Addicted

Addicted (Vocal Mix Edit)

My Journey Into Eternity

My Journey Into Eternity (Groove Armada Remix)

Buy / Stream: https://ada.lnk.to/Land

Needwant favourites, Fete return with Balearic dreamer, ‘Land’ which comes equipped with an ambient mix and a remix from Joel Hood & Channel Swimmer. 

Fete, who are the sunshine production duo of Sean Brosnan and Julian Peck, have delivered a scattering of releases on London's Needwant include ‘The Islands’, 'Don't Argue' and 'Leaving Home’, now return with another beautiful piece of electronica with ‘Land' 

Rich with warmth synths, euphoric strings, and a groove-inducing bassline, ‘Land’ is the recipe for the perfect summer soundtrack. A track that gradually progresses, easing in the instrumentation before releasing its blissful mid-point crescendo. 

Swapping sunset euphoria for sunrise swaying, the ambient mix offers a beatless alternative to the original, allowing the emotion of the strings and synths to sing.

Recognisable faces in Balearic circles, Joel Hood & Channel Swimmer’s remix also uses progression to build tension. The mix incorporates the track’s synths and strings, whilst their interpretation veers into disco territory with a chunkier bassline, retro pads, and a subtle injection of vocals.

Needwant Records pioneer the sounds of tomorrow, developing exciting artists in the world of electronic music including recent additions such as Lau.ra, Kiwi, and Meg Ward. Fete's latest single on the label is set to ignite the summer soiree's in 2021 and beyond.

Fete - Land (Joel Hood & Channel Swimmer Remix)

Inner Space

Listen: https://ada.lnk.to/Jabberwocky

Making their debut on Future Disco, French Electronic trio, Jabberwocky deliver with two summer-ready Nu-Disco weapons.

‘Inner Space’ jumps straight into the action with a dance-inducing bassline that commands the track, paving the way for the colourful sun-soaked instrumentation which gradually progresses, spiralling into a euphoric crescendo. Italo drums and 80s pads bring the retro fun factor whilst never taking away from the track’s fresh feel.

‘Apollo Club’ is also drenched in 80s Italo euphoria with a Funky Town-esque bassline and a contagiously catchy hook which will no doubt send dancefloors into a frenzy.

After two albums released on Polydor/Universal Music, four years of touring, and millions of views on streaming platforms and Youtube, the trio have veered into a more electronic sphere, inspired by sci-fi films, Italo Disco, House music. Their debut release on Future Disco is set to soundtrack summer dancefloors in 2021 and beyond.

Jabberwocky - Apollo Club

[SPA427]  ALTOPARLANTE - Baile Fondongo  (DRIANOX REMIX)

The Way (Long Play)

Buy on bandcamp

Esco89 - The Way (Long Play)

Never Leave

Scottish producer & DJ Graeme Clark AKA @the-revenge releases his second album ‘When The Thrill Comes’ on his own @roargroove imprint on 11th May 2018 (double 12” and digital).

‘When The Thrill Comes’ is a demonstration of a producer achieving a point of maturity in their work, able to exercise a sense of restraint, to allow for their sound to have space. It is also the opportunity for The Revenge to explore his own electronic music roots with a deeper pared-back sound more in touch with his earliest production experiences in house and techno.

Here track 7, Another Illusion, reflects this sentiment wholeheartedly.

When The Thrill Comes

SB PREMIERE: The Revenge - Another Illusion [Roar Groove]

Buy / Stream: https://ffm.to/takenallthistime-lp

Praise coming in from Groove Armada, Laurent Garnier, Erol Alkan, Crazy P, Louise Chen, DJ Bone, Fred P, ABSOLUTE and Horse Meat Disco.

Prolific disco/house producer James Curd is perhaps one of the undersung heroes of the scene. With hundreds of production credits to his name on every label worth its salt from DFA Records to Classic Music Company to Permanent Vacation to Lumberjacks In Hell — and of course, Exploited — he has serious skin in the game. It’s finally time for his debut album to make its mark on the world, rounding up 14 of his finest moments to date for Exploited and packaging them up into one joyous blend.
“‘Taken All This Time’ is a catalog of music that stays true to my life growing up in my critical formative years in Chicago” he explains. “I used to make tracks from beginning to end on an MPC2000. I had a studio in my room that was set up on a door that was held up by two overturned trash cans. If I was recording on the mic I had to shut my windows because I lived on the third floor above 90/94. Sometimes I would get WGCI bleeding into my speakers while I was trying to work. It was the best of times. I worked at a record store called Supreme most days. Then I would work on music till late and head out to the club. I had a residency with Derrick Carter, Gene Farris and Diz. I made so much music — especially in the brutal winters.”
You wouldn’t know that much of this record was made in the depths of winter, given the warm, balmy vibe that surrounds much of it. With his magical synth wizardry cutting against jazzy keys, disco/funk basslines, and sublime vocals, it’s a beautiful mix of sounds that is at home on the dancefloor as on the home stereo. Each track contains elements built on his MPC, with all keys, vintage synths, guitars and bass played live. “ In a time where so much music is pieced together by sample packs and drum loops this album is created brick by brick.... or beat by beat. Every keyboard sound was played on an actual keyboard in my studio. Guitars and bass were played in.”
The album draws its influences from ‘70s disco, ‘80s boogie and ‘90s deep house in equal measure, serving as a musical document of Curd’s upbringing. Beautiful vocals are provided by a diverse cast of singers and rappers, including Bear Who? Luke Million, Likasto, Natasha Lillith and KE, with other collaborative moments featuring Fred Everything and Karmon.
The prolific producer has previously worked with James Murphy for a release on his DFA Records label, and works on many film, TV and video game score projects, including for the ‘Grand Theft Auto’ series and 50 Cent’s show ‘The Oath’. But right now, it’s all about this beautiful collection of tracks, providing a milestone in his career that he will be able to look back on very proudly in years to come.
Single and Album artworks were done by James' friend Cody Hudson who is a Chicago based artist known for his graphic design contributions under the name Struggle Inc. and for the production of clean, multi-dimensional graphics, Cody's design aesthetic is part urban modernism, and part organic visual deconstruction.
His graphic work and paintings have been exhibited throughout the US, Europe and Japan including the Museum of Contemporary Art (Chicago), New Image Art (LA), Rocket Gallery (Tokyo), The Lazy Dog (Paris), & Andrew Rafacz (Chicago).

Artist: James Curd
Release: Taken All This Time
Label: Exploited
Cat: EXPDIGITAL222
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport & Streaming: 24.09.2021
Releasedate Global Download: 08.10.21

Taken All This Time (Album)

Yellow Magic

Buy / Stream

James Curd & Luke Million - Yellow Magic I Exploited

🌐 𝞛𝙖𝙣𝙖𝙜𝙚𝙢𝙚𝙣𝙩 / Booking: benjamin@grand-mgmt.com
"G-Spec" is out now !

Inner Space

JABBERWOCKY (Official)

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