Back in my Studio
채우러 가고 있지 나의 audio 

Back in my Studio
쟤넨 상상하지 걍 머리로 

Back in my Studio
게으른 새끼들 전부다 거리로 

Back in my Studio
나는 못해 쉬는 거 쌓아 커리어 


Back in my Studio
Back in my Studio
Back in my Studio
Back in my Studio


Back in my Studio
채우러 돌아왔지 my audio
쟤넨 닿지 못할 높이로
가기 위해 익숙해 이젠 포기도

눌러 내 switch 미래 나의 위치
너네들의 밑이 아니고 싶지
그게 나의 미끼 그렇게 난 믿기
때문에 더 쉽지 너넨 더 쉬길 

술 쳐마시고 놀아봐라
내가 더 취한 기분 지금 나의 상태 
못하는 놈들의 방패인 워라밸은
너나 많이 챙겨라 난 빼 

신스처럼 잘 깨고 있어 내 한계 
반면에 쟤넨 없어 걍 한게 
웃기지 마 너 약한거지 안 착해 

머리부터 발끝까지 bling
하지 않아도 다진 내실 
책임감이 빠진 대신 
따라오는 자유는 not free 

그래서 무기력 이겨내고 
나온 집은 빈손으론 not came back
결국 내가 지켜 나의 생계 
못 지켜도 핑계 안 댈게 

지옥 같은 작업실 속에서 
실수 없이 늘 신속했어 
실속 없이 나는 살 수 없어
그 공허함은 이루 셀 수 없어

아직 나의 나이 20 bitch 
Bye Bye 시간 가고있지 
99보다 쉬운 건 100
됐어 난 했고 기다리고 있어 


Back in my Studio
채우러 가고 있지 나의 audio 

Back in my Studio
쟤넨 상상하지 걍 머리로 

Back in my Studio
게으른 새끼들 전부다 거리로 

Back in my Studio
나는 못해 쉬는 거 쌓아 커리어 


Back in my Studio
Back in my Studio
Back in my Studio
Back in my Studio






(Untell) 


fillow fillow
기절 전엔 안 배 fillow bitch
2020 알바 일로
찌들어버린 내 쉼터이자 만들어낸 내 ep will

끊었지 난 빈익빈
그게 mofuckin 작업실
넌 딸딸이 아니면 battleground
우린 너무 차이나

엄마한테 욕하는 새끼들이
내 인성 논해
어쩌구 저쩌구, 말들은 뻔해
내 인성 빻았다고 okay  
카피도 okay

이런 글 쓰는 새끼들 반지하 작업실 속에
박힌 래퍼 지망생 새끼들
미친 새끼들 못생긴 새끼들

tell em
너흰 그냥 지망생들
배운 건 mofuckin work, life balance
배운 건 여자나 꼬시는 재능
오 한마디로 그냥 계륵

게으른 애들이 싫었지만
이젠 깨달아 너넨 내 발에 new balance
지하방에서 올라오지 마
갤러리 글이나 쓰다가 die

반대로 난 여기 die legend
no drunken tiger like mac miller
싱잉랩 이제 좀 치워
너무 억겨워 너의 노래 실력 

타협하지 말고 실력 길러
벌스가 다 끝나가지 오 이런
back in the stu,
when i'm the booth
i meet lakshmi, go feel her

 

Back in my Studio
채우러 가고 있지 나의 audio 

Back in my Studio
쟤넨 상상하지 걍 머리로 

Back in my Studio
게으른 새끼들 전부다 거리로 

Back in my Studio
나는 못해 쉬는 거 쌓아 커리어 


Back in my Studio
Back in my Studio
Back in my Studio
Back in my Studio

Back in my Studio (Feat. Untell)

B-Free, Korlio, KIRIN & Coke Jazz - 1985 Remix

Produced by U'NOO
Lyrics by B-Free, Korlio & KIRIN
Talkbox Coke Jazz
Mixed by 전상현 @ HI-LITE Studio

Original Song
Reddy - 1985 
( https://itunes.apple.com/us/album/1985-single/id828303043 )

B-Free, Korlio, KIRIN & Coke Jazz - 1985 Remix

A memoir for my trip to Japan with the homies in the summer of '13. A trip that I'll never forget.
^ FREE DOWNLOAD ^

http://facebook.com/junoflo
http://twitter.com/junoflo

Lyrics:
[HOOK]
Switching lanes in a city that I don't know
We got the world the baby ain't nowhere we won't go
So get the f-- up out ya seat
Get em up (what what)
I see the bright lights like it was fight night
Stage and a mic, and everything is quite right
So everybody throw them hands like
Get em up (what what)

[VERSE]
Just touched down we in a strange land
Me and the whole crew so what the game plan
Henny and tire marks
We causing dire harm
When I flow, cock back like a firearm
Juno the Damaja
Nah they can’t handle us
Reppin the West, from Seattle to Los Angeles
But we in Tokyo now so get wild
This Gaijin the flyest so they loving the style
(What what! Get em up!)
Now grab the Jack and a 40
We finna dip at like 5 in the morning
Ain’t nobody opposing, just don’t go and overdosing
I’m hoping to stay alive like Zion I I’m Coastin'
I got a homie and he look like Drake
We hit the club and they saying “Yo you look like Drake”
But he ain’t lightweight we burning heavy thru entire funds
And do it big in the land of the rising sun

[HOOK]
Switching lanes in a city that I don't know
We got the world the baby ain't nowhere we won't go
So get the f-- up out ya seat
Get em up (what what)
I see the bright lights like it was fight night
Stage and a mic, and everything is quite right
So everybody throw them hands like
Get em up (what what)

[VERSE]
It’s like everywhere that I’m going
I’m seeing doors that be opening closing
We all part of the motion
Opportunity strikes and we just fish in the ocean
that’s full of sharks
Who this young cat causing commotion?
Junoflo with my hand on my Guinness
Remind these bitches to mind they bidness
It’s time to finish em like yellowtail and wine for dinner
While you decline, I define the winner
From the hunneds to the fifties to the tens
I got em from the dollars to the euros to the yens
I ain’t gotta pretend
Cuz wealth is of the mind not the pocket
And I don’t need spacecrafts to rock it (rocket)
I gots it locked down, from jays I cop now
I got the Food & Liquor like Lupe from Chi Town
I’m true to this, yall asking who the best
They yelling my name roaming through the land of Nujabes

[BRIDGE]
We in Tokyo now turn up, turnt turnt
Roll another one and burn up, burn burn
They showing love to the foreigners
Yo the Native Souls Crew, we hitting the 4 corners

Produced by CUTLERY
Mixed & Mastered by Jon Lee
Photo by Keita Funakawa

Junoflo - Turn Up Tokyo [prod. Cutlery]

Lyricks

i swear it feels like new york city turning me cold already, 
snowing again? i thought it was spring it was cold already, 
i put on my shirt my sweater my timbs my hoody, 
my jacket my beanie go back inside for the coat i'm forgetting. 
and now i’m miserable wet and i’m sweating, cuz inside it was hot, but too much effort to take it off while my girls getting ready. and USUALLY when i strip, she’s done and acts like she's waiting for me with the flip like rick! hurry lets go already...

whatever. i’m sick sniffling sardined on the 7 with all these people next to a young spanish carlito with a clean fade, but homie used way too much suavecito, and when the train braked this stumbling chico smears his pomade all over my sleeve bro, then leaves hits me with the conpermiso man sorry peace yo.

wusah, its just clothes, lets write rhymes. thats why i carry my beats for. then i look down like hows my phone almost dead already?? i charged it all night, hows that little battery red already. damn

now i get off the train mad. like shut up keyboard guy you suck honestly, 
and these acoustics are too sick for mediocrity. and i don’t want to see a broadway comedy show homie don’t talk to me. why are you walking so slow walking awkwardly?!
so i pass this dude. nudge him then i realize it’s a she and she's handicapped. 
says sorry to ME, with her phone number on her fanny pack
damn i’m officially guilty, i’m sorry cindy
official buzz killin word to shin b 
i slow it down thinking about how many different people must've passed her this month...
my overthinking ass i let her pass to let her remember what being faster was once like she’s actually giving a fuck. but maybe she does. thats why i do it. for that 50 50.

and now i’m cold feelin awful terrible. in new york city the rain hits your face more it’s unbearable, i feel like horrible man and i’m pissed. cuz i need to piss. but theres no place in the city that exists that lets you come in for a minute unless you put in a order. 
and if you’re lucky enough to find a public WC you need to put in a quarter. its like if you’re having a bad day, this city was made to make it worse you know what i’m saying?? city with no outlets, and the ones you do find, they configured it so your plugger won’t stay in! i’m just sayin… damn fuck you new york!

but you made me feel alive again i love you new york. and yeah it's too early i should be taking it back. you give me shit on the daily but dammit you gave me this track! you nah mean?
VA boy, man i'm just switchin the scene. 
signing off Lyricks homie. reporting live from queens

G2

내가 지금 느끼는 것, 서울에서 살기가 참 힘들어
그래도 꾹 참고 견디는건, 문화를 난 이끌러
입에 걸친 미소대신, 눈위에 눈썹을 찝부려

한국에 정착한지 벌써 2년이라는 시간이 흘러
어른이 될려 하면 아직 나는 한참 멀어
보증금 과 서울 도시의 월세
부모님 기대치 맞추는것보다 더 빡세

익숙하지 않는 주변 사람의 사고 방식
사회의 사다리 오르는 지름길을 바로 가식
그들의 성공의 과정으로 판단된 이론,
불안함과 부담은 여전히 어깨 위에 기본

성과의 기준은 내 엄마친구 아들
Your accomplishments aint shit if it's less then your neighbor's
남이 잘되면 배가 아파서
나도 모르는사이에 i became a hater damn

무심한 도시 나도 정을 때
무식한 행동으로 나는 화풀이를해
매일 울며 부르는 초록색 병에 그려진
두꺼비
오늘따라 내가 따르는 술잔이 전부 무겁지

Reality got me relyin in the bottom of the soju bottle
The drunks that i used to judge became my brothas
The city changed me carved me
Tainted my soul and robbed me
But to this day i still yell new seoul proudly but for what

im beginning hㅔate the man i became into
So Fuck you seoul city
But i am the man i am today
So i guess in the end i love you seoul city
Just gotta survive the cold city
Before my soul change morbidly
Into a greedy monsta that everybody seem to become
Fuck this life if thats the only way to earn your income
Bless the city's soul, pray that the devil be gone
the same that im rappin this song 
Hopin that im not alone. Peace

Lyricks - Cold Already Featuring G2

그린클럽(Green Club) - Studio

Okasian - Get That Money

Produced by Jordeaux
Lyrics by G2
Mixed & Mastered by YSH
Cover Design: HAIL of KEEPUSWEIRD

Dystopia

G2 - Dystopia

MUSIC VIDEO

i learnt some jazz today (extended version)

Big L - Put It On (Pay8 remix)

ELEVATE (feat. MontyTheHokage)

노루가 사냥꾼의 손에서 벗어나듯이,  새가 그물치는 사람에게서 벗어나듯이, 스스로 구원하라.
@miniland
@takealo0k
@Yubin1113

Resurrection

Here stands a man openly flawed and encumbered with life’s immeasurable expectations, but he’s also a devoted man of God striving for grace.  Joshua Crum – just call him J. Crum – speed-raps his feverish words alongside echoing beats and riffs usually coupled with harder rock styles, and counters the intensity with smooth, lingering hooks. Detroit-born and Omaha-based Crum’s inspirational tracks reflect a man bound to his faith, family and fans but with a grittiness churning through time and measures. 
Crum’s newest EP, Flawed, is a seven-track whirlwind of tightly wound introspective jams. Mixed and mastered by Grammy-nominated engineer Rick Carson (Terrace Martin’s Velvet Portraits) and produced by Tory Hooks, the rapper’s expansive palette dabs subtle, diverse influences: Florence + The Machine, Lupe Fiasco, Kanye West, even Fall Out Boy. Like in his debut release Black Sheep, Crum’s rapid delivery challenges the listener to not only keep pace, but also to be uplifted to a more profound, evocative message.   
“I felt like I’ve grown a lot artistically between Black Sheep and Flawed,” Crum said. “I tried to find the beauty in one’s own vulnerability. I feel I went even deeper into that vulnerability and communicated in a relatable way.”
In the hyper-focused “Monster,” Crum’s crescendo is in the haunting lyrics juxtaposed by the universality of the sentiment “….or do I turn the other cheek….I guess we’re gonna see.” And, just like that, Crum keeps us guessing in sound, styles and his very foundation.

ELEVATE (feat. MontyTheHokage)

J. Crum

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