Epic ... I can imagine this scored to King Solomon's Mines, envisioning Allan Quartermain ... Really beautiful music, Jens! Always, my friend.

Wonderful composition and orchestration. A fabulous cinematic piece!

Incredible composition wich absolutely describes the theme in a perfect way!

Wow..Jens 😲 Mal wieder eine wunderschöne Komp.🎶❤️🎶Landet sofort in meiner Playlist!

Einfach grandios, Jens!👏 Die Tempowechsel sind besonders bemerkenswert und fantastisch umgesetzt. Deine Musik begeistert mich immer wieder!👏💫

In the dusty attic of his grandfather’s old house, Dan, who suffers from insomnia, finds a yellowed parchment in the middle of the night. Part of the old eccentric’s legacy? Long ago, he had roamed dark forests, crossed deserts, and explored inaccessible mountains.

The parchment shows, though only faintly, a location in El Caramar — the legendary place his grandfather had told so many stories about. Without delay, Dan sets out in search of further clues. The route leads across the storm-lashed Horka Sea, inhabited by dark creatures. Upstream, through narrow gorges, he must face the natives who guarded the entrance to El Caramar and the secret it conceals.

Watch the video: https://youtu.be/Q4sya2M4UdQ

This purely orchestral music draws on the clichés of film scores from the 1980s to the 2000s. Instead of a clearly recognizable theme or leitmotif, I tried to express rapidly shifting moods through specific instrumentation.

A gentle melody with harp arpeggios immediately transitions into a menacing rhythmic section with chromatic harmony, followed by a tension-filled passage with a strong element of aleatoric writing. The now accelerating tempo leads to the main motif but shifts directly into an action-packed part with string staccatos.

The motif is then varied and played at half speed by solo strings, taking on a very sorrowful tone. But then the mood turns serious. Low brass and a string ostinato lead to the climax of the piece, another variation of the theme in which the choir joins in at full volume.

Call of Adventure

Lover of orchestral film scores and epic music.

I had started making music in the 90s with my Amiga 500 but it wasn't capable (me neither) of producing the sound of a whole orchestra.

The diverse musical expressions in filmscores have a bigger emotional impact than any other genre I can think of. My music is heavily inspired by the great composers around 1980-2000, like John Williams, Jerry Goldsmith, James Horner, Basil Poledouris and Hans Zimmer.

With synthesizers, a whole new world of sound has entered the arena and merges with the orchestra to a fantastic sonic experience.

I try to tell stories and convey emotions in my pieces to take you onto a journey into unknown territory.

Comments

Axel Menningen

François B

DestKorn

Harmonic Echo⚡Repost⚡

MOFLOW

PianoFran

Luxralphxs

David De Michele

Seref-Alexander

Key Fragment