risa Beddie, Clara Dahmer, Isabel Breakey, Mae Harrell, Cora Lopez, Matthew Santos

Performed October 17, 2019

Joy (variation on Allegri's Miserere)

A preview of an upcoming EP by Implicit Arches. Recorded in mono.
Kurt Gottschalk, guitar
Will Glass, drums
Miguel Frasconi, electronics

Ruby Tiger

defenses (demo)

image by sam blieden
i made all of the reverb myself from recordings i took inside churches in florence, italy in the summer of 2019!

lyrics
sometimes i want to stop moving
but in the same vein i know there's no such thing as stillness
a thousand years of gestures live inside these walls
even the plaster is awake
--
she is the mirror
the grass is the mirror the trees are the mirror 
every body buried in this godforsaken building once was the mirror
-
and there's no room for her in your ornateness
only for her mysterious disappearance 
maybe time unaccounted for does not exist
unacknowledged sacred creations state otherwise
she is the mirror nature is the mirror is every averted eye is the mirror
and every woman away from the sixteen chapels is the mirror
--
and she finds stillness
and her daughter finds fullness
her daughter's daughter's heart is printed on paper over and over
her daughter's daughter's daughter sings these words now
--
here's to hoping she doesn't have to hide
in a way not of her own devices 
her body won't be here
but she'll be the mirror

sheisthemirror

Voices: Ann Heppermann and Jason Cady
Words, Music, Modular Synth: Jason Cady

The Princess and the Zombies

demo produced by me 


lyrics:

i wanna be...
i wanna be the sun in the west, chasing your neck
i wanna get as close as your freckles 
this time i won't freeze to death in your presence

tumbling inside when the curtains open
too much of me might make you squint
but i'm not going anywhere, i'm not going anywhere
colors in the sky, i'll rise in the east
shaking off a film of sleep
will you save the last three dances for me?
we'll sink into the sand when the lights burn out

i wanna be the sun in the west, chasing your neck
i wanna get as close as your freckles
this time i won't freeze to death in your presence

sleeping in its softness
sinking into the sane
and not fizzling out

i wanna be the sun (demo !!!)

Jason Cady composes opera, instrumental and electronic music; and performs on pedal steel guitar and modular synthesizer. His video opera—I Screwed Up the Future—was described by Anthony Tommasini in the New York Times as a “charming fantasy…drably comic and spacey.” Opera News described his most recent opera as “delightfully weird.” Cady  has an MA from Wesleyan University where he studied with Alvin Lucier and Anthony Braxton. He was born in 1974 in Flint, Michigan and has lived in New York City since 2001.

The Princess and the Zombies

Jason Cady Composer

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