Under the sweltering moon of a muggy African night, a mixed chorus of frogs and insects provide the backdrop to the shout, rumble and roar of an elephant gathering in a forest clearing called the Dzanga Bai.

Note: To fully experience the 3D sound in this soundscape, listen to the recording with your headphones on.

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Related Stories:

http://www.npr.org/templates/story/story.php?storyId=1144425

http://www.npr.org/2002/10/31/828396/listening-to-elephants


http://www.npr.org/2014/05/08/309089369/civil-war-invades-an-elephant-sanctuary-one-researchers-escape

http://www.npr.org/2014/08/18/338989248/elephant-slaughter-african-slavery-and-americas-pianos

http://www.npr.org/templates/story/story.php?storyId=5346093 

Night At Dzanga Bai Clearing (binaural/headphones)

A shimmering evening fantasia of insect song and the singing of Bayaka men sitting in a circle illuminated only by firelight and stars.

Note: To fully experience the 3D sound in this soundscape, listen to the recording with your headphones on.

----

Related Stories:

http://www.npr.org/templates/story/story.php?storyId=1144425

http://www.npr.org/2002/10/31/828396/listening-to-elephants

http://www.npr.org/2014/05/08/309089369/civil-war-invades-an-elephant-sanctuary-one-researchers-escape

http://www.npr.org/2014/08/18/338989248/elephant-slaughter-african-slavery-and-americas-pianos

http://www.npr.org/templates/story/story.php?storyId=5346093


Late Afternoon To Dusk In An African Rainforest (binaural/headphones)

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Scream: Music From Season 2

River

BARA Feat MAHARDHIKA-MAPS (COVER).mp3

Three amps, recorded through an Audiokinesis Hathor 1203 cab (port open, switches up), "flat", then at various EQ settings (noted in file names).  Mic is an Audio Technica AT-2035 condensor, set not-quite two feet back from the cab, pointed roughly between the edges of the woofer and the 3" mid/high driver.

Loop is a little three-layer thing that had been living in the memory of the Ditto Looper for the last month or so.  Same loop each time.  Bass is a Fender Power Jazz Bass Special, wired passive, with Wilde (Bill Lawrence) P-46 and J-45 pickups and fairly new Ken Smith Burners strings. 

Recorded with a Focusrite Scarlett 2i4 interface into Garage Band.  No EQ, no compression, no effects.
Roc

GBE Tube Hathor EQ Noon, LFX 3 - 00

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GBE Tube Hathor EQ Noon, LFX 3 - 00

Jawadalla

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