Axis Records by Jeff Mills

Mixmag Presents Ben Klock

Page 1

My first cover/remix of an old classic...

Rhythim Is Rhythim - Strings Of Life (Koen Janssen Orchestral Mix)

fabric 96: DVS1

Fathoms Deep (Mixed)

Fly Guy (Mixed)

The Call of My Soul EP

Pendulum

Room light

[TMONG045] Garpo - Channel 16 (Live Mix)
Artist: Garpo
Title: Channel 16 (Live Mix)
Catalog#: TMONG045
Style: Dub Techno

Tracklist:

01. Kavarogás - Live Mix
02. Geonosis - Live Mix
03. Channel 16 - Live Mix
04. Trillobita - Live Mix
05. Outro - Live Mix

Written & Produced by Árpád Gergácz | Mastered at Secret Location Lab | Photo by Dénes Terebesi | 2025 Temiong Recordings

Channel 16 (Live Mix)

Channel 16 - Live Mix

DVS1 - Creepin.mp3

Heliosphere

010x

Berghain residents Ben Klock and Marcel Dettmann link back to Ostgut Ton’s label launch in 2006 with their first studio collaboration in ten years and the extended Phantom Studies, on occasion of the one hundredth O-TON 12“ EP release.

With Phantom Studies Dettmann | Klock channel their first joined releases Dawning (2006) and Scenario (2007) from over a decade ago with their first co-production in ten years. On this extended, 40-minute 2x12" EP Marcel Dettmann and Ben Klock parlay their deep personal alliance and musical repertoire through emphasis on new functional Techno as much as hypnotic, melodic and soulful music by thinking outside the box. The seven new, original tracks reflect these attributions by communicating to the needs and expectations of both DJs and home audio listeners, but not neglecting one over the other.

Tracklisting 2x12":
A1. Phantom Studies (8:49)
B1. No One Around (4:34)
B2. The Room (4:48)
C1. Prophet Man (6:47)
C2. Bad Boy (4:02)
D1. The World Tonight (5:55)
D2. The Tenant (4:09)

release date: 27 January 2017

More information:
http://hundert.ostgut.de
&
ostgut.de/label/record/189

Buy 2x12"

Dettmann | Klock | Bad Boy

Forthcoming on Blawan's new double EP 'Nutrition' for his TERNESC imprint, ‘993’ is grisly techno at it's very best, featuring a snarling bassline, pounding kick drum and sinister pads, it’s just the kind of track you want to find yourself sweating to in a dank basement in the early hours. And that’s what techno is all about, right?

@blawan
@ternesc

Nutrition

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Premiere: Blawan '993'

Special Various Artist EP on MISTRESS RECORDINGS from DVS1's Fabric 96 MIX CD

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A2 Steve Bicknell_Space 13_(Snippet)

Our mix series returns March 15, 2019 with the 9th edition mixed and compiled by Vatican Shadow. It includes 13 exclusive tracks available for download or on 2x12“ vinyl  [O-TON 119].

Since becoming a Berghain resident in 2017, Dominick Fernow’s risk-taking hybrid live/DJ sets as Vatican Shadow have become conduits for infusing techno with contrasting musical ideas – from noise, industrial and ambient to distorted melodies and rhythms that push the club’s borders in unexpected ways.

It’s an idiosyncratic approach to techno rooted not only in Fernow’s 25-plus years as an experimental and noise musician under more than a dozen aliases (e.g. Prurient, Rainforest Spiritual Enslavement) but also in his role as founder of the vital New York-based Hospital Productions, whose discography exceeds some 500 releases. The label – which in 2017 celebrated its 20-year anniversary – is also home to the majority of Vatican Shadow output to date.

Under that alias, Fernow’s numerous albums and 12”s (including 2017’s ‘Rubbish Of The Floodwaters’ on Ostgut Ton) oscillate between ominous, distorted machine-funk, techno and ambient electronics; equal parts noise, melody and rhythm. Since 2011, the project’s intentionally ambiguous visual identity has been defined by War on Terror-related imagery and track titles – and the media’s role therein.

Both the ‘Berghain 09’ mix and accompanying exclusive 12”s – featuring exclusive tracks by Genesis Breyer P-Orridge, Virile Games, Los Angeles Death Cult, Ron Morelli, Volvox, JK Flesh, Alberich, Ugandan Methods | Prurient and Merzbow – reflect Vatican Shadow’s composite musical influences and relationship to Berghain as a club. Stylistically, the two vinyls are divided between clubbier and experimental electronics, with vocal samples of Genesis Breyer P-Orridge acting as a bridge between the two. All tracks on Side D end in locked grooves.

As Fernow describes in his own words:

“My interest in DJing developed naturally out of industrial music traditions such as mail art, tape trading, and sound collage. While this mix, of course, does not solely focus on cassettes, they were used as the bridge between the seemingly disparate areas and cross-sections of underground electronic edits you will find sewn together from diverse factions to create a sonic ‘cut up’. Accordingly, the artists featured with exclusive tracks span several continents and generations of electronic music subculture, from the birth of industrial in the UK and the rhythmic loops of Japanese noise, to the raw collision of genres found in the NYC underground. ‘Berghain 09’ is a tribute to the techno mixtapes that influenced me during my introduction to raves and dance music in the 90s.”

Buy 2x12" EP

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