great cover and loving the harmonies! ❤️

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Watch the video here: http://smarturl.it/AllIWantVideo

Purchase Still Life on iTunes: http://bit.ly/1dU9qBC

Album Artwork by Samüel Johnson

Lyrics:

Your eyes, they did flutter again
And your mouth it did hang wide
When you told me 'every little thing is going to be alright'

But we were younger then,
And now we're not
And if there was a plan made 
Then we forgot about it 
And if there was time
I could figure it out now

But life is short
And I don't care for most of it. 


Because you're all that I want.


Well I know I'm hard to take
And my bones are calling out your name.
While I beat your cold windows
Break the locks on the gate
While I try to forget 
I used to be something great. 

Because you're all that I want.

All I Want

the morning

stay

Facebook: https://www.facebook.com/HollowCoves/
Instagram: https://www.instagram.com/hollowcoves

Mixed by Hayden Smith Productions
Mastered by Josiah Birrell (GOVS)

The Woods

hozier is my fave no where near as good as the original, but i love the song

Hozier- Cherry Wine

Recorded March 12, 2011 at Shove Chapel in Colorado Springs as part
of the Fuel/Friends Chapel Sessions www.fuelfriendsblog.com
This track will appear on the deluxe version of their debut album out on Heavenly Recordings August 15th.

**** Q **** Uncut **** The Fly **** The Independent

Available to pre-order from Rough Trade.
http://www.roughtrade.com/site/shop_detail.lasso?search_type=sku&sku=341856

www.myspace.com/theheadandtheheart
www.heavenlyrecordings.com

http://www.fuelfriendsblog.com/2011/03/24/the-head-and-the-heart-the-first-fuelfriends-chapel-sessions/

The Head and The Heart - Rivers And Roads

Vance Joy - Mess is Mine

MAINE 2025 SATURDAY AFTERNOON ISLAND PARTY JAMS

This year on Saturday we started a jam early around the cold ash pit by the clubhouse. You can’t imagine the ear to ear smile on the face of this old sound man, hearing the music you’re about to hear, through my headphones, doing the thing I most love to do, surrounded by my dear friends of as much as 30 years, and their children and children’s children, singing and playing this extraordinary music. We’re doing this, not in a studio, but in the middle of a party, so  anything can happen, but, every once in a while, everything works out perfect.

This music was recorded in August 2025, on an island in the middle of a big lake in Northwest Maine, where we’ve been gathering, thanks to the Loons, for decades. Many of these friends, musicians, and singers from Maine and from all over the country and abroad, hadn’t seen each other, much less played with each other, for at least a year. It’s all improvisation, Jams, not Performances, with no prior Rehearsals or Song Lists, so this is as real as it gets.

This album is arranged in the actual order in which the music was played, minus the many out-takes, but, when it’s all done, it seems I couldn’t have thought of a better order. The music is all acoustic Americana, though it ranges all over the place, from Bluegrass to Jazz to Folk to Country to Rock to Reggae, (and this album also includes Musical Comedy) but it really works as an organic album, and that’s big for people like me, who still appreciate albums.

Sounds best, like you’re right on that island in Maine partying with us, when played on a good stereo with two separated speakers, left and right, or on a headset, or, one of my favorites, on a car stereo, so that this stereo recording will actually sound three-dimensional. You can hear the location of each instrument and singer. More than ever before, I was able to immerse myself (and my stereo pair of mics) into the belly of the music, literally surrounded by the musicians, the instruments, voices, and harmonies, so that, if you listen in true stereo, I can take you right in there with me.

On some songs, there’s a little too much chatter, but when you’re actually at a campfire, and people are talking, laughing, and partying, you filter that out, and the only thing you hear is the music. Crank it up, and let your imagination take you there, and enjoy. It’ll surprise you.

Recorded, edited, and mastered by
Mike Berliner, aka Mikethemikeman


05 Dry Town

Song #3 (of 25) in the series, Atlas: Year Two by Sleeping At Last.

SON

show me who i am and who i could be.
initiate the heart within me
'til it opens properly.

slow down, start again from the beginning.
i can’t keep my head from spinning out of control.
is this what being vulnerable feels like?

i swear i'll try, try, try to breathe
’til it turns to muscle memory.
i'm only steady on my knees;
one day i'll stand up on my own two feet.

i’ll run the risk 
of being intimate with brokenness.
through this magnifying glass,
i see a thousand finger prints
on the surfaces of who i am.

show me where to find the silver lining
as the mercury keeps rising,
’til the glass or my fever breaks.

show me how to struggle gracefully.
let the scaffolding inside of me be strong enough
to hold this tired body up once more.

and i will try, try, try to breathe
’til it turns to muscle memory.
i feel the pressure in my blood
building up and liberating me.

so i will try, try, try to breathe
’til it turns to muscle memory.
i'm only steady on my knees.
but one day, i'll stand on my own two feet.

i'll run the risk 
of being intimate with brokenness.
through this magnifying glass,
i see a thousand finger prints

that ran the risk
of being intimate with my brokenness.
i was given a gift of hope 
in a thousand finger prints
on the surface of who i am.

Written, Produced & Performed by Keelan Mak

Mixing/Co-Production: Anthony Lycenko
Mastering: Paul Blakey
Drums: Shoota Tanahashi
Guitar: Tommy Sheehan 
Piano: Sophia Koop
Bass: Jacob Smith
Tamb: Niall McDicken 

I Will Follow You Into The Dark (Death Cab Cover)

Jayme Dee

Recent comments

Jessica M. Kandal, PhD

💕

dixkflab

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