Name: Mutate Show With Dark Mavis by Mutate Podcast
Duration: 1 h 44 s
Description: Dark Mavis steps up for the Mutate Podcast with a high energy mix of fast techno with uplifting trance elements.

Dark Mavis steps up for the Mutate Podcast with a high energy mix of fast techno with uplifting trance elements.

Mutate Show With Dark Mavis

Unreleased from @wellewmusic
Free Download : https://hypeddit.com/4ve7vn

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https://www.instagram.com/i.am.kukin
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Wellew -  Future (FREE DOWNLOAD)

What a night! All the vibes 👊 Big the f*ck up Juicy Gang, Mell G, New Influencer, HOR Berlin and Phonox crews ❤️

Live @ Juicy Gang / HOR 29.04.23

Helena Hauff, a former resident DJ at Hamburg's Golden Pudel Club, rose to global prominence with her 2015 album "Discreet Desires." Known for her authentic style and expertly curated DJ sets spanning acid, electro, EBM, and techno, she has headlined major festivals like Sonar and Dekmantel. Hauff’s BBC Essential Mix was named the best of 2017, and her latest album, "Qualm," continues her raw, powerful approach to music.

DJ MELL G emerged through 2020 livestreams, quickly gaining recognition. She launched JUICY GANG RECORDS in 2021 and has since toured globally, blending electro, techno, and breakbeat. Performing at top venues like fabric and Golden Pudel Club, she’s also collaborated with artists like DJ GODFATHER. Her debut LP, "ISSUES," reflects her journey and commitment to mental health awareness in the music industry.

https://soundcloud.com/djmellg
https://soundcloud.com/helena-hauff

KEYI MAGAZINE#14: Helena Hauff B2b DJ MELL G

B2. I AM FROM DETROIT (SCAN7) - DRE BROWN REMIX.wav

0 to 100 mix

Nikita Zabelin x CPSL - SHIFT (28.03.2025, ARMA)

READ > inverted-audio.com/premiere-dl-ms-regressive-behaviour

Colombian imprint Furatena return with 'AX-V1', a razor-sharp various artists dispatch aimed straight at the post-industrial underbelly of the club...Our pick lands on /DL/MS/’s ‘Regressive Behaviour’, a piece of sonic brinkmanship clocking in at a neurotic 146 BPM. The track kicks off like an alarm from another planet, a strobe-lit march of arpeggiated distress signals and saturated low-end mechanics. FX-smeared synths squeal through the mix like panic-stricken comms in deep space, while its haunted textures hang like ozone in a malfunctioning cryochamber.

@dl-ms
@furatenafta

/DL/MS/ – Regressive Behaviour [Furatena]

On June 27, 2025, a long-dormant signal reactivates from Hamburg's hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.

Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn't invoked through distortion alone, but through method; in the album's breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).

Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro's danceability, acid house's corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.

In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants "things to fit together properly, but on another level, I really want them to make sense together." That principle animates R4: The album's form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.

From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it's clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.

BANDCAMP

Black Sites - BOXX

Kiosk Radio is an online community radio and streaming platform broadcasting 24/7 from a wooden kiosk in the heart of Brussels’ historic 'Parc Royal'. The radio was founded in 2017 and broadcasts a wide range of music genres, from jazz to experimental, from rock to electronic music.


Ilya Gurin-Babayeu @ Kiosk Radio 30.05.2025

@blitzoner

Blitz – продюсер, диджей и промоутер из Москвы. Он стоял у истоков таких промо-команд, как Sabotage и Synchron, а сейчас развивает собственный проект Subgaze.

Артист балансирует между гипнотик, groovy-techno и классическим берлинским звучанием, делая акцент на танцевальный грув.

Микс для PRGRPHS собран как не линейное полотно, а как цепкая, подвижная конструкция с мощным качающим низом. 
«Его главная цель – не дать вам остановиться, заставить танцевать и с каждым новым треком удивляться красоте актуальной техно-музыки».

PRGRPHS 115: Blitz

The Mutate Podcast series is curated by Jay Carroll, founder of Mutate Events Dublin, Ireland. Avid record collector, Dj/host of the Mutate Radio show on Europe's number 1 online radio station, DDR-Dublin Digital Radio. Through the bi-weekly show (Every 2nd Thursday from 10pm GMT) & through our events (pre pandemic!) we strive to give a platform to the best in break through Irish talent and & to international talent who we respect/admire. Every show is downloadable to play on the move or to stream while on the go so don't hold back. Play it loud.

Mutate Show With Dark Mavis

Mutate Podcast

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