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www.sonokinetic.net/products/classical/minimal

With Minimal, Sonokinetic delivers the fourth installment in our current range of orchestral instruments. We have listened to our users, and built an entirely new system from the ground up, defining what we think is a revolutionary novel direction in orchestral pattern-based sampling.

Minimal would suggest a particular music style, and many of the patterns available in this instrument are very well suited for that style. However, we’d like to stress that this is indeed a very flexible instrument, capable of enhancing a broad range of musical arrangements and compositions in a wide variety of styles. Where Minimal differs from libraries like Tutti and Vivace is in its section-based approach. All phrases are recorded per orchestral section and can be used separately or together and in any combination, allowing for a great deal of variations at your fingertips.

The first thing that would strike you is the non-apologetic interface style without any gloss. Apart from this being a respectful nod to our Dutch art heritage on the outside, it also very much references the “form follows function” approach that Dutch design is famous for. There are no superfluous elements and we’ve arranged everything in an intuitive way. You have every control in one screen within an uncrowded workspace. You might not suspect it from just looking at it, but there are a lot of complex functionalities at your disposal from this one screen. Discover more about those in the detailed descriptions right here in the user manual and on the tutorial videos available on our website: www.sonokinetic.net.

Recordings for Minimal took place in Zlin, Czech Republic, in the same hall and with the same team responsible for recording Tutti and Vivace. The performances have been edited with the same meticulous attention to detail and quality.

Many innovative functions grace this instrument, mostly under the hood, as we believe that technology is at its best when you don’t notice it. One of the functions that might need a bit more introduction is the harmonic shift function. This element of Minimal can lead to great sounding results and also serve as a very rewarding inspirational tool. So please read and digest the part of this manual dedicated to that function.

More visibly, and in lieu of popular request, we have found a way to greatly improve the score view. Despite the pixel restrictions of the Kontakt window we’ve managed to squeeze in a clear and accurate score view, although you can still order a digital full-scale copy of the score, if you so desire.

We, at Sonokinetic BV, are very proud to introduce Minimal to you, and can’t wait to hear the amazing things you, our valued customer base, will produce with it.

Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.

We wish you the best inspiration and creativity.

With warm regards, The Sonokinetic Minimal Production Team

Minimal Demo - "Glimmer Of Hope" By Ivan Torrent

"It is a pitiful beast, feasting on lowly mortals, but in the end it does what it has to to survive. Mortals have tried to slay it but to no avail. So what do they do? They turn to the heavens and ask for help, and those calls are what bring me here to this realm. The Angelic Council had asked for me to stay inconspicuous, and because of that I have no wings. I pass through towns and hear all of these mortals talk about a beast they call Osiris: a being that blocks out the sun. The mortals I observed cared not of others but of themselves. They were quick to subjugate others to their will and if a threat arose, were quick to throw others at the fight. Yet there are a few I have found to be worthy, those that show complete selflessness and those few are what give me hope for mortals. Those humans that see similarities instead of differences will lead the humankind to greatness and will perhaps one day allow them to reach the heavens. My thoughts were cut off as a dark shadow fell over the village I was residing in. The humans started to panic and run in every direction, like fowl with their heads removed. Yet I stood and watched as the beast, a mere dragon, flew overhead, eclipsing the sun. I sighed but ran and leapt from building to building before finally launching myself towards the beast. As I felt the wind race across my face, I crafted my blade from the heavens. Formed from the purest of light, the long katana appeared in my hand and as it solidified, I released the seals that I had placed on my body, allowing for my full power to be utilized. The dragon saw my ascent and turned its fangs away from the humans towards me. The dragon flew towards me at a fast speed, but I simply flew right above its attack. As the dragon's body passed under me, I grabbed onto is scales with my claw-like gauntlet. The dragon, surprised to find itself with an unexpected, and unwanted visitor, started to thrash around violently, eventually caring me towards an open body of water. When we were far away from land, I let go of the dragon and leapt into the air. I turned to face the dragon, which had circled around to attack again, and lifted my katana in an effort to block any attack. I started to feel myself fall, but after only a few seconds, the descent ceased as I called forth my angelic wings. I was in my true form now: A heavenly valkyrie sent to slay a beast that humans could not handle. I drew my second blade, a broadsword and launched myself towards the oncoming beast. As we arrived closer and closer together, I lifted my blades, fitting them together and started to twirl through the air. My blades were no longer just swords, but a drill. As I collided with the beast, my drill pierced through its iron-like scales as if they were nothing more than tissue paper, and not a second later the beast was falling towards the water, drilled cleanly in two. I watched as its lifeless body smacked into the water, seeing only a tiny ripple in the vast expanse, hearing not a sound but the rolling of the waves and the calls of the avian creatures around me. The mortals were safe for now, their fear all but washed away, but if they had seen the view that I had just witnessed, they would realize how small their troubles truly are. I shake my head and think how mortals will never learn unless someone makes them, but that was not my task. For now I return to the heavens to watch and wait. Hoping a time will come when the mortals can finally figure out small truths about their world.﻿"      

- Matt Massaro  

Links:
SoundCloud: www.soundcloud.com/dyljo
Facebook: www.facebook.com/dylanjonesmusic
Bandcamp: www.dylanjones.bandcamp.com
YouTube: www.youtube.com/djones0305

Osiris

Free Download

Track from the album 'Cosmic Power' by ReallySlowMotion/GianTapes.

Artwork by Walid Feghali: https://soundcloud.com/walidfeghali

Planetary Collapse

On Borrowed Time
Written by Aram Mandossian and Kimera Morrell.  Performed by Kimera Morrell.   @kimeramorrell


Courtesy of 5 Alarm Music
http://www.5alarmmusic.com
http://www.5alarmmusicsearch.com

© 2015 Engine Co. 30 Music Publishing. All rights reserved.


License

On Borrowed Time written by Aram Mandossian & Kimera Morrell

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Audio Imperia - Legacy: "Dimension" (dressed) by James Everingham

What does royalty free mean?

Royalty free means you just need to pay for rights to use the item once per (commercial or monetized) end product. You don't need to pay additional or ongoing fees for each person who sees or uses it.

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Title: The Prophecy
Composer: Christian Baczyk
Postproduction: Kevin Mantey
Image: https://goo.gl/gfHTqT

The Prophecy

Polygalactic

Drift into Space

Music: Future World Music
Song: Victory of Life
Album: Millennium

Victory of Life - Future World Music

Forsaken

I made ​​this account for upload more song, because I've reached the limit. Don't follow this account, i repost all of the music on my main soundcloud !
My main Soundcloud:  https://soundcloud.com/jennyni200

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