Sol Calypso

this strange effect - the kinks

From Anywhere

Sleep Wakes Me Up

Songwriter/Composer: Nick Drake

Produced by Alex Vissia.

Jon Lagore - Lead Guitar
Nich Davies - Drumset
Alex Vissia - Vocals, Rhythm Guitar, Organ, Bass

NOT FOR SALE.

Northern Sky (Nick Drake)

A New Kind Of Love

Prism

Tijuana Panthers - NOBO

Maze Of Sounds

Say It Softly (feat. The Soul Surfers)

Lavoro cerebrale

Available on vinyl LP, CD and download https://www.mrbongo.com/products/mr-bongo-record-club-volume-one-vinyl-2-lp-cd-1

The first instalment in our new ‘Mr Bongo Record Club’ compilation series – a selection of favourites, recent discoveries and sought after obscurities, which form the basis of our DJ sets and our radio show of the same name. Including cuts by Claudia, Cortex, Dave Pike Set, Fruko, Neno Exporta Som, Connie Laverne, Barbosa and more.

Mr Bongo Record Club Volume One

Buy from mrbongo.com

04 Neno Exporta Som – Deixa A Tristenza

Cover Art by @nivimakesthings
I don’t own this song

Column - Sensuela

Camille 2000

Charms (Remastered)

A1 - Ronald Langestraat - Then and forever (3:31)

In the heyday of low-budget television and scrappy genre filmmaking, producers who needed a soundtrack for their commercial entertainments could reach for a selection of library music: LPs of stock recordings whose contents fit any mood required.
 
Unusual Sounds is a deep dive into a musical universe that has, until now, been accessible only to producers and record collectors; a celebration of this strange industry and an examination of its unique place at the nexus of art and commerce.
 
The perfect companion to the David Hollander curated book Unusual Sounds: The Hidden History of Library Music (out now on Anthology Editions), these 20 tracks, encapsulate the niche and fascinating subculture of library music. Genres were spliced, conventions dispensed with, and oftentimes hybrid music of astonishing complexity was produced. Elements of rock, jazz, soul, even twentieth-century avant-garde composition were all utilized, and no stone was left unturned. As a result, some of the best library music defies all categorization, reflecting the individualistic quirks and artistry of the various musicians who made it.

Unusual Sounds

Stringtronics - Tropicola

from the 34-track instrumental hip-hop album Alone Together. 
Download the MP3 here:
http://stonesthrow.com/news/2012/10/karriem-riggins-together-lp

Karriem & Questlove DJ the Alone Together record release party at Brooklyn Bowl, Thrs October 25 | 61 Wythe Ave, Brooklyn NY 
http://brooklynbowl.com/event/154079

Download MP3

Karriem Riggins - Summer Maddness S.A.

Melting away with this nice mellow summer track.

Part of the album Self Discovery for Social Survival, released on 14th of June, 2019 by the label Mexican Summer. 

Show your support and buy the album/track: bit.ly/3cnTUIW

Allah Las - Raspberry Jam

Azymuth - Morning (Manha)

Wede Harer Guzo

Following 2019’s release of Azymuth’s Demos (1973-75), two more home-recorded demo tracks by the Brazilian psychedelic jazz-funk masters have surfaced from a tape in drummer Ivan ‘Mamao Conti’s private archive. These five-decade old recordings by the young band show the maturity, musicianship and distinctive style that saw Azymuth become one of the most important groups in Brazilian history. 

Featuring an instrumental take on iconic pop song writing team Roberto Carlos and Erasmo Carlos’ 1969 Jovem Guarda hit “As Curvas da Estrada de Santos”, and spacey psych-folk oddity “Ze e Parana” on the b-side, the new 7” release via Far Out Recordings shines yet more light on this critical period for Azymuth.  

As is the case with many of Brazil’s most well-known artists, Roberto Carlos had been backed by Bertrami, Malheiros and Conti either on stage, in the studio, or with compositions (in Bertami’s case) since the late sixties. Conti notes that “As Curvas da Estrada de Santos” was a big hit in Brazil when it came out in ’69 and had already been covered by Elis Regina a year later. 

But where Elis’ version and indeed Roberto Carlos’ original were grand pop-rock ballads, Azymuth’s take is a moody, melodic jazz excursion, featuring Bertami’s incredible Hammond organ, Fender Rhodes and grand piano juggling, Ivan ‘Mamao’ Conti’s distinctively tough drums, and unusually, Alex Malheiros plays a double bass instead of an electric one.

As the title suggests, “Ze e Parana” is guitarist Joao Americo (Parana) playing alongside Bertami’s Rhodes comping, synth embellishments and dreamy wordless vocals. Aside from being credited as the composer and guitarist on “Linha do Horizonte” a track from Azymuth’s debut album which would become the theme tune for a famous novella, Parana has to this day, remained relatively unknown. 

Both tracks were recorded in Jose Roberto Bertrami’s house in Rio de Janiero at some point between 1973-75. These tracks were not recorded in a professional studio, meaning the sound quality differs from other Azymuth releases. At Far Out we take great pride and extreme care in ensuring our releases and reissues are produced to the best possible sound quality. In this case the original source material – the cassette tapes – had not aged well and were considerably damaged. The sound has been restored to the best possible condition but there is still some noticeable tape hiss and slight distortion on ‘Ze e Parana’. For this reason, we strongly advise listening to preview clips before buying this release.

Sol Calypso

JeppeVoight