This one hurts — but in the coldest way.

Used 2 is the late-night, ego-bruised, bedroom R&B track that hits when love turns into memory. The kind of song you play when you see your ex shining—and you still got their hoodie in your closet.

Jinn and Nox spit bitter truths, Kairo smooths the pre-chorus with icy clarity, and Rei leads a chorus that stings like aftershave on a fresh wound. But it’s Selene of CovenX who steals the final word—her guest verse cuts deep, flips the narrative, and reminds everyone exactly what he lost.

She was the problem. He was the proof. And now? They both remember.

Used 2 (feat Selene)

🔥 New Track Out Now! 🔥  
Title: [Sunset Calls Her Name]  
Produced by: [Music RooM]  

This track is a blend of real bars, raw emotion, and authentic rap vibes.  
If you're into real hip hop, storytelling, or trap beats – this one's for you.  

💬 Let me know what you think in the comments.  
💽 More music dropping soon – follow to stay updated!  
📲 Share if you feel it. Support independent music 🙌

#rap #hiphop #trap #drill #freestyle #soundcloudrap #newmusic #independentartist #upcomingrapper

Sunset Calls Her Name

[Verse 1]
You asked me if I miss you  why now?
Like you ain’t been ghost for a whole damn mile.
You pop up with “Do you still think of me?”
Girl, I think of peace, and that ain’t your speed.
You send “Just checking in” like you check your wrongs,
Said I changed  yeah, healing does that when it’s been this long.
Now you in your feelings ‘cause I ain’t stuck,
Didn’t ask them things when we was us.

Now you dig like you wanna find gold in the ash,
Saying that fire wasn’t made to last.
You say “You look good, who you seeing these days?”
Why you care? You the one who walked away.

[Hook]
What’s with these questions you never asked then?
Now I’m movin’ on, you tryna tap in.
Actin’ like we just paused for a second,
Love don’t rewind when the trust been deadin’.
What’s with these late-night voice notes confessin’?
Sayin’ “I wish” like that change the setting.
You wanna know who I’ve been undressin’ 
Guess you forgot who taught me steppin’.

[Verse 2]
“Do you still got that pic from New Orleans?”
Yeah  it’s with the sorries and quiet warnings.
You left like a breeze through a half-closed door,
Now you knockin’ like your name still on the floor.
You ask “Was it real or were we just high?”
Well, we crashed, maybe both  I won’t lie.
I got questions too, they been laid to rest,
Like how love end up feelin’ like a test.

No bitterness here, I just realigned,
Took your silence as an answer over time.
Now you pressin’ like we in the same lane,
I found peace, and you bring rain.

[Hook]
What’s with these questions you never asked then?
Now I’m movin’ on, you tryna tap in.
Actin’ like we just paused for a second,
Love don’t rewind when the trust been deadin’.
What’s with these late-night voice notes confessin’?
Sayin’ “I wish” like that change the setting.
You wanna know who I’ve been undressin’ 
Guess you forgot who taught me steppin’.

You had all that time  never used it.
Now your voice in my phone feels like music I muted.
You got questions?
I had answers.
Now I’m gone 
and you still lookin’ for chances.

[Hook]
What’s with these questions you never asked then?
Now I’m movin’ on, you tryna tap in.
Actin’ like we just paused for a second,
Love don’t rewind when the trust been deadin’.
What’s with these late-night voice notes confessin’?
Sayin’ “I wish” like that change the setting.
You wanna know who I’ve been undressin’ 
Guess you forgot who taught me steppin’.

Steppin'

Written, produced, and performed by Luke Carter (Sammi Dae)  
Vocals by Thea with Devyn Cross (AI artists created by Sammi Dae)  

Original Composition: © 2021 Luke Carter (Sammi Dae)
Original ISRC (2021): UKVGE3050115
New Sound Recording: ℗ 2025 DGG Productions Ltd 
New ISRC (2025): UKVGE7006100

Luke Carter (DGG Productions). Email: luke@dgfproductions.com. Phone: +44 7821 189857. Publishing & Master: 100% Controlled by DGG Productions

Artist: Sammi Dae feat. Thea with Devyn Cross
Produced by: Luke Carter (Sammi Dae)
Written by: Luke Carter (Sammi Dae)
Performed by: Sammi Dae using AI vocals of Thea with Devyn Cross
Label: DGG Productions Ltd
Genre: Neo-Soul / Acoustic Groove / AI Vocal Crossover
Key: A major | Tempo: 100 BPM
________________________________________
💎 Soul in the velvet shadows.

"Are You OK (Velvet Room)" takes the universal message of compassion from Luke Carter’s original ballad and reimagines it inside a dimly lit, late-night soul lounge. Built on intimate acoustic guitar plucks, deep kick-snare heartbeat rhythms, and looping piano motifs, this version blends laid-back streetwise swagger with lush, layered female harmonies. The result is a warm yet confident groove that moves with the grace of a whispered confession and the weight of a truth you can’t ignore.

The track is fronted by AI vocalists Thea and Devyn Cross, two of the 13 bespoke AI artists created by Carter to carry his songwriting into the future. Thea’s cool, expressive lead intertwines with Devyn’s rich harmonies, creating a dual-vocal chemistry that feels both timeless and forward-thinking. This isn’t AI as gimmick—it’s AI as a vessel for real human emotion, giving new voices to songs Carter once performed himself.
________________________________________
🎧 For fans of: Erykah Badu • Corinne Bailey Rae • Jill Scott • Emily King • Lianne La Havas
🖤 Mood: Intimate • Streetwise • Lush
✨ AI Meets Emotion: A testament to how technology can expand—not replace—the depth and reach of human-crafted songs.
________________________________________
"Are You OK (Velvet Room)" is part of a wider AI-forward reimagining project from Manchester’s DGG Productions Ltd, where each track is reborn in a new style and voice. By pairing classic soul sensibilities with cutting-edge AI performance, Carter is building a bridge between the golden warmth of yesterday and the limitless possibilities of tomorrow.
🌐 www.dggproductions.com
📩 Contact: luke@dggproductions.com

Are You OK (Velvet Room)

the first

Cuando siento que se van mis amigos,
empieza el día, todo confuso,
pierdo siempre el último tren —
así no debería ser mi papel.

Me siento raro, me siento mal,
sin rumbo voy por esta ciudad,
calles vacías, sin final…
y yo fingiendo estar… estar “bien”.

Suena el móvil en el piso vacío,
nadie viene,
nadie ha vivido.
La tele proyecta sombras sin voz —
apuesto a que sabes lo que digo.

Me siento raro, me siento mal,
sin rumbo voy por esta ciudad,
calles vacías, sin final…
y yo fingiendo estar… estar “bien”.

¿Es esta la vida por la que morirías?
¿Dejar tu pasado entre nieblas frías?
Olvidar ideas que nunca supiste,
nunca sabrás
a dónde fluye lo que fuiste.

Y ahora…
solo deja tus cosas, y vete.

[Puente]
Me siento raro, me siento mal,
sin rumbo voy por esta ciudad,
calles vacías, sin final…
y yo fingiendo estar… estar “bien”.

Solo Bien

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All You Can Do

[Verse 1]
Waited by the lamp 'til the wax gave in
Your shoes were gone, so I let the night win
Clock spun circles like it knew my name
The walls leaned in, but you never came
I folded towels just to feel in control
Let the room fill up, kept it casual and slow
Poured a little calm in a second glass
Left the window open, just in case you passed

[Chorus]
I waited for you until I melted
Soft around the edges, barely held it
Sank into the couch like it knew the drill
You were out chasing some kind of thrill
I burned low while you disappeared
Left your scent and a souvenir
Yeah, I waited for you until I melted

[Verse 2]
You came home with a crease in your grin
Said her name wrong, then tried to pretend
The room went quiet, but my head got loud
I laughed once just to cover the sound
You smelled like nights that don’t belong to me
And I let it slide, slow and easy
Lit a stick of something to clear the air
But the truth hung thicker than your stare

[Chorus]
I waited for you until I melted
Drifted sideways while you dealt it
Kept my lips still, took it in stride
While you kept your stories neatly tied
I burned low, your eyes looked past
Said “I love you,” but it didn’t last
Still, I waited for you until I melted

[Bridge]
The floorboards knew before I did
That nothing good grows where you hid
I was softer than I should've been
You came back late with your keys and a grin

[Final Chorus]
I waited for you until I melted
Sank into silence and you felt it
Took my warmth, left me cold
Said you loved me, but you never told
I burned low while you disappeared
Now all that’s left is what's been cleared
Yeah, I waited for you... until I melted

Melted

neon bruises

11. Taste

Blood in the Blueprint leans in like an exposé set to groove. The beat moves smoother and more melodic than its subject matter, layered synths, warm bass, and steady drums carry a lyrical excavation of the hidden violence behind polished institutions. It’s a confrontation wrapped in clarity: not screaming, but naming. The verses unroll like pages from a redacted past, while the chorus pulls back the marble and steel to reveal the silent cost underneath. This is legacy turned inside out, a calm, undeniable reckoning with the ghosts that built the world’s foundations. The system wasn’t broken, it was built this way.

Blood in the Blueprint

Jaykumar Patel (born May 17, 1998), known professionally as Jay Patel, is an Indian music producer from a small town called Ladol in the state of India gujarat. From childhood he was interested in electronic dance music, he initially had no musical background. A passion which has driven him deeper to music production in 2017 when he got production setup, but was able to teach himself by watching tutorials based on Music production so he started learning and producing some music using Ableton Live 9.At that time he was listening to songs by KSHMR and reached out to him to find out how he produced his music. He was inspired by orchestral EDM production by KSHMR and film composers like Hans Zimmer, John Williams and started writing storyteller orchestral dance music. He began pursuing his music production career and slowly began posting his music to SoundCloud and Youtube. Starting as a bedroom producer with the help and feedback online from producers and  A&R team of Dharma Worldwide. Also he was rejected from many major labels but in 2022 he started as an independent music producer and started releasing his music worldwide on major streaming platforms. Released many genres of music with orchestral elements like Big Room House, Electro House, Progressive House, Future House, Psytrance, Trap, Dubstep, Riddim, Dance Pop, Hip Hop and many more. You can listen to some of the most exciting and popular story telling orchestral dance music on major streaming platforms.

All You Can Do

Jay Patel

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