Name: Սայաթ - Նովա - Անանուն by Jeremiah M Carter
Duration: 3 min 19 s
Description: Մենք փնտրում էինք մեզ միմյանց մեջ...

Various Artists
Album Title: I Cannot Differentiate Between Tears and Music

Credits:

Tongue Depressor - Spectral Evidence
TT - Come To Supper
Mike Sidnam & Tamio Shiraishi - Live At Dome 01.24.21
Kelby Clark - Lament
The Georgia Roses - Talk Bout Suffering

Executive Producer: Jeremiah M. Carter & Yóhan
Mastered by Giovanni Conti at Artefacts Mastering Studio
 Artwork by Minjoon

@jeremiahcarter
www.facebook.com/profile.php?id=100014881622348
www.instagram.com/direct/t/3402823…8429287916274509

Tongue Depressor
instagram.com/tongue___depressor…m_medium=copy_link

TT
instagram.com/__tt______?utm_medium=copy_link

Mike Sidnam
@mikesidnam
www.facebook.com/sidnam

Tamio Shiraishi
www.facebook.com/tamio.shiraishi.5

Kelby Clark
@kelbyclark
www.facebook.com/kelby.clark.3

Selection_bias
www.facebook.com/Selection_bias-105573404528788
www.instagram.com/selctionbias/
artscope.bandcamp.com/artists

I Cannot Differentiate Between Tears and Music

Premiere: TT - Come To Supper [Selection Bias]

encrypted voicemail w/ J Carter - 10/11/2021

Vaagner is proud to present the third and final installment of Jeremiah M. Carter’s album triptych, ‘Vessels’.

Spanning 6 pieces, each work feels like an integral part of the album's overarching narrative, fervently nestled amid divinity and humility.

By its final piece, 'Vessel X', which also clocks in as the longest in the entire triptych, we are treated to one of Jeremiah’s finest moments, and for a few seconds, it all comes together for one last swansong, forming a sonic distillation of elation and grief, desire and passion. – It’s all here.

Vessels

ASM06 | J. Carter - Vessel X (Falling On Our Faces During the Morning Prayers)

VAK69 | Jeremiah M. Carter - A Transition From A Barren Place To A Barren Place

Մենք փնտրում էինք մեզ միմյանց մեջ...

Սայաթ - Նովա - Անանուն

Contact for booking: fraternityasvanity@gmail.com

Realism only exist in the capturing of an image. Realism only manifest itself as a recording, as the archiving of an event. But the event itself is an act of creation--a totally unreal situation. Thus unless the act of creation is recorded, it cannot ever be realistic. Movements, moments, memories, recordings, are all rooted in realism. 
The act is based on surrealism. Thus, every event is surreal. Only in retrospect does an event become real. The paradox of real-surreal imagery reconciles itself as a act of creation and the recording of that act and its emotions. Essentially they work in tandem. But when the images become corrupted, commoditized, or spectacularized, they become the work of capital. This is the point in which the image becomes spectacle. 
Fascist propaganda and coke commercials do not portray a surreal situation or a real situation, but there own ideal situation. Cinema then becomes corrupted for capital. That is to say, it commodifies. Realism can be interpreted, examined, influenced, or even simply portrayed. The unrealistic notion of a controlled ideal situation is edited, manipulated, exploited, or altered. The ideal situation is the masquerade of the image. Just look at those beautiful shots of the Nazi celebrations: They portray an impossible ideal becoming possible as an image. Realism portrays an impossible idea becoming possible in action. Everyone wants to become a fascist to prefigure an idea into action via an image.

Սայաթ - Նովա - Անանուն

Jeremiah M Carter

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Սայաթ - Նովա - Անանուն

Jeremiah M Carter

Recent comments

keychain

​‎s

Blink Twice

Related tracks

‎s