Definitely a keeper! Keeps the groove going  from beginning to end!!

This is one if the best mixes I’ve heard in years

Welcome Sean La’Brooy to the BSRMIX!

So happy to have our dear friend Sean La’Brooy offer us this soothing mix out of the blue from his new home in New York. The co-founder of Analogue Attic Recordings (with Alex Albrecht) has long been pleasing our ears with a unique blend of improvisational jazz inspired ambient recordings and live sessions. All that and more can be heard in this one hour beauty, and if you're not satisfied there check out his brand new album ‘Out Moving Windows’ on Analogue Attic. Enjoy!

https://analogueattic.bandcamp.com/album/out-moving-windows

www.buttersessions.com

BSRMIX #116 - Sean La'Brooy

A soundtrack to a sunset drive. 

Profile and interview: https://bit.ly/XLR8Rpodcast_RonTrent

XLR8R Podcast

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XLR8R Podcast 756 - Ron Trent

Eazy-breezy dancefloor eclecticism from the DC wonder duo...

https://www.nts.live/shows/beautiful-swimmers/episodes/beautiful-swimmers-3rd-february-2023

BEAUTIFUL SWIMMERS 030223

Straight outta Deepcast HQ we present the third chapter in the extended mix collab between Naarm's very own @myles-mac and @djpossums. 

Heavy as ever on those smooth 'n sexy mid-90s r'n'b & hip hop flavas, this time the pair of chillout aficionados throw in a special spice mix of 90s dub & ragga styles, west coast g-funk, Kwaito hip hop, UK street soul, UK Garage and Italo house to keep your toes well and truly tappin' over the 2+ hour ride..

MDC.280 Myles Mac & DJ Possum

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

Part of the NTS family since day dot, Moxie has held her Wednesday show since the stations first broadcasts. Inviting esteemed guests for interviews & mixes and breaking new, unreleased music, she’s got your Wednesday afternoons covered... Tune in to hear anything from Soulful House, Garage, Afro beats and all the way through to rolling techno.

https://www.nts.live/shows/moxie/episodes/moxie-10th-may-2023

MOXIE - 12 YEAR ANNIVERSARY SHOW 100523

this was a very special night

thanks to raf, rvds, & all of the very sweet pudel staff

share this mix far and wide, one of my favorite recordings to date! it needs to be heard!

plenty of js classics and plenty more first time plays.

dled enabled even though basically no one downloads it, it literally sounds more than twice as good lol.

Jay Simon - Live At Golden Pudel Hamburg 5 - 17 - 23

NYC’s Andrew Devlin takes a break from his usual dance floor facilitation to offer us a poolside soundtrack inspired by a recent stay at The Standard hotel in Miami Beach.

Q. Where do things currently sit on @thelevelparty front, and what other projects have you been busily chipping away at?

A. What’s that line? “We’ve been coming to the same party for 12 years now, and in no way is that depressing.” I think we’re nearing 10 now. In any case, the party feels like it’s in a really good place. After doing it more or less solo for a minute, I brought 5 residents on board who I love dearly–Alien D, KFeelz, Nigelthreetimes, No Sir, and Yibing. Everyone has so much range and energy, it’s been special getting the group together.
I’m really excited for our Glen Falls House weekender upstate in July (14-16). We get to take over this little hotel in the woods for a weekend and stretch out. It’s a dream. Big shoutout Josh Houtkin at Good Room for all his work making that a reality.
Past that, we’ve got some shows at our usual spots, Le Bain and Good Room, as well as a couple of day parties at Public Records’ new Nursery and a July 4 BBQ at Mansions. Would really like to bring the group of us to some other cities soon. I dream about heading back to New Orleans, doing Level Miami, Level Mexico City, Ibiza, etc…Anyone reading this wants to get in touch, let’s build ;)
Personally, I run a small sound company here in NYC, so I’m trying to grow that business and maintain my sanity. I’d like to get back into making music soon, even just a few cheeky edits. Start a podcast (I know, I know). And eventually open up a venue. A pub of sorts with good food and music. 

Q. What inspiration did you draw upon when putting the mix together?

There is, in fact, a pretty specific one. This mix is dedicated to the pool at the Standard in Miami. I went in January for the first time and recorded this when I got home. The vibe there is so strong. You’re sitting outside, eating the best caprese salad of your life, there’s a 2’ iguana crawling on a palm tree, you’ve got a green juice or a margarita in one hand. Everyone is having a good time and partying in this really respectful way. They’re just sipping on a cocktail or walking to the hot tub or making out in the pool. 
I thought a lot of that had to do with the soundsystem and the music programming–there are speakers everywhere (including underwater) playing at like 6/10 volume. The music is on a sort of soulful r&b/ balearic tip. I was on Shazam all weekend. So this mix is a dedication to that–if someone gave me 80 minutes to DJ the Standard Miami pool, this is what I would play.

Q. Are there any records in the mix that are particularly close to your heart, or old favourites that you’ve been keeping up your sleeve for the right moment? 

A. Definitely. To run through a couple… ”Wall Street” I discovered reading Dub by Michael Veal. Great book for anyone interested in DJ’ing, soundsystems, production, etc. I got really into Jackie Mittoo reading that, and have been playing that track since. 
The Lauryn Hill track, “Sweetest Thing” I heard in a coffee shop in Amsterdam in 2009, forgot about completely, then recently re-discovered.
“Don’t Break my Heart” is a big song for my wife and me. We both stumbled on it when we started dating at the beginning of 2020. We almost chose it as our first dance at the wedding, but thought the lyrics were a little dark. Anyway, big tune at the house. 
And the last track, the Mike Huckaby remix, is close to my heart. I was lucky enough to meet Mike a few years ago and gave him a ride to his hotel after a gig. He had just played for 3 hours and all he wanted to talk about was my Volkswagen Jetta. He was really such a sweet, warm guy, and this track always makes me think of him. R.I.P. 
Thanks so much for having me on this! Been a huge fan of MDC for a long time, and the radio shows and mix specials got me through lockdown over here. Means a lot to be a part of it. Much love.

MDC.284 Andrew Devlin

Further information and tracklist: https://bleep.com/bleep-mix-267--richard-sen

Ransom Note’s new label Dance Music From Planet Earth have just released ‘Richard Sen presents Dream The Dream: UK Techno, House and Breakbeat 1990-1994’. The British Indian DJ/producer/record collector is a music dance music veteran with a proper heavyweight CV, whose Zelig like history goes even further back. Speaking on his Bleep mix, Richard explains: “All the tracks that I chose for this mix are from 1988 - 1995. I tried to choose tracks that were musical, deep, druggy and still rough around the edges. This is a snapshot of the kind of music I was playing back then - a personal selection of some of my faves. I'd like to think that they all stand the test of time and I still play some of them out now.”

Bleep Mix #267 - Richard Sen

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side

I honestly can’t believe we’ve made it to number 20, obviously, you’re all still listening for some weird reason, I hope its the same reason I’m still putting out the mixes. 

it fills me with immense joy to bring you number twenty by way of DJ Regret aka Unfettered aka captain jack sparrow aka the dreadlocked dreidel aka Scott Levy not reddy. This bloke has been one of the driving forces in my musical life, especially in the birth of the concept of this whole series. He has delivered a beautiful journey just shy of 4 hours. As mentioned before Scott has been a musical compass for me for last 15 years, consistently being ahead of curve, actually he creates the curves every year his set from Inner Varnika will be echoed throughout the year through every other Melbourne DJ and spotify enthusiast. Mimicked but never reproduced. Consistently adding his beautiful compositions to the ‘Trushmix’ series by our burger brethren.

I've also been throwing parties with him for the past 10 years, we started the now-defunct Out of Focus (rip) together, he started Sound of Thought (rip) and then we went on to start Inner Varnika, I’m very happy to of shared my journey with Scott and I’m not actually sure I’d be here without him, he has and always will keep me grounded. So after months of hassling he finally shot me something, a recording from a house party some weeks ago, basic setup, a huge vibe that builds into the evening/morning recording on a shitty mixer the peaks on a few songs so please bare with it. 

On that note, turn your brightness all the way down and grab a cold beverage from the fridge and enjoy the trip! 

שלום ובהצלחה

FHUO # 20 // DJ Regret

00] Hole In One - Spiritual Ideas For Virtual Reality
[09] The Primitive Painter - Levitation [Klang Elektronik - KLANG 1]
[18] Dubtribe Sound System - Sunshine's Theme (Sunshine's Remix) [Organico - ORG 004]
[23] State Of Flux - Mercury [Finiflex - FF1009]
[29] The Primitive Painter - Cathedral [Klang Elektronik - KLANG 1]
[36] Ebi - Chuu [Space Teddy - ST 007]
[43] Some Other People - Astralise [Infinite Mass - MASS 018 T]
[52] The Primitive Painter - Invisible Landscapes [Klang Elektronik - KLANG 1]
[58] Squid - Emprisoning Sound On A Piece Of Wax [Apollo - APOLLO 16]
[64] The Keyprocessor - Feary Tales [Eevo Lute Muzique - EEVO 008]
[68] State Of Flux - The News [Bold! Stars - BR 2009-1]
[71] Ian Pooley And Alec Empire - Untitled (Pulse Code E.P. Side A) [Mille Plateaux - MP 3]
[83] Ebi - Sou [Space Teddy - ST 007]

Mixes 1993

Andrew Weatherall - Massive Mellow Mix

your favorite dj's favorite dj
booking & info: musthaverecords@gmail.com

i run record label called must have records. http://soundcloud.com/musthaverecords

http://facebook.com/jaysimondj

thanks

Jay Simon - Live At Golden Pudel Hamburg 5 - 17 - 23

Jay Simon

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