DC Promo Tracks #815: "Taurus" by Glass Beams is part of the release "Mirage EP" on Research Records @glassbeams  

Buy Now: https://glassbeams.bandcamp.com/album/mirage 

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DC Promo Tracks #815: Glass Beams "Taurus"

Ville Morose / The Devil

Ville Morose

A new twist for when its holiday season and time to break out the Christmas music

A Christmas Story

Moments

This music is born from the ancient whisper of the Earth.
Each note is a heartbeat of the forest, a wind brushing the mountains, a river remembering its origin.
Native instruments speak gently with silence, awakening memories that once slept.
It is sound that cleanses, that lifts, that embraces—
a soft medicine of vibration that aligns the spirit and calms the mind.

When eyes close, the soul walks barefoot across inner skies, connecting with the All:
with the root, with the sun, with the moon, with the endless breath of the universe.
These melodies guide into deep rest, cradle like a night fire, heal like warm rain.
It is a journey into peace, into the true heart, where every tone opens a doorway to stillness and gratitude.

A wordless prayer that awakens light.
A universe inviting you to feel and to be.

Whispers of Earth

Gold Shadow

These Words You Want to Hear

'I Tell A Fly' is out now:
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Phantom Of Aleppoville

God Save The Jungle

Love and Hate in a Different Time

Loyalty (feat. Ashley Sade)

Rorschach Test

Vertigo

was in 1996 that Jay-Jay Johanson, a young man from a cold climate, fascinated by the Bristol sound they called trip-hop and Portishead in particular, first tapped delicately on our eardrums.
The intoxicating album that definitively put this rare and elegant Swede on the map was called Whiskey. It was the beginning of an enthralling adventure. In only a few songs he revealed a family tree that spread its roots far and wide: on one branch Lee Hazlewood, or pop from Talk Talk or Nilsson, on the other John Coltrane with Johnny Hartman, and a whole army of calm jazz or symphonic
recordings sampled from everywhere imaginable.
Almost 20 years later he has returned with an
incredible new album. This new release is called Opium and it contains the very essence of Johanson’s music: an ease with inventing melodies, a voice that gently caresses, and the jacked up, heady rhythms that lift and carry the songs. From the peaceful harmonica opening of Drowsy / Too Young To Say Good Night to the smoke-wreathed love song I Don’t Know Much About Loving, via titles with a sporadic and light groove (NDE, Alone Too Long), Opium is a courageous offering. Johanson opens his heart with
fearlessness and modesty, gracefully lowering his guard and evoking the questions that torment men of his age: love, solitude, immaturity. The songwriting is unerring, the words have a suppressed poetry. This
new Johanson is the work of a guy who has survived the avalanches, who is no longer looking for answers and is content to sketch out the perspectives in as many songs. Some titles are serious (Harakiri), but others immediately take up the reins casting a more
gentle, peaceful light, like Scarecrow, a collaboration with Robin Guthrie that would not have sounded out of place on a Cocteau Twins album, or of the strange positivity of Be Yourself or I Love Him So.
The strength of Opium is that it asks questions that don’t necessarily have an answer; it offers a collection of songs freed from any certitude but which convince
through their modesty, through their precision.
In short, Jay-Jay at his best.

Vertigo

JAY-JAY JOHANSON

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