EP DL

HASH

HASHIA - +++

Darkness Finds Home With U (GhostPhone008)

The Beach - Evian Christ (Malibu Remix)

music from the pond, for the pond

☀︎☀︎☀︎
album: https://soundcloud.com/inner-most/sets/yaka-somewhere-in-that-water
buy: https://inner-most.bandcamp.com/album/somewhere-in-that-water

☼☼☼
music: @yakayaka
mastering by @inner-most
art: insta: bugdumb

premiere: Yaka - bog dub [label: Inner Most]

Three years after their debut album ‘When My Darkness Came To Light’, Exploited Body has returned with their new album ‘Here, I Abandon’.

‘Here, I Abandon’ marks a new beginning, documenting the grievous first steps on the path of healing. The title references reaching a point, where all that doesn’t serve oneself must be left behind. The record is an exercise in “noise pop”, featuring prominent vocals from Exploited Body while combining their signature blistering distortion with their love of catchy melodies.

The album opens with ‘Only Your Eyes Could See My Wings’, a fragile and minimal ballad dedicated to their partner, who helped them find their way out of their pain-shrouded mind. Emerging from the fog, echoing vocals and thunderous piano drones lead into the disarmingly vulnerable vocal passage, the most personal song Exploited Body has ever shared with the world. ‘Demon Of Hatred’ is a slow-burning mantra about ending the cycle of trauma that began long ago, that manifests itself as a rage-filled beast. The screeching metal and cavernous bells collide under the somber vocals until it’s all ripped to shreds by violent pillars of noise. ‘After All (In The Ruins Of Limerence)’ deals with losing oneself in another person and awakening from the fever dream that is limerence. Along with the swinging vocal melodies, the dissonant mechanical humming break out into an onslaught of distorted kick drums before dissolving into harmonic bliss.

‘Replacing A Scar With Another’ explores themes of self-sabotage and self-harm, how we often reject help that is offered to us, creating new wounds to tend to instead of mending the old ones and trading old harmful beliefs into new even more detrimental ones (“replacing a god with another”). ’Self-Surrender’ is about shame, self-deception, requesting others to ‘hold your light’ until the sun’s out while you wallow in the dark abyss of self-pity, but now the time to has come to face yourself. The ethereal production paired with a delicate melody is reminiscent of a haunting lullaby with ghostly voices creaking in the midst of ringing synths, before everything comes to a head for a disjointed crescendo.’ Abandon’ is the purge that marks the point of no return, stripping off your weakness piece by piece, like an exorcism through the brutal wall of noise that the song builds up to. The closing track ‘Tear Me Apart Until All That’s Left Is Love’ is the bittersweet moment of letting yourself disintegrate and splinter into pieces to make room for what lies at the core of it all. A soft landing back into your body, before the colossal aftershock kicks in and sends you on your way to what comes next.

The album is written, produced, mixed and mastered by Nori Kin and features artwork by Changeless-affiliated Helsinki-based photographer Markus Watkins & Nori Kin.

Here, I Abandon

Exploited Body - Self-Surrender

@jjjacob

Inspired by the iconic tradition of the sample pack, the Source Folder series seeks to explore the diversity of interpretations, paths and offsprings that might emerge from a common resource. In each installment, a member of the Global URL Nation provides a sample pack from which other artists are invited to create a new track.

((o))
For this second edition, we welcome long-time collaborator Bademjan - a French artist blending heavily processed instruments with arcane atmospheres and raw emotions to unveil the sublime in their delicate intricacies.

For the project, he drew inspiration from early video game music, challenging 14 artists to collaboratively imagine the soundtrack of an ethereal, otherworldly video game. At the heart of the project is a collection of 25 custom-designed instruments – a unified palette of ambient washes, celestial leads, and weathered textures – that served as the exclusive sound source for the tracks, reminiscent of the creative limitations of the 16-bit era.

((o))
The result is a compilation of 14 tracks by aeria, B E N N, commun des mortels, False Self, Guenter Råler, Indigoblue, jjjacob, Léo Dubois, Levier, Lukann, Peow Beow, Sçlé, Sioban and Sopoorific.

Each track feels like a gateway to its own unique realm, a portal to its own liminal space, where wistful melodies and haunting textures intertwine. While some tracks evoke a tender nostalgia, wrapping the listener in bitcrushed warmth, others explore darker, more mysterious tones – all coming together beautifully as an immersive journey through uncharted dreamscapes.

((o))
The source folder containing the sampled instruments is available for anyone to use at this link : 
https://clublatemusic.com/resources

Cover and visual works by Yann Le Frit
https://www.instagram.com/ynhame_lefrit/

Mastering by Bademjan
https://www.instagram.com/_bademjan/




premiere: jjjacob - Dragol Steps [label: Club Late Music]

Paladion (super slowed)

Ethereal Nebula Voyage

@bugab
Graphic design by Andreu Serra
Video by GVN 908 : https://www.youtube.com/watch?v=xGuuHE56v_I

Buga - Visions Of One Truth

JWR030
Lensk-Apophenia(Lost Time)
August 15, 2019

https://soundcloud.com/anonymouscomplicity
https://www.facebook.com/Mesticopl/
https://www.instagram.com/lenskx/
https://www.facebook.com/lenskx/
https://twitter.com/lenskx

Remixes by
https://soundcloud.com/evitceles
https://soundcloud.com/frktl

Artwork by Filip Preis
Mastered by SIM

Lensk - Waves Without Weight (Evitceles Remix)

musical unearthing platform

"they are them"
"we are us"

Mixfile Series
https://soundcloud.com/jeromemixfileseries

contact/demos:
info@jeromeworldwide.com

Lensk - Waves Without Weight (Evitceles Remix)

JEROME

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