[UNDER CONSTRUCTION]

Calm and Steady tracks series no. 334

created 2022/12/23

Picture CREDIT:
(c) Rebecca McCluskey – all rights reserved

HK_Calm-&-Steady_tracks_334

sirius

حليب - غير ملقّب

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★★★NaTinProsexeis.Limewire2008★★★

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★★★RoUs- ExXxErEseis★★★

Shepherd's carer

Mac Donalds Parking Lot Fight Club

Artist: V/A
Album: 5
Format: Digital / Tape
Cat.No: CHI042
Master: Justin Randel
Artwork: Saphy Vong
Release Date: 23rd November 2022

Celebrating five years of the experimental music label Chinabot, longtime collaborators and new acts join together for 5, Chinabot’s latest compilation release on cassette and digital.
The 12-track compilation features music from key artists who have defined Chinabot as a label, such as Jaeho Hwang, Sabiwa, Sarah Haras, Ayankoko, JPN Kasai and Pal Hwang Dan. The mix also looks to the future of the label with new artists Nanzhen Yang, Papaphilia, Chooc Ly and more.

Leaning into the label’s experimental tendencies, 5 journeys through fractured club tunes from Papaphilia, the experimental electronic project of queer Sri Lankan-Australian sound and visual artist Fjorn Bastos, hardcore rave from Jaeho Hwang, percussive broken beats and percussive broken beats and cinematic soundscapes from QwentyZ, and Beijing field recordings (described by the artist as “blurred memories”) from Nanzhen Yang.
It continues the hyper-eclectic vision which has become synonymous with the label, which seeks to take risks and promote the work of exciting emerging producers. The record features Ondo footwork from JPN Kasai, whorecently changed his artist name from Jap Kasai following the racist discrimination against a friend in Europe (“‘Jap’ is a derogatory term for Japanese people,” he says. “I used to dare to use it, but I have changed my mind. I don’t want to encourage discrimination against Japanese people.”) Like the compilation, his track, 早苗 唄 hayanae uta, is about the emergence of the new in this case, growth of rice shoots and the “happiness of harvest.”

Growth and experimentation remain key in the track from new Chinabot artist Papaphilia, who is due to release a full album next year. Inspired in part by the voracious learning of her newborn, ‘no path is forged over the abyss without meeting at the altar’ expresses the “leaps into the unknown that forging radical new meaning requires.”

The new compilation, with artwork by Saphy Vong, pays tribute to London’s experimental music scene, showcasing producers Chooc Ly, Yewen Jin and Nanzhen Yang who have performed at Chinabot’s events in the city over the years.

Album credits:

Track 3:

Name: no path is forged over the abyss without meeting at the altar
Written by: Papaphilia
Production: Kuya Neil

Track 4:

Name: Exaltation Onirique
Written by: Chooc Ly
Production: Alia Pathan

Yewen Jin - ICE

FIVEKORP: Selections 004 w/ Kase6 & WHITEMAGE

Birds (Happy Sunday Mix) (OUT NOW)

Online - Shop

çeşte

Boiler

toyota motorolla

I Am not Afraid of Phenylketonuria

same ppl hating on me wanna kno what its like to get feeld up

broadway freestyle prod safeguard

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Shepherd's carer

jekxtasy

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