8 years after the last single release “Tatischeff” on Innervisions, german-duo Âme remain at the forefront of electronic music and look to the future with their 100th catalogue number. For the title track ‘The Witness’, Âme teams up with Syrian-Armenian-American vocalist and composer KÁRYYN, who’s cryptic and stimulating lyricism has inspired the likes of Björk. She combines her musical production with a symbiotic spoken-word performance that marries with the hypnotic minimalism of Wiedemann and Beyer, transporting us to another dimension entirely.

Experimenting with vocals and personalities, Frank Wiedemann and Kristian Beyer of Âme explore a heavier sound with the new release. Despite their prominence within house music, IV100 noticeably combines the unique sounds of Wiedemann and Beyer’s solo performances (Live sets and DJ) with characteristics of techno, commenting that “this EP could be seen as the biggest common denominator”.

What The Hell

Wax|Stream

IV100 - Âme - What The Hell

Out Now: https://orcd.co/crmlp051

Tibi Dabo unveils his long-awaited full-length ‘Vista’ on Crosstown Rebels this September, with the  kaleidoscopic nine-track album showcasing his diverse and rich sound palette.  

Born in Barcelona, DJ, producer, and musician Tibi Dabo has proven himself adept at mixing the classic and the cutting-edge. From  his early days touring Europe and the US with a band in which he plays the drums, the foundation for his experimentation for his work  within the electronic sphere, he has since grown to become an exciting and much-loved DJ and producer, adding to his growing  reputation as a Crosstown Rebels favourite. Stepping things up once more, his spirited new album ‘Vista’ is a perfect fusion of  futuristic synths and compelling house grooves, all of which are masterfully designed and full of character. Following three well received singles across the summer, the full-length is a complete sonic statement that explores deep house, leftfield sonics and  widescreen cosmic vistas.  

Opener ‘Water Is’ layers up fresh sound sources and playful melodies on nimble basslines that soon make you move. ‘Somewhere  Beach’ is then a silky groove layered up with diffuse pads and aching synths that convey real romance, while ‘Licht’ is another  masterful display of original drum programming with bursts of cosmic synth and elastic bass. ‘Useless Ideas’ then gets deeper on  more low-key drums and bass. Instead, the focus is on the deft percussion and well-treated vocals that swirl and smudge around the  mix to a woozy late-night effect.  

The elegant ‘Mundo’ channels the machine soul of early Detroit techno, before ‘Mangabeira Manifesto’ featuring Dudu Bongo layers  up wonky drums and bass with curling, soft acid sounds and a playful vocal line. There is heartbreak in the melancholic chords and  broken beat funk of ‘Diamond Baby’ while ‘Triple Frontier’ picks up the pace and heads out on a high-speed cosmic house journey, all  before ‘Overture’, another far-sighted astral trip with starry melodies and rich, rubbery bass, closes the package in fine style. 

An expressive and adventurous yet coherent long player with a range of moods, feelings and grooves taking you to all corners of the  house world, ‘Vista’ showcases Dabo’s most in-depth project to date and an album which provides the perfect platform for him to  display his rich sonic universe. 

Tracklist  
1. Water Is 
2. Somewhere Beach 
3. Licht 
4. Useless Ideas 
5. Mundo 
6. Mangabeira Manifesto feat. Dudu Bongo 
7. Diamond Baby 
8. Triple Frontier 
9. Overture

Tibi Dabo - Useless Ideas

Masomenos  - Coco

Uncommun Sense [GoFy mix ]

Garnier - Boom(chakolak) - (Traumer African Rmx)

Places to avoid

The vibe we share

> @petergrand
> @rominimalcollective

Peter Grand returns with Venga EP, a four-track narrative built on storytelling pads, evolving percussion, and deep, rolling grooves. Each track unfolds like a chapter — subtle yet dynamic, where rhythm becomes dialogue and textures add emotional depth.

From the first beat, Venga draws you in with percussive layers that feel alive, shifting and mutating as hypnotic pads breathe through the mix. It’s a dancefloor-focused release, but with a cinematic edge — minimal in structure, yet rich in atmosphere.

Mastered by Andrey Djackonda.

PREMIERE: Peter Grand - Venga [ROMEP070]

Buy Now https://square.link/u/PMktvYVR 
This Album features all Of Johnny Deep's Releases on Koaladeep from 2024 up until September 2025. Genres: Deep House, Minimal Deep House, Deep Tech, Progressive Deep Tech, Deep Funky House, Melodic Deep House, Progressive House. Song Information: 18 Club Length Tracks. Track List: Boogie Biscuit, Funk Cookie, Star Steppin, Sunset St. Tropez, Funk de Paris, Im in Heaven, Paradise Found, Cosmic Shuffle, Happy Days, Rasta Dreaming, Coats of Sugar, Cool in a Heatwave, Moon Walking, Sunset Shuffle, Cosmic Swing, Strut Your Stuff, Nos Estamos Conociendo Most Listeners may not realise that Streaming has unfortunately caused a massive loss of income for artists. It is also causing underground music to decline since artists and labels are going more commercial to make up lost income from streaming versus the buying/downloading. This hopefully explains why i only allow streaming of previews. If you realIy love my music, I hope you consider buying it. Big Hugs from Bali :)
Individual Tracks can be purchased when released at: Beatport & Traxsource
LINKS: www.johnnydeepmusic.com @johnnydeep www.youtube.com/@johnnydeepmusic www.facebook.com/johnnydeepmusik www.instagram.com/johnnydeepmusik


Buy Direct

Cool in a Heatwave (JohnnyDeepMusic.com)

A1 - nylon - the mouse

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Places to avoid

Heavy Layers of Imbalance

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