This track is all about recognizing and seizing opportunities in life. It should inspire you to be courageous and try new things. The message is clear: every opportunity can be the start of something great. Listen in, get motivated and never miss an opportunity again!

DAW Cubase
Halion Sonic 7
Groove Agent SE
Retrologue 2
Padshop 2
Colors LoFi Tapes
Kalimba
Verve
Taped Vibes
Vibrant
CRE8 Wave Engine
Apollo
Substruction
Navia Harp

130 bpm

Picture by Alexandra Koch on Pixabay

opportunity

I love all my kids but if you are a parent of one or more little ones you know how it feels some days  😂

This is How Parenting Feels Like

passing clearings

Calopteryx

Video; https://youtu.be/JaiTBakK-og

Made in #Ableton (January 2025)

Genres;
#Dance
#EDM
#Electronic

Above Dreams

AMERICAN MESSIAHS

~Mark F-- @mark_f_2019 -- Ibanez EBH1005MS modified three string bass guitar, composition
Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar end solo, production, and mix
TexMex Shaman–@texmex-shaman –Stephen– Fender Telecaster foundational rhythm electric guitar
J.J. Terrell–@j-j-terrell – organ and synth
Cgmaness – @user-419254289-15129531 – Chris – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- PRS SE semi hollow body wah guitar, and ooh aah vocals at the end
This song began as a bass composition recorded as a stem by Mark. He named it after a hang out spot he and his friends used to go to as teenagers to drink beer and smoke bowls. He shared it with JJ, who turned it over to the Eclectic Collective so that we could have our way with it. However, Mark didn't use a click track to record it, so when he sent it to us, Ken had to come up with a drum beat based on Mark's structure, to which Mark then redid his bass part. That takes a lot of imagination on Ken's part when we do something that way.
The first one of us to lay down a part for it was Chris, who added some really freaky textural guitar. Ken was next up, completing the rhythm section with his mighty drums. Ken then redid his part to better match the bass, thus completing the rhythm section with his mighty drums. Then, Stephen laid down the gritty, underlying rhythm guitar that runs throughout. Josh was up next, adding his melodic wah guitar to the mix. JJ came along soon after and laid down the magical synth that runs throughout. Last, but not least. Tez dropped the fiery solo towards the end.
Once the music was all laid down, we thought it could use some oohs and aahs at the end, so Josh recorded them as a five part harmony. However, choosing to only use the highest thee parts in the song, our expert producer on this one, Tez, decided to make a coda out of all five. So, stick around for a treat at the end!
This is the third song the Eclectic Collective has done as a collab with Mark F. He's a very talented solo bassist, whose other music worth checking out on his page, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

Pryer Manor (Eclectic Collective)

Phlox

 *UNDERWORD TRANAMITION*
 it’s a descent.
A raw continuation of a sound in constant mutation, this album is a deeper broadcast from the same underground signal you’ve been transmitting all along.

Built from broken circuits, glitched voices, and rave devotion, this record merges **techno intensity**, **trance mysticism**, and **industrial dreamscapes** into one body-moving, soul-scratching transmission.

Where the last journey ended, this one picks up — beneath the concrete, inside the feedback loop, lost between the strobes.

---

### 🔊 Sound & Atmosphere

* Heavy kick pressure, granular textures
* Pulses that flicker between ecstasy and collapse
* Spoken fragments from the underlayer
* Melodies like corrupted memories

Every track is a **signal fragment**, a ritual looped into eternity.

---

### 💬 Artist Statement

> “This album isn’t the next chapter.
> It’s the echo of something we already lived… distorted, refracted, and reborn.”

---

### 🧬 Tags

**#techno #trance #glitchrave #darkambient #spokenword #rave**

---

### 🔻 For fans of

**Underworld**, **Voiski**, **Blawan**, **Floating Points**,
**Illegal nights**, **Boiler Room rituals**, **Broken signal beauty**

---

Let me know if you'd like:

* A **short version** for streaming platforms
* A **press kit paragraph** for blogs/magazines
* A **track-by-track breakdown** to flesh out the story of the album
* Or a **visual teaser script** for your single (*Flicker Waltz*) using this language and tone.


Late Night Cadence

F THE DISCO - DOOBS DUB

Un grand merci à Cyril Mendez et Lena pour votre si belle complicité et collaboration :))

Auteur compositeur : Steph Ouna
coeur ; Lena  https://soundcloud.com/user-262019520
Mastering : Cyril Mendezhttps://soundcloud.com/canm

Fil de lumière

Refrain
I just need to live
Everyone made a wish
A light to find their way

T'entends des éclats de rire, de musique
tes rêves sont doux mais englués de plastique
la magie du matin nous tend la main

en se baladant sur le fil au gré des saisons
j'avais complètement oublié de te demander ton nom
tu m'as donné un sourire, je t'ai prêté mon blouson

Quelques étoiles sont venues partager quelques idées
un peu de velouté dans nos vies agitées
rendant possible quelques rêves oubliés

Refrain

dans ce chaos pas d'escabeau
j'avançais comme un escargot ma maison sur le dos
le coeur léger et c'est la vie qui nous sourit

tu me trouvais bien futile avec mes idées
tous les deux partis en vrille quelle drôle d'idée
attirés comme un aimant, profitant de l'instant

Refrain

Fil de lumière

Dark ambient music.

Disfruto haciendo esto, y espero que vosotros disfrutéis igual produciendo vuestros temas. 
Aquí podréis escuchar todos mis temas producidos desde el 2023.
Intento mejorar y explorar nuevos sonidos y ritmos en cada tema, siempre de un modo dark, sin ir a buscarlo, parece ser que ese es mi estilo aunque quien sabe en qué acabará esto. 

I enjoy doing this, and I hope you enjoy producing your songs as well.
Here you can listen to all my songs produced since 2023.
I try to improve and explore new sounds and rhythms in each song, always in a dark way, without going out of my way to find them. That seems to be my style, although who knows how this will end.

thanks to: https://www.instagram.com/indiala.studio?igsh=YnJiN3o0aGJsdHZw

Calopteryx

Javier Cordón

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watson wheres ( D-Man )

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