Thank you for your beautyfull voice and the unconditional Love in your Music. Just melting me softly and goes directly in my heart. Thank you🙏🏽💙

my friend just sent me this i reallllyy likes

Dead Man's Bones

Lose Your Soul

Dead Man's Bones - Lose Your Soul

Werewolf- Cat Power

STRIP (out May 19th, 2015)

All songs written, composed and arranged by Dear Criminals:
Frannie Holder
Charles Lavoie
Vincent Legault

Additional bass and beats by Philippe Brault
 
Recorded at La Frette Studios
Produced by Philippe Brault 
Engineered by Jonathan Ratovoarisoa
Mixed by Mark Lawson 
Mastered by Ryan Morey at Ryan Morey Mastering
 
Artwork by Marin Blanc, www.marinblanc.com

Slowdisco

COCOROSIE - Gallows (Official)

Mama's Gonna Give You Love

Not Time Yet

Track list:
1. Send in the Clowns - Joker
2. Smile - Modern Times
3. Circus Crowds (Both Sides Now) - Love Actually
4. Moon River - Breakfast at Tiffany’s
5. One More Kiss, Dear - Blade Runner
6. She Was Beautiful (Cavatina) - The Deer Hunter
7. Stranger in Paradise - Kismet
8. Midnight, the Stars and You - The Shining
9. Somewhere Over the Rainbow - The Wizard of Oz
10. Final Curtain (My Way) - The Great Rock ’n’ Roll Swindle

SILVER SCREEN

<b>SARAH NEUFELD</b>, "Hero Brother"
from <i>Hero Brother</i>
Release date: 20 August 2013

http://sarahneufeldmusic.com/
http://cstrecords.com/cst095

Sarah Neufeld • "Hero Brother"

MASSIVEATTACK.IE Entry For This Recording - http://massiveattack.ie/media/bootlegs/bbc-maida-vale-studios-london-uk-15th-may-2006/

Artist: Massive Attack 
Location: BBC Maida Vale Studios, London, UK
Date: 15th May 2006
--------------------------------------------

Source: 1. CD Rip (Taper: Richard)
        2. FM Recording (Taper: leex100)
 
Lineage: 1. Promo CD-R -> Windows Media Player -> WAV -> Trader's Little Helper -> FLAC (Level 8) 
	 2. FM Tuner -> CoolEdit -> FLAC (Level 4)

Notes: This 7 track session was recorded for the Dermot O'Leary Show on BBC Radio 2, as part of promoting the new Best Of album "Collected". It was recorded on May 15th, but was not broadcast until the 27th that same month. Together with the interview segment, the radio show only broadcast the first 4 tracks that were recorded that day, with Future Proof, Black Melt and Safe From Harm never been broadcast or heard of outside the Maida Vale studio. A previous bootleg of this show only contained the first 4 tracks until now... The primary source for this recording is from an official (and very rare!) CD-R promo produced by Virgin Records, which fills in the gap of the 3 missing tracks recorded in Maida Vale studios that day. It is also an upgrade in quality from the previous bootleg as it is ripped directly from a CD source and not an FM one as before. The only throwback from the previous bootleg is the interview segment. 

Total Size: 319MB


Tracklist:*       Source 2 (FM Recording)
--------------------------------------------
01. Unfinished Sympathy   - Duration: 04:59 
02. Inertia Creeps        - Duration: 05:26 
03. Teardrop              - Duration: 05:28
04. Live With Me          - Duration: 04:50
05. (Interview With 3D) * - Duration: 11:06
06. Future Proof          - Duration: 06:00
07. Black Melt            - Duration: 05:46
08. Safe From Harm        - Duration: 08:41
--------------------------------------------
MASSIVEATTACK.IE

04 - Live With Me (15/05/06)

was in 1996 that Jay-Jay Johanson, a young man from a cold climate, fascinated by the Bristol sound they called trip-hop and Portishead in particular, first tapped delicately on our eardrums.
The intoxicating album that definitively put this rare and elegant Swede on the map was called Whiskey. It was the beginning of an enthralling adventure. In only a few songs he revealed a family tree that spread its roots far and wide: on one branch Lee Hazlewood, or pop from Talk Talk or Nilsson, on the other John Coltrane with Johnny Hartman, and a whole army of calm jazz or symphonic
recordings sampled from everywhere imaginable.
Almost 20 years later he has returned with an
incredible new album. This new release is called Opium and it contains the very essence of Johanson’s music: an ease with inventing melodies, a voice that gently caresses, and the jacked up, heady rhythms that lift and carry the songs. From the peaceful harmonica opening of Drowsy / Too Young To Say Good Night to the smoke-wreathed love song I Don’t Know Much About Loving, via titles with a sporadic and light groove (NDE, Alone Too Long), Opium is a courageous offering. Johanson opens his heart with
fearlessness and modesty, gracefully lowering his guard and evoking the questions that torment men of his age: love, solitude, immaturity. The songwriting is unerring, the words have a suppressed poetry. This
new Johanson is the work of a guy who has survived the avalanches, who is no longer looking for answers and is content to sketch out the perspectives in as many songs. Some titles are serious (Harakiri), but others immediately take up the reins casting a more
gentle, peaceful light, like Scarecrow, a collaboration with Robin Guthrie that would not have sounded out of place on a Cocteau Twins album, or of the strange positivity of Be Yourself or I Love Him So.
The strength of Opium is that it asks questions that don’t necessarily have an answer; it offers a collection of songs freed from any certitude but which convince
through their modesty, through their precision.
In short, Jay-Jay at his best.

Not Time Yet

JAY-JAY JOHANSON

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