Improvising on the keys. MUST HAVE L AND R (STEREO)

Alexander Enters Babylon

Improvisation of the lead, recorded on one shot (keys), lazily but effectively deriving its chord progression and rhythm section from my "Alexander Enters Babylon", so this is a continuation. Or laziness. Painting depicts the initial planning  of Alexandria, Egypt, 331BCE.

It's always a nice day for a slight delay when it;s, syncopating the 12 strings!

"Alexandria; as such"

New jam track, some keyboard improvisation.

"The King died."

June 10,  323 B.C.

BASSE - Groove Workshop

Further work on "The Air's Fragment" - not so fragmented anymore.

The Air's (no longer a) Fragment

A little idea, a fragment (which I will likely develop into a mature piece, for I like it a lot), that is reminiscent in tone to Alph Lyla's work in the 1990$. Alph Lyla was Capcom's in house group of musicians that collectively wrote some of the finest tunes across any genre or generation. Mega Man, Street Fighter... Glorious.

Alph Lyla Esque ("Capcom Motif")

Experiment in remastering this song, with only the final waveform to work with. New 1.5khz harmony counterpoint (Vibraphone, a really meh addition...) during the climax section. Too much reverb, mistakes abound.

Alexander Enters Babylon - Experimental Remaster

Remaster of "With Funk, Love, and Resonance" featuring way better spectrum uniformity, and a new vibraphone counterpoint line, basically throughout. I like this one a lot. Bad note @ 0:36

Demo Amalgam (SoundCloud Features - 2011 to 2023 ~ onward)

With Love, Resonance, and a Vibraphone

A little fun improvising at the keys, as usual. My first outing using BandLab's DAW.

New Funk City

V2 of this track. Added c5-c6 lines on the muted fret track.

Edit: renamed "The Energy of Awe"

The Energy of Awe

Preview of an upcoming remix of Gravity Man's theme, based on a MIDI. May have done a bit too much on the high end. Oh well.

cooliscool [ Jeremy Johnson ✓ ]

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