Jeremy James Meyer - Gypsy Moth.wav

Hard Lemons is the first single from Jeremy James Meyer. The featured track from his upcoming EP entitled Birdhouse, which will release on 12/21/2017.

JEREMY JAMES MEYER’S BIRDHOUSE is a self-recorded and produced EP focusing on vocal driven melodies and simple percussion. Written and inspired by the road, and the desert, and the trees; it follows the transition, the unknown, the moments in between. It is the prologue to the upcoming full-length debut: Jeremy James Meyer EP (releases 3/8/2018)

Hard Lemons

Birdhouse

A Rest

Here I Am

Day Out of Time

Recorded to 1/2 tape on October 29th & 30th, 2019.
Produced by Matt Costa
Co-produced by David B. Weaver and Jeremy James Meyer
Engineered and mixed by David B. Weaver at Bone Scissors Studio in Denver, CO
Mastered by Nevada Sowle at the OK Theater in Enterprise, OR

Future Old Trees (J.J. Meyer)
Jeremy James Meyer - acoustic guitar, vocals, rainstick
B.R. Lively - electric guitar, vocals
Zoe Berman - yamaha cp20
David B. Weaver - bass, percussion
Matt Costa - omnichord, mel-9

Alone (J.J. Meyer, M. Costa, S. Glass)
Jeremy James Meyer - acoustic guitar, vocals, fiddle
B.R. Lively - electric guitar, vocals
Matt Costa - electric bass

Staying Power (J.J. Meyer, M. Costa)
Jeremy James Meyer - acoustic guitar, vocals
Matt Costa - acoustic guitar
B.R. Lively - lap steel

Distant Pages (J.J. Meyer, M. Costa)
Jeremy James Meyer - acoustic guitar, vocals
Zoe Berman - yamaha cp20
Matt Costa - electric guitar, electric bass

Bobbie's House

Distant Pages

Alone

Future Old Trees

Jeremy James Meyer is a creator. Give him a pile of wood, and he'll craft you a table; offer him a town in the back country, and he'll sculpt you a carnival; hand him a life of experiences, and he will meet them with wisdom and wit, and leave us all a legacy of music and poetry--a legacy which is just beginning to unfold. 
Jeremy's native musical modus is that of the guitar-toting storyteller (a la Prine, Van Zandt), but he is coming of age as a songwriter, and the bouquet of influences from the brilliant cast of artists with whom he collaborates has lent a richness to his style that continues to deepen with each new project. On his first releases, Jeremy Meyer and Los Banditos Cosmicos (2014 and 2015), we hear Jeremy close to home, among the oak trees and the pines. With his first studio LP, Jeremy James Meyer, (2018), he begins to challenge his own creative boundaries, with structures and arrangements on tracks like "53rd and Lockwood" and "Painted Hills" far more complex than anything we had heard from him before. Continuing to draw from the deep wells of artistic ingenuity in New Orleans, San Francisco, Portland, and the various other homes on his migratory path, Jeremy's latest album, Alive and OK showcases a refinement of his gifts in poetic, harmonic, and melodic composition supported by the most talented (and biggest) band Jeremy has ever had behind him. Stay tuned for its release later this year.

Never afraid to open his heart and share his juiciest love stories to a throng of strangers, Jeremy has been known to satisfy crowds for hours armed with only his six-string, whether they want to laugh, cry, or stomp their boots, and whether or not his fellow banditos are there to back him. As with his songwriting, Jeremy has been sharpening his skills as a performer, trekking all over the States as both frontman and sideman, notably playing with The Goodness, backing band to the blossoming singer-songwriter Caitlin Jemma. 

Don't sleep on this cat. Jeremy is weaving himself into the tapestry of new American folk music with an understanding that belies his twenty-something years. Invite him to perform in your town, and months later, you will likely still be telling stories of the party that followed, kicking back on the new porch deck that he built for you the day of the show.

   - Lawrence McCarter

Jeremy James Meyer

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