Great Groove fella's, got me head bobbin' nicely! Tight as a gnat's chuff!

Jazz Funk Factory

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Tyler Touché - Technicolor Symphony (ft. Sterling Silver)

Buy / Stream it here: https://orcd.co/shamekfarrah

Quality over quantity. That’s what characterises Shamek Farrah and Norman Person’s recorded output. They may have a small discography between them but it’s a stable of recordings that centrally locate them in the development of the black jazz of America. BBE Music is delighted to present a new edition of a rare, relatively unknown, and unheard gem.

Recorded between 1988 and 1991 across a series of concerts, ‘Live’ was released in 1991 and was only available for sale at their gigs. Issued on audio cassette on Farrah’s private Heritage Industries label, ‘Live’ is a raw, uncompromising selection of deep, conscious jazz featuring three original compositions and two covers: ‘Aisha’, written by Person, was inspired by Person’s daughter and is a majestic joyous groove that extends out into a percussive jam; ‘Negative Forces’ is a fiercely paced hard bopper worthy of the Jazz Messengers. Written by Person, he tells how “it had to be like a torpedo, man. It had to come out strong and fight against those negative forces”. The one Farrah/Person co-write on the album is ‘Timeless Beings’, a short freeform improvisation that creates a distinct moment of space and light in an otherwise intensely focussed, yet highly accessible album.

The two covers on the album reflect the instruments of the co-leaders: sax and trumpet. ‘Footprints’, the classic written by the Newark Flash himself, Wayne Shorter, and first heard on ‘Miles Smiles’ in 1967 is delivered deftly by Farrah and co. Here, the band pays a respectful yet adventurous rendition, with some superbly colourful piano from Sonelius Smith. The second cover is a tribute to the great trumpeter Clifford Brown, who died in a car accident in 1956, aged just 25. ‘I Remember Clifford’ written by Benny Golson, is handled with suitably delicate reverence. “I still listen to Clifford Brown today,” says Person. “He’s still my teacher.”

On ‘Live’, saxophonist Farrah and trumpeter Person - friends for decades - capture an energy and vibration that is infused with the spirit of their youth – whether drawing on the hard bop of the late 50s and early 60s or the Afrocentric spiritual jazz of the early 70s, of which Farrah is intimately linked via his albums on Strata East, ‘Live’ is a document of two masters at work.

‘Live’ has flown under the radar to many a fan of prime black conscious and spiritual jazz but now BBE brings back this astonishing set by two giant talents accompanied by a group of musicians who shine with brilliance and verve.

Available for the first time on CD, digital, and double vinyl set cut at 45rpm by the Grammy- nominated The Carvery mastering studio, ‘Live’ also comes with an extended interview with Shamek Farrah and Norman Person by Tony Higgins.

Shamek Farrah & Norman Person - Aisha

pat van dyke is a multi instrument playing musicians from new york. we love his blend of jazz and beats, all played live, his debut will drop on jakarta records very soon...

check him out here:
https://soundcloud.com/pvdmusic

After the widely successful release of „Summer in Jakarta“, Jakarta Records figured it’s time to gather some artist we like, work and/or are friends with again for the second installment of the loose series. „Winter In Jakarta“ features all unreleased material by artists such as Stwo, IAMNOBODI, Mura Masa, Oddisee, Guts, L’Orange, Suff Daddy and many more. The album will be available as a free DLL on the 9th of February. Keep your eyes open for the free cassette tape edition available from selected retailers.

Pat Van Dyke - Forrest St. Blue (Taken off "Winter In Jakarta", dropping 9th of February)

http://www.facebook.com/pages/Jazz-Funk-Factory/233631606670596?sk=app_178091127385

Cold Duck Time (JFF II)

“THE FULL COURSE EXPERIENCE”
A Studio Album by (kELLEYJ)

Environment
Quiet, elegant spaces with refined décor. Lighting is soft, and tables are widely spaced for privacy. Service is formal, attentive, and synchronized.

Service Flow
A full-course meal usually follows this order:
1. Amuse-bouche – A complimentary bite to stimulate the palate.
2. Appetizer – Light dishes such as tartare, soup, or seafood.
3. Fish Course – Delicate white fish or shellfish.
4. Main Course – Meat, poultry, or vegetarian centerpiece with complex sauces.
5. Cheese Course – Often before dessert in European settings.
6. Dessert – Pastry, mousse, or fruit-based plate.
7. Mignardises or Petit Fours – Small sweets with coffee or tea.
A choreographed musical feast in ten movements, each song representing a stage of a fine-dining experience. Every composition mirrors culinary pacing: anticipation, flavor, pause, indulgence, reflection, and closure.

Genre fusion: Neo-Soul · Smooth Jazz · Orchestral R&B ·
Intention: precision, elegance, intimacy.

10. The Dessert Course
Sweet, lush, sensual R&B piece. The climax of indulgence.
	•	Production: Deep synth bass, layered falsettos, shimmering pads.
	•	Tone: Intimate, romantic, euphoric.
	•	Stage lighting cue: warm amber tones fading to red.


The Dessert Course

Recorded at N4N Austin.

Performed by ELLA
Produced by JaRon Marshall

Get ready to jingle and jam with the ultimate holiday album from Notes For Notes! Created in our studios across the country, this festive collection packs in rap bangers, pop party hits, and remixed timeless Christmas classics - plus a few merry surprises. From sleigh bell beats to sing-along favorites, it's the perfect soundtrack for wrapping gifts, dancing by the tree, or turning any holiday hangout into a winter wonderland. Crank it up and let the season sparkle, coast to coast!

Jingle Bell Rock (Austin)

FOR YOUR SOUL

Big up @deepmattercollective

Wither Like A Rose

Buy / Stream the single: https://BBEmusic.lnk.to/TheOnlyDifference

Powerful, infectious and oh-so-timely in its lyrical subject matter, ‘The Only Difference’ is the first single introducing ‘Heavy Rocking Steady’, the forthcoming album from Beatchild & The Slakadeliqs.

Modern soul music performed and arranged in the truest R&B tradition, songwriter Byram Joseph (aka Slakah The Beatchild) is joined on lead vocals by fellow Canadian artist Justin Nozuka whose clean, pure vocal tone lends a new dimension to the song. A forceful call for unity in these uncertain times, ‘The Only Difference’ is driven by dusty piano and rattly acoustic drums, soon joined by a chorus of backing vocals, giving the track a distinctly live feeling.

Beatchild & The Slakadeliqs ft. Justin Nozuka - The Only Difference

The first single from trombonist/composer Reginald Chapman's debut album, Prototype – a modern update on the classic jazz standard, "You Go To My Head."

Stream, download, or buy the album on CD: smarturl.it/regprototype

Written by John Frederick Coots & Haven Gillespie 
Arranged by Reginald Chapman 

Sam Reed - vocals 
Reginald Chapman - bass trombone 
Ben Ford - trombone (solo) 
Reginald Pace - trombone 
Bryan Hooten - trombone 
Karl Lyden - trombone 
Devonne Harris - keys (solo) 
Andrew Randazzo - bass 
Corey Fonville - drums

Follow:
@reginald-chapman
@samreedmusic
@freshselects

Prototype

Reginald Chapman "You Go To My Head" (feat. Sam Reed)

Pat Van Dyke's New LP - "Hello, Summer" is available on all streaming platforms and "Pool Blue" Vinyl.

https://pvdmusic.bandcamp.com/album/hello-summer

Forget Regret (JFF III)

Jazz Funk Factory

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