Lost Time

Koett - Lost Time

I'd never covered a real "electronic" track before, and figured I needed more practice before continuing work on the new album. Hence, this.

Milk (Moderat Cover)

Instagram: carrotina_ 
Original Track by MODERAT: https://www.monkeytownrecords.com/artists/view/6/moderat

MODERAT-  Last Time Piano Cover 2014

The National "Sorrow"  x  Kiasmos "Burnt"

Taken from our debut album 'In, Around The Moments' Out Now!
Listen, watch or download the full album here - http://GAPS.lnk.to/Moments

Listen to the album on Spotify here: https://open.spotify.com/album/63u6FUbpIxzq9eI5MSEp4V

View the music videos for this playlist here: 
https://www.youtube.com/playlist?list=PLI8i38hb8xU4_EkpoI2EbpJl4zWD-zFwb


In, Around the Moments

All Me, All You

Buy, listen, stream

« We’re not tourists, we’re travelers: tourists are someone who thinks about going home on the moment they arrive, whereas a traveler might not come back at all. » John Malkovitch in The Shetering Sky 


Taken from Elegiac by Cubenx
album out November 6th

More on Cubenx : 
http://www.infine-music.com/artist/40/cubenx

LP on Bleep :
https://bleep.com/release/64175-cubenx-elegiac

Itunes : https://itunes.apple.com/us/album/elegiac/id1039765477
 


Elegiac

A Sheltering Sky

Bleep

Cubenx - A Sheltering Sky

After showcasing the finely tuned brilliance of DAVE DK's electronic impressionism with PALMAILLE (KOMPAKT 277) and full-length VAL MAIRA (KOMPAKT 326 CD 121), it's time to unlock the full floor potential of the Berlin-based producer's intricate sonic tapestry - and give some other artists a shot at this infinitely gratifying source material. Highly regarded soundsmith ISOLÉE is well-known for his prowess when it comes to indie-infused, minimalist house with a catchy twist - just think of his timeless masterpiece "Beau Mot Plage" and its visionary blend of genres. His rework of the bass-laden, atmospheric WE MIX AT SIX is no different, steaming down the sophisticated textures of the original and soaking the resulting concentrate in a stirring bounce. Internationally acclaimed producer ULRICH SCHNAUSS has a similar knack for transcending electronica and brings his expertise in ethereal soundscapes to a surprisingly throbbing, pop-instilled, decidedly epic version of KRONSEE. Brooklyn/LA-based housetronics wizard PORTABLE SUNSETS rounds off this batch of carefully minted remixes with his take on NUEVA CANCION, turning its warm, organic hum into pure rythmatic poetry.

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Nachdem wir uns auf PALMAILLE (KOMPAKT 277) und dem Langspieler VAL MAIRA (KOMPAKT 326 CD 121) mit der feinkörnigen Brillianz von DAVE DKs elektronischem Impressionismus vertraut machen durften, wird es nun Zeit das volle Tanzflurpotential seines verschachtelten Klangkosmos auszuschöpfen - und auch anderen Künstlern die Möglichkeit zu geben, ihr Können anhand des unendlich dankbaren Quellmaterials des Berliners unter Beweis zu stellen. Der hoch angesehene Klangtüftler ISOLÉE ist bestens bekannt für seine Fähigkeiten, wenn es um Indie-beweinflussten, minimalistischen House mit griffiger Wendung geht - man denke an sein zeitloses Meisterstück "Beau Mot Plage" und dessen visionären Genremix. Seine Neubearbeitung des bassbetonten, atmosphärischen WE MIX AT SIX macht da keine Ausnahme und kocht die anspruchsvollen Texturen des Originals auf ein in ordentlich Wumms geschwenktes Konzentrat herunter. Der international renommierte Produzent ULRICH SCHNAUSS bringt ein ähnliches Flair für transzendierende Elektronika an den Tisch und belegt seine Expertise für ätherische Klanglandschaften mit einem überraschend treibenden, pop-destillierten, entschieden epischen Remix von KRONSEE. Der in Brooklyn und LA sesshafte Housetronics-Magier PORTABLE SUNSETS schiesslich rundet das sorgfältig zusammengestellte Remix-Trio mit seiner Version von NUEVA CANCION ab und verwandelt dessen warmes, organisches Rauschen in reine Rhythmus-Poesie.

Dave DK - Kronsee / Ulrich Schnauss Mix (Preview)

www.origamisound.com
www.facebook.com/origamisound 
www.soundcloud.com/origamisound

click on "buy" this track for free download!

:)

Fómhar (Origami Sound - Chapter 6)

'Only Heaven ' EP Out Now -
AHOT / Stream / Download: https://coldcut.lnk.to/ohYo

Taken from ‘Only Heaven’ EP released 25th November 2016 on Ahead Of Our Time.

Follow Coldcut -
Facebook: http://found.ee/coldcut-fb
Twitter: http://found.ee/coldcut-tw
Soundcloud: http://found.ee/coldcut-sc
Spotify: http://found.ee/coldcut-sp

Only Heaven

Coldcut - 'Quality Control Feat. Roots Manuva'

Pre-order 'Two Trains' on LP/CD/DL: phonofile.link/two-trains

Introducing Icelandic composer and singer Högni, better known as the front man of indie rock band Hjaltalín and previous member of electronic group GusGus, as the newest addition to Erased Tapes with his solo debut album Two Trains – available worldwide on October 20th 2017.

Amidst destruction on the mainland, the two locomotives Minør and Pionér transported wagons full of rock and gravel to the Icelandic seaside during the construction of the Reykjavík harbour in 1913-1917. The two metallic giants ushered in a new age in Iceland. However, soon after construction ceased the two trains were parked and have never driven since. Now they only serve to remind us of the grandeur of a bygone future. They are the only trains ever to have graced the Icelandic landscape.

The music in Two Trains embraces the spirit of the original European avant-garde and invokes these concepts in its chugging rhythms, metallic clangs and brooding choral arrangements (men's choruses are a distinctly Icelandic phenomena related to the national/romantic politics of the 19th and 20th century) while the lyrics speak of ominous clouds on the war-ridden eastern horizon and freight cars filled with gravel and dreams.

Words from Högni, July 2017:

“The music on Two Trains is a blue-print of a period in my life where I collided with my own self, and at that point I felt the indifference between the personal and the universal, the absolute consciousness of life’s unconsciousness. Perhaps it’s a feeling that cannot be conveyed, like watercolours that just seem to wash off into the sea. But also a flashing mirage that you can enjoy before you arrive at your last destination."

As time went on, the two trains also began to bear a psychological implication to Högni and came to represent the different incarnations of his persona during a difficult period in his life. As a society we are also quite often faced with a fork in the road and a decision to make, and most importantly the acceptance of one’s self.

Today, the real Minør and Pionér are unemployed, mere relics. Minør is on display near the Reykjavík waterfront and Pionér is parked in an outdoor museum on a hill. But for Högni, with this release, the two trains have ushered in a new chapter in his own life.

The cover art incorporates a distorted portrait photograph taken by Anna Maggy with the help of Sigurður Oddsson’s art direction, using projected features to reflect the idea of duality.

TRACK LISTING

1. Andaðu 
2. Shed Your Skin
3. Komdu með 
4. Crash
5. Dragðu mig 
6. Óveðursský
7. Break Up 
8. Moon Pitcher
9. Parallel 
10. Enn næða orð

WEBSITE: www.hogni.net

Högni - Crash

The ambient soundscore for the Movement Memoire: 'Patient History'. The show was created & performed by Brooklyn-based dancer Natalie Deryn Johnson and the pieces I’ve written serve as a backdrop for her story. In her own words, ‘Patient History’ is “the estrangement and grief of a dancer lost to injury, the invisible experiences inflicting isolation born from common and chronic crumbling."

Patient History

As The Light Filters In Through The Window

Designer who likes music and started trying to make his own. We'll see how this goes.

The National "Sorrow" x Kiasmos "Burnt"

Jeremy P. Beasley

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