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PROD. XtRaOrDiNaRxx.x 新 ドラゴン ۞

Bandcamp

rusty

I had this thing in my head with a sloppy kind of 3/4 swing. I can't decide if I got there or not, but now I want a 404.

Pshuff

Track 'Don't be nice to me' released on week 7 of Weeklybeats 2022

Don't be nice to me [ Weeklybeats 2022; Week 7; Nanoloop iOS ]

live set played at Substation in March of 2022

Aegles

This started as an exploration of the M8’s limiter and pushing it really hard. I don’t normally use it so wanted to play around, but ended up stumbling on a theme I kind of liked so backed way off on the limiter and just sort of wrote a song instead.

Having the limiter on from the start (it ended up around 0x60 or so) and mixing into it was so much more musical and less frustrating than trying to add it at the end. I guess that’s what everyone says about master bus compressors, right? Not sure why I thought this would be different.

Everything here's from the M8’s synth engines and FX. Actually a good mix of wave, macro, and FM this time with lots of LFOs. I really can’t get enough of the sound design options in the M8. It’s ruined a lot of other really-amazing-but-only-sample-based sequencers for me.

Weekly Beats

ab ea parte

Play Network

Off in an AirBNB, so I thought I'd check out some of the Roland Cloud plugins I got with my promo subscription. This is all Juno 6, TB-303, and TR-909 but, like, 5 of each because it’s in a DAW. I'm undecided on the Roland Cloud implementation, generally, but that’s pretty cool!

The title is nonsense. My project name started out as “m-house” because I intended to make a melodic house track before I realized have exactly zero grasp of tenants and strictures of that genre. But by then I already had a preset on the Juno called "Mouse Pad" which I thought was too cute to give up. In the end, the song sounded very un-mouse like, so I made it an acronym because acronyms make everything feel more rock-n-roll.

It was fun working in DAW again, and it was a good chance to remember all the way in which I adore Logic. And this is probably the most controlled and shaped (and therefore, perhaps, the most “me”?) song I've made for Weekly Beats. But it was also a great reminder of the pitfalls associated with perfectionism, how limitless potential can be the enemy, and why the “constraints breed creativity” mantra of the DAW-less world were such a draw to me in the first place.

The M.O.U.S.E.

Played live at Hot Off The Press book fair at Fantagraphics Bookstore 7/9/22

Marsupium Receptacle

Some stuff made with the DSI Tempest just before I sold it forever. Using the synth in Poly mode. To me it sounded better like this than it did as a Drum machine 

Tempest Lanthanide

To Be

Torc - Fordism EP 

Released by label LXVIII [LXV008]

Written & Produced by Oscar Verlinden
Artwork by Cxhetes

LXVIII label: https://soundcloud.com/lxviii-label/
IG: @Torcaudio

The M.O.U.S.E.

jemmons

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