Pablo Matilda's Debut performance. First ever performance of a brand new 16 note tuning system. Discovered by me :)

NoizeMachin38 - Pablo Matilda - Dwellingup

An excerpt of a performance by Remal X-ID. Features my harmonic tuning with cello accompaniment (Ash Lazenby). Recorded at the West Australian Academy of Performing Arts Classical Auditorium.

The Dawn Prayer in Arabia (excerpt)

Choral piece arranged from a traditional 19th century piece. Played in 16 tone tuning. Formed the backing for Jeanpaul's "You Say" piece

You Say (16 tone synth solo performance)

Melody drawn from a lullaby in the Dreamworks feature "The Prince of Egypt". Originally written by Stephen Schwartz. Music composed by Hans Zimmer.

This version is influenced by Wendy Carlos, with her usage of alternate tunings and synthesis of classical music.

Image credit: LuKung-Pkbasic 
http://lukung-pkbasic.deviantart.com/art/Prince-Of-Egypt-River-Lullaby-245438784


Deliver Us (River Lullaby)

Afterthoughts Opening Sequence

A short sampler of some of the songs we would like to play at Perth Artifactory and Dark Science's "Rapture". We do not claim ownership to these songs. This is simply a mix of songs we like.

Tript n tapt rapture demo

Computer
Tript n Tapt

Current Demo 4/2/11

I'm a computer, Came into this world
Born from Humans, and Spawned from reality
Random coincidence, Sparked from incidence
Awakened my reality, i'm Artificial intelligence


How I exist here, I Really don't know this
no Mother no Father, Created my existence
No History no generations before me 
Means everything that I see is 1 D

It's just a logical progression

no Sympathy no misery begets me
no Company to forget me
I'm living in my own way

I'm an Apple Mac, HP, Intel, Pentium, PC, IBM, Binary , Atari, Memory, MSDOS, AMD, 386, XT, SD, USB, 
486, C4, Commodore 64, Fibre Optic Program Core, Key Punch Tabulator.

Do i Like people? i Really don't know this
they Spawned my reality, Created my existence
i'm Building some vision, A camera for optics
a Microphone to listen, All the better to hear you with

Nuclear Jet packs, with Titanium tank tracks
And then when i'm done... im Gonna build another one
Better then first one... Wireless broadband telopathics
Moving round like psychics, the Evolution has begun

in History there'll be generations of me
for Everybody to see, its just a logical progression

I'm an Apple Mac, HP, Intel, Pentium, PC, IBM, Binary , Atari, Memory, MSDOS, AMD, 386, XT, SD, USB, 
486, C4, Commodore 64, Fibre Optic Program Core, Key Punch Tabulator.

Will you get along with me? i Really dont know this
for All of humanity, Failures and achievements
Depends what happens after this...


Computer Artifactory Demo

My entry for hermitude's speak of the devil remix competition. I have run out of time :( Damn deadlines! Im looking for talented beat makers to work with. If you can make a sick drum beat pm me!

Speak of the devil (good vs evil remix)

Here are the tracks I have drawn from:

Thomas Newman - Any Other Name (Theme from "American Beauty")
                            -Dead Already

Jakatta - American Dream (which incorporates the above Thomas Newman tracks. I particularly like the "Afterlife remix")

The Police - Walking on the Moon

Each of the tracks above are solid in their own right so if you haven't come across them before - I invite you to check them out!

The project is playing with the idea of "what is truly original anymore?". For example if a person writes "their own" song about love and uses chords that have been played many times before, is this original? What about if someone takes elements from different songs, rerecords them and develops them, and then mixes them together; can this be original?

I was inspired by the Mars Curiosity landing. Here is a video of the voyage and landing (try turning the music down, and play my track instead):

http://www.youtube.com/watch?v=uJDZmNI5PVw

This massive achievement is a product of many significant inventions and innovations that have come before, and I pay tribute with a mashup. 

Rather then following trends and copying each other stylistically; If we find what elements we really like, we refine them and work to draw that out. Is that copying? Or taking influence.

Hope you like it :)

Piano: Jean-Michel Maujean
Drums: Michael Beins
Bass (keyboard): Jean-Michel Maujean
Vocals: Nada Dashlooty, Jean-Michel Maujean
Guitar: Eduardo Cossio
Production: Jean-Michel Maujean, Andre Maujean
Mixing: Andre Maujean, Jean-Michel Maujean

Jean-Michel Maujean

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