The years fly by but this sound makes it stand still.

this shit is so technical how much of your cpu did you use to do that

To be re-released on Groove Booty 4 | 2x12" & digital | May 1st

www.chordmarauders.com/releases/groove-booty-4/

https://soundcloud.com/mercy-one

Follow us: www.facebook.com/ChordMarauders

Mercy - Barbados [Out now on 12"]

Out Now on my new LP Growing Pains featuring a number of soul infused tracks that harken back to my roots and early influences.

https://jafu.bandcamp.com/album/growing-pains

Growing Pains

Viscum Album (Kiss)

Coming Soon

Viscum Album (Kiss) [Growing Pains]

No Mercy

ОНА МНЕ НЕ НРАВИТСЯ (АУТРО)

Immortal One - Change Of Tone (Rhodes by Mr D​.​Scrilla)

Buy: http://exitco.uk/Exit060_digi // http://exitco.uk/Exit060_vinyl

A3 - dBridge - Too Late (Stray Remix)  [EXIT060 Too Late EP]

Abstract Premiere #007


Ark-E-Tech, Käse Kochen - We Wombats (Like Liquid Remix)


YouTube : https://youtu.be/KpmNCtXUYVA
Spotify: http://spoti.fi/2kkLXYo
Beatport: http://btprt.dj/2jq8Ndj


Released:
23.January.2017
Bassic Records


@ Like Liquid
https://soundcloud.com/likeliquidmusic
https://www.facebook.com/likeliquidmusic

@ Abstract Channel
https://www.facebook.com/abstractchannel
https://soundcloud.com/abstractchannel
https://www.instagram.com/abstractchannel
https://twitter.com/abstractchanne1


#AbstractChannel #SoundCloud #YouTube #Techno #LikeLiquid #Spotify #Beatport

Ark-E-Tech, Käse Kochen - We Wombats (Like Liquid Remix) [Abstract Premiere #007]

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Drooogs w/ Diggerz

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alien atlas - illuminate

HAVELOCK ‘Chamber’ EP
Release Date: 16th February 2018
Label: 20/20 LDN
Format: Digital
Cat No: 2020LDN008

Having thus far mainly featured as a guest on music released by long time supporters Ivy Lab, the Chamber E.P marks the first solo excursion for 28 year old Nick Jackson a.k.a Havelock; arriving via the same 20/20 LDN imprint that housed all of his collaborative work. 

Featuring a span of BPM’s and aesthetics ranging from knocking 808’s to papal-inspired Jungle; the project makes for a relentlessly bleak and unsettling listen - featuring guest appearances from 20/20 mainstay Deft on the track “Chimes”, and Bristol-based instrumental grime producer Hi5Ghost with his remix of “Graphics”.

Born and bred in London, Havelock has been quietly honing his production for almost a decade, branching out from his initial explorations in minimal drum and bass into territory closer in complexion to noise-scene abstractions and alt-hip hop.  

Having cut his teeth DJing in clubs and bars during his stints in Amsterdam and Leeds, he went on to found the Buried Audio record label, responsible for releasing music from acts who would go on to become celebrated actors in the bass music landscape. Sitting in the same lane as a small cohort of pioneering outfits such as Darkestral & Exit Records, Buried audio went onto release some of the earliest works from artists such as June Miller (Ram Records) & Nick Modern (Metalheadz/Tempa) 

It was only after wrapping up Buried Audio and returning to London that the Havelock alias was born; his focus turned to producing music that encapsulated an increasingly far-reaching taste in obscure underground electronica. Drawing on influences from ambient, metal and abstract hip hop, his sound is loosely engineered by design and paints bleak landscapes with a tangible rawness and innocence. 

Tracklist:
1. Graphics
2. Chamber
3. Chimes (with Deft)
4. Fiction
5. Graphics (Hi5Ghost Remix)

https://soundcloud.com/nickhavelock
https://twitter.com/nickhavelock
https://2020ldn.com

Chamber E.P

Havelock - "Graphics" [2020LDN008]

FLATLINE FLOW VOL. 5 OUT NOW

https://nopulsbeats.bandcamp.com/album/flatline-flow-vol-5

@aztekbeats

Ooobahting w/ Aztek

Up next on 20/20 LDN is the follow up to Up High Collective & Vorace's 'Binomium / Helophïo's Hunt', a collaborative project from two forward thinking artists with a passion for abstract and lo-fi hip hop. Born from a single studio session, the music develops further on the ideas seen in the earlier release - a beautifully dark aesthetic supported by heavy analogue drum machines and free roaming synths. 

"It's the first time we did a collaboration like this. Most beat makers that visited our studio don't fit our style or just don't know how to get around with the gear. We're very stubborn when it comes to crafting our music, we have a certain sound in our head and we stick to it. So when Vorace came to Belgium, completely unexpected and unannounced, we jammed for a couple of hours and were surprised how easily it all came together. This never happened before, so we said, "Ok, let us set a date and do this properly". So we did. Vorace came back a few months later and stayed for three days. We set up some rules like; no overdubs, no sampling, no pre-programmed sequencing, everything played live, only cutting out the best parts and pasting them together. At the end of the three days we had 92GB of recordings of bleeps, trash, noise and beats: the result is what you hear." 
- Up High Collective

Up High Collective x Vorace - "King Consom" [2020LDN020]

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HARMOLODICS!
https://www.patreon.com/PolyphonicMusicLibrary
https://polyphonicmusiclibrary.com

lessons!:
woolbros@yahoo.com

Worbulating foreign Dimensions & Spreading Bass Butter. 
WhAts In ThE bAg

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