you've only been here a short while
and i already hate you
you've taken what was mine
and i can't forgive you...

you got a God complex
you think you're so superior
you think you know best...?
ha! i beg to differ....

oh... why d'you do what you do to me?
oh... why d'you do what you do to me?

i'm not blind, i'm sick of the sight of you
i'm not blind, i'm just sick of the sight of you
i'm not blind, i'm just sick of the sight of you
i'm not blind...

in your ivory tower
with your guns and toys...
if you don't want a war
then don't ignore my voice!

oh why d'you do what you do to me...?
oh why d'you do what you do to me...?

i'm not blind, i'm sick of the sight of you!
i'm not blind, i'm just sick of the sight of you!
i'm not blind, i'm just sick of the sight of you!
i'm not blind, i'm just sick of the sight of you

i'm sick of the sight of you
just sick of the sight of you

i'm not blind... i fucking hate you!


Words & Music : Miaow McDonald
Vocals, Bass, Guitars : Miaow McDonald
Drums, Guitar Solo, Bass : Robert Davidson (Aged Choir Boy)

Produced & Mastered : Robert Davidson (Aged Choir Boy)

all rights reserved

I Hate You

Stelar

When you look into the mirror
And it ain't right
What do you tell your reflection to do?
Get used to it. 
That's how it is.

When you see your reflection 
And it's just not right.
What do you tell it
With all your might?
Get used to it. 
Get used to it.
That's how it is.
Get used to it.
That's how it is.

Glitch In The Dominatrix

Get Used To It

Ray Rice - Sunshine Day (1978)

SONGS OF HOPE FOR A NEW REALITY.

This work consists of three songs.
 
The first song is for a baritone voice and represents that it is sung by a character who is a journalist and tries to give an overview of the many global crises and conflicts that are currently haunting us and causing "perplexity in an uncertain world".

The second song, for a contralto voice, represents that it is the reply given by a female character who is an anthropologist, to the previous journalist arguing that we can only save ourselves if we start from approaches based on ethics and anthropology to build a "critical conscience of our species" that allows us to create a new global reality where all human beings have a dignified and comfortable life.

The third song is a fugue for four voices (for soprano, alto, tenor and bass) and represents the well- meaning people who have honestly understood what the situation is: it is only possible to overcome this "perplexity in an uncertain world, creating new global reality for all.

At the end of this introduction I attach a PDF with the lyrics of the three songs. I put the original version in English and also its translation into Spanish.

The music has an initial inspiration in what we could call musical styles of modern popular music, but with the aim of reaching a final composition of a more abstract and artistic nature. Regarding the musical production, as is usual in my works, the score of the different musical parts is performed by computer software, specifically in the instrumental parts I have used the synthesizer (granular and spectral) called Padshop 2 and also samplers from the VSL (Vienna Symphonic Library) that, although in this library the instruments have acoustic timbre, I have given them an electronic music treatment. But the most peculiar part is the one corresponding to the voices in which I have used the VOCALOID 6 software that has a singing synthesis technology that produces singing voices that are very realistic and with the ability to articulate words and that has been, initially , developed to sing in the Japanese and English languages.

As for the textual content of the lyrics of the songs, I have written it myself and I wanted it to start from the current global reality and to have, as far as possible, a projection in the general interest. I have been inspired by various texts that I have read lately and, especially, the book "El porvenir de la humanidad”  written by Eudald Carbonell i Roura, a Catalan archaeologist and anthropologist who has a long and important professional career.


Lyrics of the three songs    /    Letras de las tres canciones:
https://drive.google.com/file/d/1llYNK9VUjN-zuf9jmWaPbnqsQmExWQhR/view?usp=drive_link	



Esta introducción en castellano:
https://drive.google.com/file/d/10da1T3vm8U3H2Eh0AgOBbAwz27Iv4WZp/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1Uaq06MVT-_6ovqsne6KgW-iBGZcT58KZ/view?usp=sharing

Songs of hope for a new reality

Sharpened

hard rocking guitars as 006 and a half gears up to meet his foe!

Gearing Up

Song composed & created by The Boilerman
Eric created & plays: all distorted, stomp box lead guitar
Eric created & mix's: all drum, bass, ambient & vocals
Production by E.H.T Studios
Thank you for listening!

The Dark Place

Guitars by ubo https://soundcloud.com/ubo-music

Island Theme With Electric Guitars (EtB & ubo)

Try My Best

Piatitude une série de jeux de piano lancés à l'introduction par moi-même au piano, puis SUNO prend le relais pour proposer une suite de mélodie au piano ou une sonorité au choix. Ce qui est original le logiciel SUNO, de l'intelligence artificielle s'adapte aux tonalités, du rythme, nuances, d'après votre introduction ou échantillon que vous avez produite. SUNO s'occupe du reste et vous propose d'autres possibilités musicales à votre goût.
Un tout nouveau partenariat entre un musicien et l'intelligence artificielle. A suivre et c'est pas terminé !
Chanson produite avec SUNO ia
           https://www.suno.ai/

Ray Rice - Sunshine Day (1978)

Jay Kay

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