La mélodie est calme et belle.  Elle inspire les reflections d’intérieur.

Look At My Life (full version) by Beats Working (John Hardman)

A Celtic Tale - Instrumental Version

The blinds are drawn
The waiters have gone
The bar is now empty
And we’re here alone 

There’s no one on the dance floor
There’s no one drinking wine
So hold me like you did before
Let's dance just one more time

For this club is closing
This is the last night
The bouncer he’s not bouncing
He’s fought his last fight

And so maybe one last kiss
Just one last embrace
Tell me all the things you’ll miss
When they’ve closed this place
 
There’s no one at the hat check
The turnstile, it wont turn
This candle lit at both ends
Has nothing left to burn 

Do you remember
How the floor was bouncing
And the crowd was shouting
As you sang your songs

Do you remember how
The band played on and on and on and on
And oh, under those lights
How I’m going to miss those crazy nights
 
The van is packed
The cases stacked
This is a one way road
I’m not turning back

I’m driving down to Paris
And then across to Spain
But maybe when I get to Rome
We can dance again


Single (C)2023
Music - Andrew Pickles and Sreyashi Mukherjee
Lyrics, Instruments and Arrangement - Andrew Pickles
Vocals - Sumi (Sreyashi Mukherjee)

Those Crazy Nights (with Andrew Pickles)

New song inspired by the urban legend of The Black Aggie statue.
Hope you enjoy. Please comment and share

The Devils Detail

Black Aggie

#epic #battle #orchestral #superorchestral #soundtrack #battlemusic #epicmusic #orchestralsoundtrack #epicorchestra

istBattle

When the world is in a state of total peace…

When Time Hurts No One (Opening)

White Wolf: Ancestors

Flashbacks

blue

"Song of the Open Road" is a poem by Walt Whitman from his 1856 collection “Leaves of Grass”. It has 15 sections, each with 3-4 stanzas. For the lyrics of the song that I have composed, I have chosen the most famous of these sections, which is the first. At the end of this introduction I have attached the lyrics of this section.

The intention has been to compose a small song to continue delving into the use of the singing voice synthesis software, Vocaloid. Since this software only sings in the English language (which is not one of my usual languages) I thought that it might be interesting to use a poem by an author of that language as a text and I decided on this American poet.

On the other hand, the most important issue in the harmonic-melodic aspect has been that I have considered it as an exercise in Modal Harmony. I have used a different mode for each of the stanzas of the poem and in this order: Phrygian, Dorian, Mixolydian and Lydian. It is an order that fulfills the elementary principle of going from less to more musical "brightness." I have also dispensed with the Ionian and Aeolian modes to get away from the tonal environment and enhance the modal color. In the use of each of these modes I have introduced a "strange" note, that is, it does not belong to the scale of the mode. In all cases this note is the one that corresponds to a semitone lower than the base note of the scale of the mode; it is also located in the last position of the melody of each stanza, closing it and coincides with the first note of the following stanza, but in this case it is not strange, on the contrary, it coincides with the characteristic note of the new mode. This is the way the different modes are chained together.

I attach the lyrics of the poem to facilitate your understanding: 


Song of the Open Road

Afoot and light hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)




Esta introducción en castellano:
https://drive.google.com/file/d/1OqX5rUbuEkHBFP8MlUnpJfH2LaJIynP9/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1fKxXa2Ms5qZES9MdmYOnRT3894_cdC2r/view?usp=sharing

Song Of The Open Road

Original Improvisation E 70bpm 20240505 - 5

A warm, gentle and soft solo piano music.
This Royalty Free Music track is available for licensing.
http://bit.ly/2PucQp4  on Pond5
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Soft Piano - solo piano music - FREE DOWNLOAD

Freelance film and media composer. Multi-instrumentalist currently studying film music composition at Valence conservatory, supervised by Nathanaël Bergèse.

Customized instrumental and orchestral music for your film, TV, videogame, museum or live performance project.

Some of my productions are available in streaming. Sérénité and its alternative version Back to Sérénité have surpassed 500K streams on streaming platforms. 

For all inquiries: jeremie.fauquet@gmail.com
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Compositeur indépendant de musique à l'image et multi-instrumentiste, actuellement en cursus de musique à l'image au conservatoire de Valence, encadré par Nathanaël Bergèse.

Musique instrumentale et orchestrale sur-mesure pour votre projet audiovisuel, vidéoludique, muséographique, spectacle vivant.

Certaines de mes productions sont disponibles en streaming. Sérénité et sa version alternative Back to Sérénité ont dépassé les 500 000 écoutes sur les plateformes. 

Pour toute demande : jeremie.fauquet@gmail.com
Pour vous inscrire à ma newsletter : https://bit.ly/3V0q2X3

A Celtic Tale - Instrumental Version

Jérémie Fauquet

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