soulful

Be Careful What You Wish For

FERG STRONG

It wasn’t meant to be

This is a goodbye for now song.  Its was produced by myself with my homie SebastiAn addin extra sauce here and there.  Taking a break but wanted to leave u w something special and from the heart.  Ull be hearing me featured on my friends albums but as far as me, I gotta step into the shadows and focus on my other dreams.  Ima miss yall.  But hopefully this song fills u up w joy, and motivates u to keep going.  Love yall

-Scott

Once

Based on your lyrics, the song “Take a Hit / Take a Sip” is about escaping the numbness of life through temporary highs. Here’s a breakdown of what it conveys:
	•	CHORUS: You’re tired of the same routines and feeling dead inside, so you chase experiences—drugs, alcohol, late nights—to feel alive and “alright,” even if it’s only temporary.
	•	HOOK: “Take a hit, take a sip” emphasizes indulgence and the ritual of using substances to cope or lift your mood. It’s repetitive, reflecting the cyclical nature of trying to escape reality.
	•	VERSE 1: Captures reckless, youthful nights—partying, Uber rides, and waking up late—highlighting living in the moment even when life feels out of control.
	•	VERSE 2: Touches on intimacy, connection, and indulgence. The “bodies coincide” line shows that fleeting physical connections are also a way of feeling alive, alongside drinking and smoking.

Overall Meaning: The song is a mix of hedonism and vulnerability—it’s about confronting emptiness, using partying and pleasure to fill it, and finding brief moments of joy or connection in an otherwise numbing routine. It’s raw, honest, and relatable to anyone who’s chasing feeling alive in a world that sometimes feels dead inside.

Take a hit/sip

🌀 Overall Theme:

The song explores the chaos and consequences of your choices, especially in love and life — how chasing pleasure, status, and ego leaves scars, but also pushes you toward growth and self-understanding. It’s about redemption through awareness. The “double” and “twice again” motif sets up the idea of repetition and cycles — mistakes, love, karma, reincarnation, or even alternate timelines.

⸻

🔥 Verse by Verse Breakdown:

“Double / Two twice again double back and jump in…”
You’re talking about cycles — repeating patterns, jumping back into situations or relationships you thought you left behind. “Kudos to my sins” sounds like you’re acknowledging your own flaws or even wearing them with a twisted pride — a self-aware sinner.

“Holding a spear kill myself a bison…”
A symbolic line — primitive, powerful. Could mean fighting your own demons or killing off an old version of yourself to survive.

“Small tatts black hair I like it…”
Now the focus turns to a woman — sensual and physical. But your tone is detached: she’s a sidekick, while you’re the psychic. You’re showing dominance and control, but also how empty that control feels.

“Playing games like it was life or death…”
Refers to emotional games, love turned into war. You’re confident but numb — she’s “fresh from toes to neck,” but you’re just “holding your wine glass.” Detached luxury, no connection.

“Watch the sunset on a grateful universe…”
A shift into reflection — you’re stepping outside yourself for a second, aware of something bigger. The universe is grateful, but you’re wrestling with guilt and pain: “I didn’t mean for you to go and get hurt.”

“Don’t ask questions you don’t wanna know…”
Here, you’re addressing regret and mistrust. You see your own mistakes clearly now — you’ve lost something real.

“Lost and found she stole belongings…”
Symbolic — she took a piece of you. “Chains are broken but at what cost” shows freedom, but also loss and guilt.
Then “swear I’m evil like that guy who did the holocaust” — it’s shock value, meant to show how dark you feel about your actions, how far gone you think you are.

“We want nothing but respect…”
That’s the ego talking — a rapper’s flex mixed with rebellion. You’re drowning stress with drugs and bravado, masking pain with weed, sex, and sound.

“Before you step in my palace…”
You switch into a self-hype / king energy, defending your space. But beneath it, you’re amazed by your own talent — “damn I made that?” — realizing your gift is part of your redemption.

“Which one? The Rolls or Maybach…”
Now it’s material success vs. emotional emptiness. You got the cars, the lifestyle, but you long for something as simple as May — maybe symbolizing a simpler time, or someone you loved.

“Please don’t give advice…”
You’re aware of your flaws but still stubborn — you want guidance but resist it. You’re torn between seeking meaning and indulging in vices.
“She was demon now she acting righteous” — another duality, like how both of you mirror each other’s light and darkness.

“Now I’m in my whip…”
Full circle — driving forward but reflecting back. You’re at peace now, seeing how belief and consistency got you out of the chaos.

“Kendrick’s homie gave me a mic…”
A real-life anchor — a moment of validation. Shows progress, destiny, and gratitude.

The ending (“Maybe in a different timeline…”)
This is your alternate reality moment — imagining what could’ve been if things went right.
The domestic scene — kids, breakfast, laughter — contrasts with the wild lifestyle earlier. It’s regret, but also acceptance.

“Acting like I’m Buddha’s son…”
That’s the final evolution: awareness. You’re learning detachment, peace, but still living in a violent world — “meditating with a gun.”
“3rd planet from the sun / where I reside / vibrating high” — You’ve found balance between being human and being spiritual.

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🌗 In summary:

This song is about:
	•	Repeating cycles (love, sin, redemption)
	•	Regret and longing
	•	Trying to evolve spiritually while trapped in ego and desire
	•	Realizing success doesn’t heal emotional wounds
	•	Accepting both your darkness and light

It’s existential street poetry — like if Kendrick Lamar, Kid Cudi, and XXXTentacion had a confessional freestyle together.

TWO TWICE AGAIN freestyle

TWO TWICE AGAIN

we are all infinite spiritual beings having a temporary human experience 
jreal2002@icloud.com

TWO TWICE AGAIN

$t. Real

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