God I love this, I've a lot of dancing to this track

Groovy trance classics

'Electronic dance music legend Sander van Doorn’s groundbreaking 2011 release, ‘Drink To Get Drunk’, returns to the release radar a decade since its initial release. This time around, the renowned Eindhoven-based talent has enlisted remix duties from established DJ/production pair Eli & Fur....'

Read More: https://whenwedip.com/2021/04/eli-fur-sander-van-doorn/

Follow: @eliandfur // @sandervandoorn // @spinnin-deep

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
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IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Premiere: Sander Van Doorn - Drink To Get Drunk (Eli & Fur Remix) [Spinnin' Deep]

Alone / Midnight In Paris

Alone (feat. Allies for Everyone)

Zerothree.lnk.to/1998ZS

ANTHEM ALERT! Nihil Young ALERT!

Nihil Young is no stranger to Zerothree having released some of the label's most memorable releases. Big moments, big emotion and an 'evergreen' status that sees Nihil Young as one of the key members of the #REALPROG family.

Nihil Young since a young producer admired the Binary Finary '1998' classic; a trance classic that over time still sounds as good as it did at release. Starting a project for his personal sets/use, Nihil remade the record with original parts, elements and that recognisable driving progressive underbelly that really works on modern dancefloors. After full approval from the original artist this new version sees a full release to the underground progressive & trance communities.

'1998' needs very little introduction… prepare to rush!

This is Nihil Young … This is REALPROG

1998

Dl/Stream

Nihil Young - 1998

Wings Of Silence

After Kollaps-Thought (Mellon Place Records)

“Atmos Minimal – Third Wave” continues the deep journey into hypnotic minimal techno.  
This chapter blends rolling sub-basslines, glitch textures and futuristic atmospheres with a darker cinematic edge.  
Designed for late-night drives, underground clubs and focused listening, the album shifts between meditative calm and powerful tension.  
With tempos between 125–127 BPM, it captures the pulse of minimal in pure, immersive form.


Purchase on Bandcamp

Fractal Silence

Leventina - Naked (Lada SAX & Faberge Project Bootleg)

The Malheruex

So Dark The Con of Man

Smile When You Kill Me 2015

Smile When You Kill Me 2015 (Original Mix)

LEVENTINA - Medical Insurance (original mix).mp3

Naked

Naked (Remastered 2012)

Read more here: https://www.insomniac.com/music/soulful-techno-meets-melodic-trance-on-dosems-1998-rework

Available December 21 via Armada. 

Follow https://soundcloud.com/dosem
Facebook: facebook.com/marcdosem
Twitter: twitter.com/dosem

Follow https://soundcloud.com/binaryfinary
Facebook: facebook.com/binaryfinary
Twitter: twitter.com/binaryfinary

Follow https://soundcloud.com/armadamusic
Facebook: facebook.com/armadamusic
Twitter: twitter.com/armada

Track of the Day: Binary Finary “1998” (Dosem Remix)

Buy Links: https://fanlink.to/TouchMe_FOA

The very talented Dutch producer Mees Salomé is back on Filth on Acid to shoot you beyond space with his 4 tracker into a distant far far away. Enjoy your ride, get lost in time and space. 
This is Filth on Acid NOW!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Kopen op Beatport

Mees Salomé - A Simpler Time

Stream/Download: https://passenger10.lnk.to/proteus

@enormoustunes
@enormouschills
@enormousvision
@nodefinitionrecords

Proteus

Passenger 10 - Proteus

Stream and buy here :

https://ffm.to/oov1

Yotto - Tarantia (Original Mix)

Club Session

Attitude

Jerome Isma-ae combines the behind-the-curtain knowledge of a music producer, with the familiarity and deep knowledge of a dance floor you would expect from a DJ. Broad in his influences, and a visionary in his approach, you’ll always catch a hint of progressiveness in his sound. Jerome has been surrounded by music since his early years, with musical education in elementary school, learning the piano and later the guitar. At 12, Jerome was already playing the bass guitar in a heavy metal band, but it wasn’t until 14 that he started making his own beats with a drum machine.
Having dabbled in many dance music subgenres, you will catch glimpses of Techno, Trance, and Progressive House in his productions. A mean and heavy rhythm section is contrasted against haunting harmonies and counter melodies, and complimented by ambient and textural layers that add a new dimension to the final product. This formula is applied with top-notch clarity and a meticulous attention to detail to such an extent that the sound of his drums has become both recognizable and memorable.

Smile When You Kill Me 2015 (Original Mix)

Jerome Isma-Ae

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