FEVRAL 2022

Mave

Future Memories

Stil & Bense - Take Me As I Am (Original Mix)

Solaris Heights - Glisten (Part 1) - CLIP

Interview: http://bit.ly/1wy3MBQ

Soundspace
@wearesoundspace
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youtube.com/soundspacepromo

Interview

Premiere: Dilby ft. Kristina Sheli - U Used Me

BELOCCA & SONEEC - BY THE WAY YOU DANCE (LUIGI ROCCA TOUCHE' REMIX)

OUT NOW
Traxsource » http://j.mp/loveinc021tx
Beatport Pro » http://btprt.dj/1RA54D7
iTunes » http://apple.co/1NfxnFO
Trackitdown » http://j.mp/loveinc021tid

STREAM
Spotify » http://spoti.fi/1BPrLBN
Beatport » http://btprt.dj/1Igf184

Love Inc welcomes Ministry of Sound & Hed Kandi resident Carl Hanaghan to the fold with a deep, no nonsense house track in collaboration with Matt Meler.

CONNECT WITH LOVE INC
http://loveincmusic.com
http://facebook.com/loveincmusic
http://twitter.com/loveincmusic
http://youtube.com/loveincmusic
http://mixcloud.com/loveincmusic
http://btprt.dj/1hEefa5
http://traxsource.com/label/18325/love-inc
http://spoti.fi/1zRniv8

Buy @ Traxsource

Carl Hanaghan vs Matt Meler - I Went Down (Carl Hanaghan Mix) [Love Inc]

#electro #glitched #experimental #dance #mirwais #house

Retrofutur six

Marco Bocatto returns to Personal Belongings with a solid 2-track EP, combining a softer melodic approach on the lead track 'In My Soul', and a more synthy, electronic, dreamy vibes closing the EP with 'Reminiscent'.

Hope you like it!

Stream / Buy

Marco Bocatto - In My Soul

Patrick Podage Feat. Clara Gostynski -  Fantômes  [Getting Blue EP - Circle Music ]

Natema – How Does It Feel (Original Mix)

Deep inside YL

Out Of Moves (Kastis Torrau Remix)

True dedication is difficult to find these days, as is motivation when digital media has overthrown old school methods, which makes running a label an even more sinuous mission. Despite a wealth of hurdles that increasingly come with the territory, this hasn’t put an end to people’s desire to push out their own imprints. Concurrently, the same digital revolution that has thrown off the industry has also made it possible for many projects to come into the spotlight, and many of these have made a spectacular difference. Whether it’s smaller side projects of well known artists, serving up quirkier, more experimental tracks, enabling further sonic exploration, or newborn collectives doling out fresh takes on contemporary sound, 2017 has been a prolific year for record labels.
But it’s not just the approach related to creating and promoting labels that has shifted recently. In recent times, the way we make and consume music has transformed as well. A label’s role has changed into that of a full on curator, influencing current musical trends based on their selection of outputs. But it’s not a status that is easily achieved, by all means.
Moving at its own pace, ten years in the world of dance music come as a century in real life, as dancefloor trends fluctuate. In such a surrounding, creating timeless pieces is essential when maintaining a high calibre establishment. But thanks to platforms such as Soundcloud or the ever-pervasive social media channels, it’s easy to showcase tracks and kick off labels without needing the once coveted record deal. Nevertheless, record labels serve as beacons in a world where we’re inundated by more and more content.
More than just a release platform, labels are indispensable partners in artists’ careers as the one to curate only the best music, accompany it with according designs, as well as bringing in new marketing ideas or even music videos. Shir Khan’s Exploited label has been a true example of such a label, hand-picking new producers to showcase, nurturing them from early beginnings into popular household names.

Shir Khan’s strong ear for talent has seen him responsible for launching the careers of Claptone, Adana Twins, Joyce Muniz through their releases on Exploited, the label also providing a platform for established remixers and artists such as Siriusmo, Freeform Five, Munk, Modeselektor, John Tejada, Phil Weeks, Cosmin TRG, Locked Groove, Deetron, Detroit Swindle, Acid Pauli, Ralph Lawson...
Now the label Exploited celebrates ten years of releasing amazing eclectic club music with some of the best tracks from its catalogue (from 2007 until 2017). 

Artist: Various Artists
Release: 10 Years Exploited 
Label: Exploited 
Cat: EXPDIGITAL160
Publishing: Exploited Ghetto Music Publishing
Releasedate: 25.12.17 (Beatport) / 25.12.17 (I-Tunes)

10 Years Exploited

Waiting For The Daylight (Dino Lenny Remix)

Dino Lenny - Waiting For The Daylight (Dino Lenny Remix) | Exploited

Once a year the whole industry gathers just 373 kilometres away from our little bubble in Hannover to celebrate the worlds largest festival and business conference for electric music in Amsterdam.

From windmills, over the bridges of countless Grachten, to a place full o good coffee and delicious cheese, greasy frinkadels, and smiling people from every race and colour. Amsterdam we owe you.

We celebrate this opportunity to meet new friends and family members from across the globe in this beautiful city with an own issue of our „Selections“ album series. Compiling some of yours and our favourite producers that all manifest our definition of quality house music in one bundle. These 14 carefully selected, exclusive tracks are for you Amsterdam.

Here’s a treat. Good Vibes all the way!

This Ain't Bristol - Amsterdam Selections

Download / Full Stream

BYOR - Call Me Up

Personal Remix of (It Happens) Sometimes by Jack Back.

Tutti i diritti sono dei rispettivi proprietari.

Jack Back - (It Happens) Sometimes  MAINA REMIX

VINYL EXCLUSIVE : DIGITAL RELEASE TOWARDS THE END OF THE MONTH

We are delighted to welcome our Londoner friend John Monkman for our first vinyl release. John Monkman delivers some serious quality deep house vibes for his debut release on Kote.. This Ep raises his game with three tracks taking in funky basslines, deep-house vibes and inventive, smooth flowing arrangements. 
John Monkman’s record kicks off with the anthemic “K.I.S.S. M.E. feat. Morgan Mackintosh”. An uncharacteristically uplifting track that combines a freestyle bassline with gated 80’s drum sounds and amazing vocals by Morgan Mackintosh… 
B1 Jessica is a very special track, the descending organ riff, almost an acid house motif gives it an anthemic quality. The “You and Me” vocal offers just as much hook as it needs to be. 
B2 is a late night sleaze for the well-tuned dancefloor or the perfect track to help the crowd find its footing during the opening hour. The entire seven minutes ooze with polished future-house bass and the tracks being championed by top tier talent worldwide. Disco lasers and vocal snippets douse the track with a modern sheen we’ve heard in works from seasoned house vets, but John Monkman concoct his own chart-topping take on his debut.

http://www.deejay.de/John_Monkman-Turn_Me_On__97798

John Monkman -  K.I.S.S. M.E. feat Morgan Mackintosh. full song

Who will deny legendary Quincy Jones’ thought that melody is god’s voice? We claim that groove is God’s heartbeat!

Natema – How Does It Feel (Original Mix)

Javi Gior

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Gilas Beat (Event Group)

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