Not Such A Bad Winter Day - არც ისე ცუდი ზამთრის დღე

This Is A Life

ReCollection Mix Vol. 45 – Octobre 2023

1. Hania Rani – Glass 
2. Vince Watson – Another Moment In Time
3. Jon Coombs – Woman in America
4. Deep House – French KissRa
5. Radiohead – Idiotheque
6. Peabo Bryson – Turn It On
7. Future Islands – Seasons (Waiting on You) [BADBADNOTGOOD Reinterpretation]
8. Matthias Tanzmann – Hotel Sapporo
9. Marc Houle – Paligama (Frankey & Sandrino Remix)
10. Bernard Badie – Wonder Woman
11. Juan Antonio Canta – Rap De Los 40 Limones 
12. Slove & Appaloosa – Fireflies
13. Steve Bug – Fr 101.2 (Lele Sacchi Remix)
14. Scope – Toronto (Aruba Remix)
15. Mochakk – Jealous (Extended Mix)
16. Dave Johns – Dance First, Think Later
17. Hardfloor – Aceperience
18. Laurent Garnier – Liebe Grüße Aus Cucuron (Rocco Rodamaal Remix) 
19. Vince Watson Peace of Mind (feat. Jon Dixon)
20. Emahoy Tsegué-Maryam Guèbrou– The Homeless Wanderer

ReCollection  Mix Vol. 45 – Octobre 2023

The only place on Soundcloud to hear this sublime Nina Simon cover from one of our favourite new jazz/soul singers @melanie-de-biasio. Taken from her debut album 'No Deal' out now on Play It Again Sam (@pias)

More info at: http://www.stampthewax.com/2014/09/01/soundcloud-exclusive-melanie-de-biasio-im-gonna-leave-you/

Melanie De Biasio - I'm Gonna Leave You

Dictaphone - Rattle

Watch the video: https://vimeo.com/73977348

Spotify: http://spoti.fi/18GWMpV

Beatport

KINQ

Another 2-hour mix of the songs that inspire me the most / Jay-Jay Johanson

Imperfect List - Big Hard Excellent Fish - 1990
Deep in Vogue - Malcolm McLaren - 1989
Rodent - Burial - 2017
Bizarre Love Triangle (edit) - New Order - 1986
Andata (Electric Youth Remix) - Ryuichi Sakamoto - 2017
Veridis Quo - Daft Punk - 2001
Trust Me - Herbie Hancock - 1979
Superwoman - Stevie Wonder - 1972
Once Upon a Lime (edit) - Art of Noise - 1983
Fee Fi - Young Fathers - 2018
Tattoo - Siouxsie & The Banshees - 1983
In Our Angelhood - Cocteau Twins - 1983
Only Tomorrow - My Bloody Valentine - 2013
Eggdog - BEAK>> - 2012
Zopf: In a Sydney Motel - Penguin Cafe Orchestra - 1976
2x5: II. Slow - Bang On a Can - 2010
EMS Vocoder - Promotional Tape Recording - 1975
Radioland - Kraftwerk - 1975
Access Granted - Emeralds - 2010
Hallucinations - Roy Budd - 1971
Star - Primal Scream - 1997
Fujiyama - Dave Brubeck Quartet - 1964
Again Never - Branford Marsalis Quartet - 1990	
Oblivion - Astor Piazzolla - 1984	
That Slavic Smile - Modern Jazz Quartet - 1984
Knowledge - Kamasi Washington - 2017
Chill Out (edit) - KLF - 1990

Mixtape No4

Me Succeeds – Our Charm (Lorin Sylvester Strohm Remix)

Pan American - Both Ends Fixed

Beck.  NYC  73 - 78.   from the album REWORK_Philip Glass remixed

Isolation

was in 1996 that Jay-Jay Johanson, a young man from a cold climate, fascinated by the Bristol sound they called trip-hop and Portishead in particular, first tapped delicately on our eardrums.
The intoxicating album that definitively put this rare and elegant Swede on the map was called Whiskey. It was the beginning of an enthralling adventure. In only a few songs he revealed a family tree that spread its roots far and wide: on one branch Lee Hazlewood, or pop from Talk Talk or Nilsson, on the other John Coltrane with Johnny Hartman, and a whole army of calm jazz or symphonic
recordings sampled from everywhere imaginable.
Almost 20 years later he has returned with an
incredible new album. This new release is called Opium and it contains the very essence of Johanson’s music: an ease with inventing melodies, a voice that gently caresses, and the jacked up, heady rhythms that lift and carry the songs. From the peaceful harmonica opening of Drowsy / Too Young To Say Good Night to the smoke-wreathed love song I Don’t Know Much About Loving, via titles with a sporadic and light groove (NDE, Alone Too Long), Opium is a courageous offering. Johanson opens his heart with
fearlessness and modesty, gracefully lowering his guard and evoking the questions that torment men of his age: love, solitude, immaturity. The songwriting is unerring, the words have a suppressed poetry. This
new Johanson is the work of a guy who has survived the avalanches, who is no longer looking for answers and is content to sketch out the perspectives in as many songs. Some titles are serious (Harakiri), but others immediately take up the reins casting a more
gentle, peaceful light, like Scarecrow, a collaboration with Robin Guthrie that would not have sounded out of place on a Cocteau Twins album, or of the strange positivity of Be Yourself or I Love Him So.
The strength of Opium is that it asks questions that don’t necessarily have an answer; it offers a collection of songs freed from any certitude but which convince
through their modesty, through their precision.
In short, Jay-Jay at his best.

Mixtape No4

JAY-JAY JOHANSON

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